Celebrate the Lunar New Year with 'Dragon Dancer'! - Interview with author Joyce Chng

Joyce Chng is a Chinese-Singaporean author who is passionate about diversity in publishing, particularly children's fiction, werewolves (especially when spotted in urban Singapore and space), and damn good writing, no matter where in the world it's written. 

She has also written a GORGEOUS tale for Lunar New Year with a touch of fantasy. 

Edit added Feb 5th: Take a look at the new book trailer below!

Isn't that stunning? But it's not just the illustrations that make this book special. The prose is so wonderful, reading aloud transforms the room you're in and takes you to a magical place. The illustrations support the story so well they seem to dance off the page. We love it here so much it's become a tradition to read it every Lunar New Year. 

Google doodle for 2019 Lunar New Year - produced by Elaine Zhu
This is actually part of an AI shadow puppet game you enjoy playing HERE.

The dragon, Shen Long (also the name of a spiritual dragon from Chinese mythology) is a character we all fell in love with instantly. The first time we read it, our youngest member spontaneously applauded at the end of the book! Now, older, he still looks forward to it, and requests multiple read-throughs, asking about all the various aspects of Lunar New Year traditions and what they mean, so we are doubly thrilled to be able to ask Joyce a few of his questions on celebrating Lunar New Year in Singapore, and add some questions of our own about her fairy and folktale influences and loves.

Note: all the illustrations for 'Dragon Dancer are by the amazing French artist Jeremy Pailler. You can find more of his work at his website HERE. In the meantime, enjoy a sampling of his work through this interview with the very gracious Joyce Chng.

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Thank you so much for taking time out of your celebrating to talk about 'Dragon Dancer' today Joyce.
JC: Thank you! I am honored to have this opportunity to talk about Dragon Dancer and Shen Long. :)

OUAB: Your writing is very atmospheric and truly dances through the descriptions and story. Having a strong dance background (albeit a different discipline), we were impressed by how much movement you evoked through your text! What was your inspiration? Have you ever been a lion dancer or apprenticed as one? (Could we have caught you acting out the movements as you wrote the text?) 
JC: I love lion and dragon dances. No, I am not a lion dancer nor was I apprenticed under a sifu. I just love the art form and the martial art behind it. I also watch a lot of lion and dragon dances. So I have theoretical knowledge, hehe. :)

OUAB: Is there a Chinese folktale or legend that the sky dragon, Shen Long, is based on?
JC: I don't know if there is a Chinese folklore or legend. But Chinese dragons are known to be benevolent and often are harbingers of great news. 

OUAB: Does Shen Long and Yao's dance describe a similar ritual to that which traditional lion dancers are enacting (seen more often in Western cities than the long dragon performance), or is it unique to dragon dances? (Do dragons also eat lettuces?)
JC: I think the dragon dance has its ritual though it overlaps with the lion dance. The dotting of the eyes symbolizes waking the dragon or lion. (They don't eat lettuce!)

OUAB: What else is included in the book (in words or illustrations) that represents other important cultural customs of a Lunar New Year celebration that people not familiar with the culture and symbolism would miss?
JC: The importance of family and the continuation of tradition. The mention of Yao's granddad. It's during Lunar New Year we also honour our elders (grandparents and parents).

OUAB: What Chinese fairy tales do you wish were better known around the world? (Any you're planning on retelling at some point? Hint, hint!)
JC: Chang' E flying to the moon. (Hopefully... One day...)

OUAB: What is your take on POC authors retelling popular fairy tales, such as Goldilocks, with a (for example) "Chinese twist"? 
JC: I think that's perfectly fine and awesome. That as POC and non-white folk, we view such tales with our own lens and perspectives. 

"I believe mythology and folklore gives us the space to re-myth or re-tell the story in our own terms."  Joyce Chng

OUAB: Apart from buying (and therefore supporting) tales retold by POC authors,  and reading them to diverse groups of kids, how do you suggest folk without an Asian heritage, who dearly love Chinese fairy tales and folktales can help tell and spread these tales? Any do's or don't's?
JC: Ah. I am grateful for the enormous appreciation and respect for Chinese fairy tales. Signal boost and highlight POC telling these stories. Let them tell them. And many of us have grown up in diverse backgrounds (many of us hail from the diaspora). So we bring many perspectives to the table.

OUAB: Are you ready for a lightning round - or should we call it a firecracker round - of questions?

JC: Yes please! 

OK - Go!

Two of your favorite folktales and/or fairy tales?  Chang'Er flying to the moon. Yang women generals.

Two favorite fairy tales/ folktales from any other culture?  The Firebird. The Little Mermaid.

Favorite Lunar New Year food?  Peng cai.

Favorite Lunar New Year custom?  Collecting red packets.

Favorite dragon ever? (After Shen Long of course!)  Draco from Dragonheart.

And... time!

Wow. What a lot of awesome insight you've given us here! 

Thank you so much for being with us today Joyce. 

Wishing you good luck, continuing success in your publishing and health for you and your family in the New Year!

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And readers, if you're wondering what any of these answers are referring to, let us wish you good google-fu as you do a little digging and discover for yourself. ;)

JUST A FEW OF MANY GLOWING REVIEWS:“A visually lush and stunning selection that is textually atmospheric and evocative. A fresh take on one of the most iconic symbols of Lunar New Year. Pailler’s intricate watercolor illustrations truly stand out. They gorgeously complement and elevate the text as Yao and the dragon slither and dance across page spreads and make striking use of white space. – Jennifer Rothschild, Arlington County Public Libraries, VA, for School Library Journal 

‘This is a book that celebrates the power of the imagination and the traditions of another culture. The illustrations waft darkly across the page, never revealing the whole picture but disclosing more the longer you look. The language is evocative and rich; it is a great book to read aloud. Together the illustrations and words compliment each other beautifully creating a dreamlike story that would also be an excellent educational springboard for exploring New Year festivities.’ – Seven Stories, National Centre for Children’s Books 

‘I burst into tears the first time I read it, both when Yao and Shen Long triumph over bad luck, and when Shen Long, as both ancient sky dragon and grandfather, expresses his pride in Yao’s dance. This is exactly the kind of story that I wish I had been able to read to my children, but it’s just as powerful to me as an adult.’ – Jen Zink, Hugo award-winning podcast The Skiffy and Fanty Show 

‘Dragon Dancer is a gorgeous book that draws on ancestry, legend, and tradition for Lunar New Year reading. The text pulses with the energy of the dragon dance, the art coming alive from the page as the dragon writhes, corkscrews, and spins away misfortune and welcomes in prosperity. The music in the story urges dragon and dancer on, and draws the reader into the narrative: you can feel the drums pounding, the cymbals clashing, the crowds cheering. A note from the author provides a bit of personal experience of the New Year celebration. This one’s a definite purchase for my holiday collection.’ – Mom Read It

'Dragon Dancer' is available through many online retailers. We suggest you buy your local library a copy and donate it to be read for the next Lunar New Year!

BUY DRAGON DANCER HERE:

Joyce Chng is also one of the editors of a unique collection of stories, titled 'The Sea Is Ours - Tales of Steampunk Southeast Asia' (edited by Jaimee Goh and Joyce Chng). It's on our 'to read' list. Here's the description:

In The Sea is Ours: Tales of Steampunk Southeast Asia, technological wonder merges with the everyday: children upgrade their fighting spiders with armour and toymakers create punchcard-driven marionettes. The fantastic has always been part of our landscape: large fish lumber across the skies, aswang represent diwata to faraway diplomats, boat people find a new home on the edge of a different dimension. Technology and tradition meld as the people adapt to the changing forces of their world.Steampunk takes on Southeast Asia in this anthology, infused with the spirits of its diverse peoples, legends, and geography. Delving into local alternate histories, we will introduce you to a dynamic steampunk world quite different from the one you may be familiar with.

You can find Joyce Chng in the following places around the web:

Website  -  A Wolf's Tale

Twitter (most days!)

Amazon author page

Theater: IBEX Puppetry's "Ajijaak on Turtle Island" Features Creations from Jim Henson's Creature Shop

The New 42nd Street Presents at The New Victory Theater

Ajijaak on Turtle Island

Contemporary Native American Story by IBEX Puppetry

Co-directed by Heather Henson and Ty Defoe

Featuring Puppets from Jim Henson’s Creature Shop™

Opens March 1

From the press release: Visionary puppet artist Heather Henson and Grammy-Award winner Ty Defoe (Come to Me Great Mystery) bring together an ensemble of North American First Nations Peoples in this compelling production produced by IBEX Puppetry, written by Defoe (Straight White Men) with music by Kevin Tarrant (SilverCloud Singers), Grammy-nominated Dawn Avery, Grammy winner Larry Mitchell (Totemic Flute Chants) and Defoe. Ajijaak on Turtle Island, currently on tour throughout the U.S., performs at The New Victory from March 1 - 10, 2019. (New York, NY)

Based on original storyboards by Henson, the daughter of legendary puppeteer Jim Henson, Ajijaak on Turtle Island shares the story of young Ajijaak, a whooping crane who must face her first migration cycle on Turtle Island (North America) after being separated from her family. Along the way, she encounters deer, buffalo, a coyote and turtles, as well as communities of people from Ojibwe, Ho-Chunk, Lakota and Cherokee Nations, living in balance with their environments. When they share their prayers, songs and dances that celebrate life on earth, Ajijaak finds the meaning and strength of her own song.

“We are thrilled to bring Ajijaak on Turtle Island to The New Victory to share this evocative journey with the next generation of storytellers and change-makers,” says Heather Henson. “I am grateful to be able to bring together my passion for visualizing environmental issues with Ty’s incredible storytelling, and look forward to celebrating the talented artists who bring this show to life.”

Puppets from Jim Henson’s Creature Shop™, indigenous songs and dances, and video projections create a transformative experience that honors contemporary Native American cultures and celebrates the harmonious relationships between humans, animals and the environment.

“Native nations assist us in reflecting on how we are taking care of and taking action for the environment. Ajijaak on Turtle Island is a metaphor for how we can be better stewards of our Mother Earth and one another,” says Ty Defoe. “I was inspired by my lived experience and journeys across Turtle Island—with continual visits to landscapes, cousin nations, and communities, and in speaking with elders and youth—to learn how ecological knowledge and sacred wisdom from indigenous people can be shared.”

Ajijaak on Turtle Island is written by interdisciplinary artist Ty Defoe of the Oneida and Ojibwe Nations of Wisconsin, with lyrics by Defoe and Grammy and NAMA-nominated Dawn Avery of Mohawk descent. Music is by Avery & Grammy Award winner Larry Mitchell (Totemic Flute Chants), Kevin Tarrant of The SilverCloud Singers and of the HoChunk Nation of Wisconsin and Hopi Tribe of Arizona, and Defoe. The production also features designs from Christopher Swader and Justin Swader (Scenic), Katherine Freer (Projections), Marika Kent (Lighting), Emma Wilk (Sound), Lux Haac (Costumes), and Jim Henson’s Creature Shop™ (Puppet Design & Fabrication).

The cast includes Tony Enos (Echota Cherokee), Joan Henry (Tsalagi, Nde’, and Arawaka), Wren Jeng, Adelka Polak, Sheldon Raymore (Cheyenne River Sioux), and Henu Josephine Tarrant (Ho-Chunk, Rappahannock, Hopi and Kuna).

Ajijaak on Turtle Island is the result of many years of collaboration between Henson and Defoe exploring the resiliency of both endangered whooping cranes and the indigenous communities that, like the cranes, have lived in harmony with this continent for thousands of years. As a trustee for the International Crane Foundation based in Baraboo, Wisconsin, Henson is inspired by the Foundation’s mission to conserve cranes and their landscapes. Defoe’s work in communities across North America explores the parallels between environment and identity using art to inspire others for cultural and social change. The world premiere presentation of Ajijaak on Turtle Island was in February 2018 at the La MaMa Experimental Theatre Club in New York City.

Check out the trailer below:

Ticket Information

Full-price tickets for Ajijaak on Turtle Island start at $17. Tickets are available online (http://www.newvictory.org) and by phone (646.223.3010).

To purchase tickets in person, the New Victory box office is located at 209 West 42nd Street (between 7th / 8th Avenues). Box office hours are Sunday & Monday from 11am-5pm and Tuesday through Saturday from 12pm-7pm.

About IBEX Puppetry

IBEX Puppetry is an entertainment company, founded by Heather Henson, devoted to health and healing for the planet through artistic spectacle, outreach, and devotion to the fine art of puppetry in all of its mediums. Founded in 2000 and receiving multiple UNIMA (Union Internationale de la Marionette) awards since its inception, IBEX Puppetry supports puppet art in the mediums of film, stage, gallery exhibits, workshops, and artist presentations. IBEX Puppetry produces Heather Henson's own Environmental Spectacles and Sing-Along events. IBEX also nurtures the creation and continuance of contemporary puppetry works by independent artists through the Handmade Puppet Dreams film series, The Puppet Slam Network and IBEX Presents.

Rappaccini's Daughter (unrolled thread from #FolkloreThursday)

For those that missed our exploration of Nathaniel Hawthorne's fairy tale short story Rappaccini's Daughter on #FolkloreThursday (via a thread of tweets over the afternoon), please enjoy it "unrolled" below. The theme for the week was plants and flowers. (Note: Twitter has a limited character count so language is necessarily brief and abbreviated at times to keep concepts within a single tweet. We have kept the original format - tweet by tweet - intact.)

Rappaccini's Daughter is a fairy tale/short story by Nathaniel Hawthorne about a girl who lives in a poisonous garden, having become poisonous herself due to her botanist/mad scientist father's experiments. A young scholar sees her over the wall & falls in love. #FolkloreThursday 

“..as if she were another flower, human sister of those vegetable ones—more beautiful than the richest— still to be touched only with a glove, nor to be approached without a mask. ...she handled & inhaled odor of several plants, which her father had sedulously avoided.”

Boy enters via a secret door, meets her, idly touches her 'sister' flower, she grabs his hand away - POISONOUS! - he finds a painful burn on it the next day. 

Love and poison spread on through the story. (Read the notes on the room cutaway attached for cool story details.)

"Beatrice is beautiful, but also poisonous. Readers expect a hidden evil (religious allegory). Beatrice maps easily to Eve, Giovanni to Adam, and the rendezvous-enabling landlady to the serpent. But wait - if the garden is Eden why is it all poisonous?" (Ruthanna commentary)

There's a nice tie-in with Visha Kanya - girls bred as assassins. "Their bodily fluids (some say touch or gaze) were rendered poisonous by a careful regimen of poisons countered by antidotes, until the immune assassin was in her own person a deadly weapon." Hello Poison Ivy!

Check this graphic summary of the Poison Ivy & Rappaccini's Daughter connection/similarities (including that Hawthorne's story has a strong underlying eco-message & Poison Ivy is actually an eco-warrior with zero subtlety). May need to right-click-open in separate tab to read.

There are some issues with the innocence/naivete of Beatrice - does she have to be so clueless?- but the science versus nature aspect of the tale is interesting, esp. as it underscores feminist issues (whether intentionally or not). Sadly it ends tragically -of course.

It's a rich tale that could use some attention as a movie or short series, especially with a sensitive writer keeping the layers intact while updating. Perhaps Beatrice secretly had a (plant-born) daughter before she died & named her Pamela... (aka Poison Ivy's birth name).

The beautiful animation development you've seen in this thread is by the talented Chi Ngo. You can see more of her work on this project (sadly never developed into a film) here: chi-ngo.com/rappaccini/

Rappaccini's Daughter seems to be most often 'retold' in operatic circles and it's easy to see why. Check out some of these beautiful productions.

It's difficult to find novels that have mined this treasure, but here's a couple: "The Strange Case of the Alchemist's Daughter" (@theodoragoss) has Beatrice as a character; "A Fierce & Subtle Poison" (Samantha Mabry) set in Puerto Rico using local folklore, bases the novel on it.

Favorite related books: "The Poison Diaries" hardcover by Jane Duchess of Northumberland (Author), Colin Stimpson (Illustrator) is part botanical workbook and part diary of a boy's (named Weed) own relationship with poisonous plants. The novel, "The Poison Dairies", tells the story.

Here are some of the amazing illustrations created for the 'journal' by Colin Stimpson.

Favorite #2 is "Wicked Plants: The Weed That Killed Lincoln's Mother & Other Botanical Atrocities" by Amy Stewart (Briony Morrow-Cribbs-Illustrator), which, interestingly, opens with a Hawthorne quote from "The Scarlet Letter" & discusses Rappaccini's Daughter in the intro.

There's even a coloring book...

And an exhibit based on the book! Check out the video promotion in which the author speaks about her book, poisonous plants and creating the storytelling exhibit. (It's super cool!)

I'll finish by adding a screenshot of the quote which links "The Scarlet Letter" and "Rappaccini's Daughter", from the beginning of "Wicked Plants" (by Amy Stewart). 

(Art above by Marta Dahlig-Orlowska, "The Poison Garden")

Thank you for exploring this fairy tale femme fatale with me today! 

Note: The Poison Ivy portrait is by Joshua Middleton - Variant cover of Batman vol. 3, #26 (Sept. 2017)