Friday, June 2, 2017

Gans' Gorgeous 'Beauty and the Beast' Is On Netflix!

We know lots of readers have been waiting a very long time to see this. Now Netflix has the English language dub of this sumptuous French live action retelling of Beauty and the Beast. (The original actors are the voice dubs -they just re-recorded their lines in English, but the movie was shot in French - so English dub, despite the great voices, doesn't match lip sync.) 

Other great news, you can also choose to watch it in the original French - with or without English (or Spanish) subtitles! (It's been very difficult to find a disc that gives this option.)
It's not Disney. It's French, luscious and has much more in common with the French literary versions. Here Beauty has siblings, her father is a merchant and there is a new-but-feels-old mythical aspect to the Beast's backstory that is probably our favorite addition to the story. There are also a heck of a lot of Cocteau homages and you simply can't help but be amazed by the visual aesthetic brought to the whole production. Even the 'pedestrian' scenes without magic have a glow about them, while any scene with magic is breathtaking.
It's biggest criticism is people finding the beginning slow, or that it has "all these extra things about the family", but if you're expecting a musical with animated objects, instead of the merchant backstory and the tale being told to children, perhaps it might seem that way. This version initially develops the character of Belle in the context of her family, like the written version, and shows the strain which they are all under, echoing other themes throughout the better-known parts of the story. Despite having no dancing enchanted tea sets, and some additional human drama, this version has a lot of magic - a LOT.

Every frame is beautiful and the magic is, well magical, rather than just fancy fantasy.

Take a look at the English trailer:
Yes, it's not Cocteau, but if you like fairy tale and fantasy films, you'll be doing yourself a disservice not to check this out. It's a well made and beautiful film. The costumes are gorgeous, the effects are amazing, and it incorporates the importance - and magic - of the garden and roses. (And we love the use of statues.) There's thrills and adventure, romance, mystery, and sweetness and Belle and the Beast have a feisty, interesting relationship that develops in an unusual way. Vincent Cassel as both Prince and Beast is very compelling, (complete with very decent creature make-up and VFX) and Léa Seydoux as Belle is the stunning and modern fairy tale heroine you wish more films had - accessible and gracefully adapting to princess mode without losing that appeal. Most notably, Belle is so independent and has so much agency, even when staying 'true' to her time period, that it doesn't have that whiff of Stockholm syndrome other versions are criticized for.

The Beast has a story, Belle has a story, everyone in this film has their own story and they weave together affecting each other but none of them change their essential natures until they're ready to take that step themselves. (And you're not disappointed when the Beast transforms at the end!)
           
Here's a full clip (in French with English subtitles) in which Belle is late in joining the Beast for dinner. Just know that his story is more complicated (and satisfying) than it appears, even here.
Possibly the most basic and best thing is that this is a full-on fairy tale film. It's a big story, with a lot of scope and once the magic starts happening you are neck deep in fairy tale mode, never to leave again until the credits roll. It also has all the 'original' Beauty and the Beast fairy tale bits and pieces missing from other remakes (though it doesn't get waylaid by fairies or fairy politics, thank goodness!).

We only wish we could have seen this in the theater.

Thursday, June 1, 2017

AFTS Ezine Sleeping Beauty Issue Publishing This Week + AFTS 2017 Conference Program Line-Up Released

And yes, that's why we've been so busy. It's a bumper issue (60 pages!) with a lots of diverse new fairy tale works - from short stories, to stage, to storytelling, to sci-fi and much, much more! The issue includes an AFTS exclusive preview chapter from Kate Forsyth's new book 'Beauty in Thorns', (we've read it - it's amazing!), and a wonderful look at her writing process in weaving together Sleeping Beauty with the romantic and notorious stories behind Edward Burne-Jones' 'The Legend of Briar Rose' Pre-Raphaelite paintings, in a special interview. We already recommend this book, and may just have to import a copy from Oz for our library as soon as hard copies hit Australian shelves this July.

The ezine is available to Australian Fairy Tale Society (AFTS) members only. (It's one of the many benefits of paying an annual membership of $25.) Want to join? You can sign up HERE.

AFTS members:
watch your inboxes this week for the private member link to download, so you can see it in its proper - and very pretty - magazine format.
Expect lots of wonderful fairy tale reading in your very-near future!

We also want to take the opportunity to mention that the program for the 4th annual conference for the Australian Fairy Tale Society has also been released. The event will take place right after the Australian Winter Solstice on Saturday, June 24th 2017. Please find the program flyer below, designed by our News Hound, Gypsy Thornton, using wonderful artwork by world renowned, Australian artist Kathleen Jennings. Click to view full size.
Artwork used by permission: "Exotic (Thumbelina)" by Kathleen Jennings
You can find more information about the conference and register HERE.

Wednesday, May 31, 2017

Léon Bakst's Oddly Compelling Sleeping Beauty Series (with Commentary)

Close-up of Rothschild Sleeping Beauty panel by Léon Bakst
We're including information about these amazing Sleeping Beauty panels at the end of the post, but for fun, we decided to post these panel paintings with our own commentary, to draw your attention to some unusual - and amusing - aspects of these scenes.

Note: almost all symbolism is being thoroughly ignored in favor of first impressions, and any art history analysis is completely accidental.

Let's begin at the first panel, showing the moment the christening went horribly wrong:
The Bad Fairy Visits the Christening
So here we have the 'bad fairy' talking directly to the King, who looks bored, and a more concerned Queen. Meanwhile, on the floor, rats are swarming toward the cradle and the nannies are busy being very protective of the baby. One of them looks horrified and is choosing to shield the baby from the fairy, despite rats looking to make their way up her skirts, while the other is working on stopping the vermin with some good whacks of her, whatever that is - a fan?

It's a bit hard to tell if the rest of the folk are in shock, have no idea what's going on or are so bored they don't care.

Before we leave, we have to draw your attention to whatever is going on behind the curtain. We don't know what it is - but something shady is going on. (Perhaps the Bad Fairy's visual effects crew setting up? They're in black with those tell-tale floating heads of a backstage crew. Whomever they are, they 're about to be found out by the person wrapped in a gold, er, wraps, in front of them.)

Next: the Good Fairy takes her chance and gets a promotion up the fairy ranks with her bold initiative: while she's not powerful enough to stop the curse, she can bend it a little.
The Good Fairy's Promise
Here we see the Queen forgetting about her designer dress (though her ladies in waiting look to have been aware of the optics and fanned it out to best effect on the ground), crouching on the floor near the cradle, clearly begging for help from the young fairy, while the nannies are being perfect back-up nannies, having jumped to assist immediately, and apparently having banished the rats very effectively to follow their mistress.

Meanwhile, poor nervous apprentice fairy seems to have a body odor issue, as evidenced by the looks on the faces of the people next to, behind and across from her. (You thought they were magical radiance lines, like we did at first, didn't you? Well now you know. She just stressed.)

The royal guard have rushed at the cause of the initial commotion and are forcing the old woman - and her rats - out the door, perhaps overdoing the threat factor a little with that giant axe being swung at her head. Good thing she seems to have ducked in time. The painting behind her is looking on in a very judgmental fashion, but what can you expect from folks stuck on a wall in such a situation?

Meanwhile the King appears to be protecting his royal jewels and trying to not look as if he's lost control of the situation, (is that pregnant lady looking at him from the background very pointedly?) while the young fairy is looking a little wavery, like she's barely holding it together herself.

Oh and by the way, looks like the baby got a preview of the sleeping spell there. She's turned over and is looking pretty happily asleep now.

Fast forward fifteen and a half years to see Briar Rose checking out a teeny, squishy tower room, complete with foreshadowing crow in the top right corner:
The Princess Pricks Her Finger On A Spinning Wheel
Through a strangely distorted fish-eye-type-but-not-quite lens we see Beauty, who looks like she stole out of her dressing room in her underthings while no one was looking, having found a cool looking door, opened it and let herself in (because she's a princess and doesn't need to ask permission). 

The spinning woman, who can't seem to fit her spinning wheel anywhere else except next to the gigantic unsafe window, looks rather concerned her over-sized cat will escape out the open door, but Beauty is oblivious. In fact, the girl seems to be making it even more awkward for the old woman in that space, to the point where granny has just caught her wheel from being knocked over. Luckily, the enormous cat, likely full-bellied from having a lot of that creamy milk, is totally occupied with a gigantic ball of yarn (though it's clearly keeping escape as an option out of the corner of its eye).

Meanwhile, the bird in the cage is savvy enough to rock its prison so it will get launched out into the air, and dumb enough to not realize there's no door... The crow, watching, seemed to be finding this behavior quite stupid and Darwin-esque, so is so relaxed about it all, he's leaning on the wall, just waiting for his moment.

Knowing Beauty is about to swoon into an enchanted sleep, it seems more likely that she'll fall out that low-silled tower window, or impale herself on the spindle, rather than on the floor, at this point, but really, with a cat, a crow, a crazy bird and an off-balance old woman in the mix, anything could happen.

Cut to dear old dad calling on the Good Fairy (who has taken advantage of her job promotion to afford herself a chariot pulled by dragons), saying something along the lines of: "Halp! The thing the ugly one said came true, and Beauty's mother isn't around anywhere to fix this, so now I have to figure this mess out... Please? -whine, whine - I'm old and stuff, and shouldn't be working on fixing stuff any more..":
The Aged King Pleads with the Good Fairy
The dragon is looking at the gathering murder of crows and thinking "lunch?". The fairy, in upgraded designer garb, is looking dubiously at the jeweled cushion thingy her POC servant seems her to want to step on, effectively ignoring the King (who conveniently is wearing the same outfit as the last time her saw her, to help her recognize him), though the monkey is offering to take it if no one else wants it. The king has had the presence of mind to employ some convenient POC helpers with his cloak, although they're having issues because either they're the only ones who have noticed the dragon and are appropriately terrified, or are the only ones who can see it.

The self-important guys behind the King seem to be discussing the fairy's outfit and looking at her ankles, while the folks below clearly can't hear anything over the racket of the trumpet by the knight doing double-duty as a herald. (It could be our imagination but it looks like the African herald-helper just saw his long lost brother above, with the cushion, so he's sent the monkey up to get his attention, but the monkey is distracted by the cushion... sigh.)

So the Good Fairy does her thing and send the entire castle to sleep (and we need to give her a break because it looks like this is her first time trying her spell on this scale):
The Princess and the Court Fall Asleep for a Hundred Years
She doesn't do it very adroitly. Unlike other paintings where people fall asleep gracefully, here folks clearly collapsed right where they stood, including a couple who unfortunately face-planted, while others knocked heads together pretty hard on the way down. At least the guards' armor seems to be helping prop those guys up. As long as the end guy doesn't fall over, they should be good for a few years, until they rust in place together. The cricks happening in some of those necks are going to need a miracle of their own to survive though. Yikes.

It's not clear if the fairy did a Miracle-Gro spell on the plants around the castle at the same time, but it's either that or the royal gardeners have not been doing their jobs, because the moss and mold is out of control already, and it's only 'day one, a hundred years to go'. Eesh.

The fairy looks less than impressed with the whole effect, like the vision hasn't matched the outcome, but from the way she's holding her arms she's not going to bother re-doing it all, especially since she appears to have become flammable. (Perhaps her dragon is in the background and isn't fully trained yet.) At least she remembered to get Beauty out of the tower and onto a proper bed. Not too terrible for her first proper assignment.

Fast forward again, but this time ninety-nine years, nine months and twenty-nine days, to when a more modern Prince finds himself in the vicinity of the legend:
The Prince Out Hunting Sees the Castle Where the Princess Lies Sleeping
So perhaps he's not modern enough for even a Galileo telescope, and he's clearly not modern enough to treat his companions any better than a literal footstool, but this Prince, in his latest skinny-jean fashion-pants, has caught sight of something he likes and he's going to change everyone's plans by making that his new adventure. (His horse doesn't care - he found a good crop of grass and is going for it.)

His advisors are estimating the distance to the walls, not looking happy about the setting sun and the terrain between them and the prince's new ambition. To complicate matters, they all seem to have different ideas about which direction to take is best. The dogs only care about their dinner, which the guy who fell down the hill a little was holding.

Meanwhile, the prince's buddies are tooting their own horns - literally - while trying not to tear their own fashion-pants on the twisted dead tree branches that are stopping them from falling over the edge of the cliff. And all this as the wind is getting stronger and flopping their sun hats and fripperies around, making it clear their fashion choices for this venture have leaned toward hazardous.

 Cut all the boring bits about the Prince hacking his way through to the princess.. but wait: is this even the same guy? Maybe not. Which, would make sense, considering the scene above. And frankly, that's fine. He's dressed more appropriately for finding a princess and declaring himself to also be royal (the crowns make the theme kinda obvious: 'Princess Alert!'. If they could have been flashing, perhaps they would):
The Prince Discovers the Princess and Wakes Her With a Kiss
So Sleeping Beauty wakes up and although she's aged well for a hundred years, she's not sixteen anymore. (Hopefully that's a good thing.) Not sure when she got moved from the tower with the open window to this fancy boudoir but room theme should make it obvious she's got good breeding, even if her nightie is outdated and she speaks in medieval-ese.

The dog isn't completely sure he approves of this hand kissing business, though the princess is doing her best to be gracious (despite that what she really wants is a glass of water to rinse her mouth out, or maybe just a bathroom and some privacy). The prince isn't exactly sure he's doing the right thing either, all the while, keeping a close eye on that dog, who clearly believes he has dibs on princess-cuddles, and can you blame him?

And where is everyone else? That part isn't clear. Maybe their stasis spells weren't as effective as the one on the princess, but that's OK. As long as she's there, and can take that heavy crown off her head at some point really soon, all's good, right? The look on the princess' face says she has other thoughts about that though...

And so her real story begins...
[End of non-official, non-researched commentary.]

Note: Léon Bakst is probably best known for his association with Diaghilev’s Ballets Russes and his opulent and inventive costume designs, that influenced the fashion and design world at large. He also created set designs and backgrounds for ballets but these Sleeping Beauty panels he created (aka The Sleeping Princess in the Wood), on commission for James de Rothschild in 1913 and finished in 1923,  seem largely unknown outside the art world, apart from the woken princess panel. (His costume designs for Diaghilev's Tchaikovsky production were rendered in 1921.) The paintings are from an era when people took their time looking at paintings, discovering details and aspects included at the artist's whim and own commentary. We just felt these panels included so many unusual elements that it was worth sharing our own commentary, because, after all, the eye of the beholder is where Beauty's true state is. ;)

Sunday, May 21, 2017

Garrone's Live Action 'Pinocchio' Gets Harry Potter SFX Wizard

Pinocchio, which is currently being sold at Cannes, has signed one of the most sought after special effects folks in the business, Nick Dudman. We are guessing he is currently trying out a variety of noses for his new project...

We reported a while back on Italian Director Matteo Garrone (Tale of Tales) and his latest passion project, a live action, personal retelling of Pinocchio, which he is also writing. (You can find that earlier post HERE.)
Dudman told Variety that the new Italian-language “Pinocchio” will have a “flavor and look that’s quintessentially Italian” and will be different from what audiences are used to seeing in mainstream fantasy films. “It’s a very personal journey for Matteo,” Dudman said. “They are doing something very different from previous versions. It’s very dark.” 
“’Pinocchio’ is a dream of mine that goes back to when I was a child,” says Garrone. “On my desk I still have my own personal ‘Pinocchio’ story-board that I drew and colored in when I was a kid, and which is one of my most cherished mementos.” 
... Production is expected to begin in early 2018 in Sicily, Calabria and Tuscany. (Variety)
We're looking forward to see how this develops, if we can. Garrone was pretty strict with his closed sets on Tale of Tales, but this is, at last information, still supposed to be a family film and should be very different from everything Garrone has done to date. Either way - we won't have seen a Pinocchio like this one before.

In case you missed the note, it's been confirmed that unlike Tale of Tales, this film will be in Italian.

Saturday, May 20, 2017

Portlandia's Carrie Brownstein to Direct 'Fairy Godmother'

We have to agree with the writers at iO9. This movie, that we had relegated to the don't-even-bother corner did just get way cooler!
Yes, that’s Carrie Brownstein of Portlandia fame, who in addition to being a comedy god is also an acclaimed author and a rock star. She could probably pick any project to make her feature-film directing debut, but something about Fairy Godmother must’ve appealed. According to Deadline, the script by blogger and playwright Chiara Atik sparked a bidding war last year, and it offers a spin on the classic fairy godmother story: 


'When sought after Fairy Godmother Faye is hired by a mind-bogglingly gorgeous teenage client, Kenzie, to find her true love with the hottest prince in the land, Faye finds herself facing an unfamiliar challenge when the prince starts falling for her instead.' (iO9)
Hm. Unless the description isn't disclosing some fabulous take on this, Carrie Brownstein really is the only thing keeping this movie from the 'likely to ignore' pile. We must have faith in the Brownstein and believe... (clap hard!)
                

Asleep Means 'No' For Sleeping Beauties Too

Illustrator unknown, coloring by child
Warning: this post references real news. If you are sensitive or have trigger issues, you may wish to stop reading.

On reading this awful news story, we're thinking this is the true dark side of society being familiar with, well, the dark side of fairy tales. Who would have thought the trigger warning often attached to an old fairy tale telling would be used as a defense in court?

And yes: before you continue:
TRIGGER WARNING
Though we are not including details, this article references sexual assault.
Please practice self-care in reading below.

This is the very real headline from May 18, 2017:

Doctor accused of drugging, raping patients claims ‘Sleeping Beauty fetish’

We repeat, this is not a drill. This is horribly, awfully real.

Here's the very weird testimony, recorded in court, as reported by ReviewJournal:
A suspended Las Vegas doctor accused of drugging and raping unconscious patients told jurors Thursday that he had a “Sleeping Beauty fetish,” which he acted out and videotaped with a woman during an affair.
... He acknowledged that she appeared unconscious in the recordings, but said the woman was actually awake and playing a role to act out his fantasy.
“Sleeping Beauty, kind of like a Disney movie, right?” prosecutor Alex Chen asked.
The doctor replied: “Sleeping Beauty meaning princess.” He referred to what’s known as somnophilia...
We're going to stop there, and let you look up the last word, in case you can't guess it's full meaning, because it goes on and gets worse, so if you want to read more about this bizarre "fetish defense" and what ensued in court, you can go to the article HERE.

Perhaps you are wondering, why on earth are you posting about this horrific thing on your lovely fairy tale blog? The thing is, the 'lovely' side of fairy tales is only one aspect of those tales. We all know there are many harsh and horrific ones, but society tends to relegate them to research, to case studies, and yes, to 'stories'. 

But we want to remind people that for many of us reading fairy tales, these issues are NOT stories. That they're real - newsworthy real. Perhaps they don't read so specifically like a dark old version of a fairy tale, but take out the 'wonder' aspect and you realize fairy tales are talking to us about the human condition, about human behavior, and about consequences and our choices.

We want to acknowledge all those who have survived their dark moments and have the courage to continue their tales. We want to acknowledge that it's a daily challenge and respect every second they choose life as a result. Like this photo from a set of survivor photos who chose the art of photography to communicate how they felt after being assaulted. (The photographer is a survivor too.)
Photo of survivor 1 by Elisa Iannacone"In the original fairytale, the princess is asleep and the prince rapes her.
I felt like 'Sleeping Beauty' and could have stayed in that tower forever."
This is one of the reasons fairy tales resonate so much, with so many people - because they talk about real, harsh, horrible things - things with consequences. Society is, in many ways, different now than it was when these tales were told, and again from when they were written down, yet it many ways it remains the same. It's acknowledged it was still a very bad thing 'before' but now that women are not property, the brutal behavior of what humans are capable of is even clearer.

The thing is, we're supposed to learn from the past, and yes, from fairy tales, to make the future better, not to twist it and curse others. We believe that in sharing these tales, our tales, with others we can share our support, and acknowledge that despite all of the dark, that we are not alone in our journey out from under that pall. Together we can resist the ongoing influence of those who believe they can impose their wills -and bodies- on us, and together we can help create a stronger protection for more of the dreamers to come.

Let's retell this fairy tale our way.

Note: as the court case stands, the doctor in question has been suspended from practicing indefinitely, however, jurors have not yet reached a consensus, and the deliberations will continue next week. We will not make an effort to follow this story, so if you wish to know the outcome, please refer back to the article and the links provided there.

Coming in October: 'Tales of Wonder: Retelling Fairy Tales through Picture Postcards'

We need this! Since the advent of Pinterest (our happy place on the internet), people have collected all sorts of obscure fairy tale postcard images from auction sites, Ebay and their own scans. There have been so many new-to-us images, it's like a portal to how painters at the turn of the century (in particular), viewed fairy tales, not to mention just how very many there have been over the years, that we had no idea existed until quite recently. We're sure this new volume will have much more than just these (we are talking about a Zipes book where, so no doubt there will be tons of chewy informational goodness as part of the package) but we're looking forward to filling in the gaps on how fairy tales have been visually represented - and spread around the world, via airmail in particular (so traveling from country to country), over time, and what impact that has had on how fairy tale impressions and images have been disseminated.

Take a look at the juicy description. (We are so excited about this study! And note the bonus Marina Warner input):
The most familiar fairy tales call to mind certain images: Little Red Riding Hood, Puss in Boots, Snow White, Cinderella, Rapunzel, Sleeping Beauty. Yet these visions often merely reflect illustrations encountered in classic tellings of the tales. The postcards gathered here by one of the world’s foremost scholars of folk and fairy tales tell another story—of the remarkable range of interpretations and reimaginings these tales have inspired, captured, and conveyed picture by picture in this singular form. 
A pictorial history of fairy-tale postcards from the late nineteenth century to the present, Tales of Wonder presents a fascinating look at how key scenes of fairy tales have been rendered over time, suggesting a rethinking and reliving of the tales through the years. 
Drawn from the author’s collection of more than three thousand fairy-tale postcards from around the world, these five hundred beautiful illustrations reproduce oil paintings, watercolors, photographs, ink drawings, and silhouettes—all evincing the myriad ways popular artists and their audiences have reimagined these tales. After an introduction and general history of fairy tales in postcards, the book features Jack Zipes’s own translations of the most classical fairy tales in Europe and the United States, including versions by Charles Perrault and by Brothers Grimm. 
The fairy tale is not just once upon a time: it is, as fairy-tale postcard, a particular if not peculiar expression of a time, created by talented artists and innovative publishing companies. Tales of Wonder tells this intriguing history of the postcards as well as providing new perspectives on familiar stories.
Aside: Whoa. Jack Zipes has more than three-thousand fairy tale postcards from all over the globe?! How awesome is that?

(Translate: we are a little jealous and wish we could visit, have tea and look at every one!)

'Tales of Wonder: Retelling Fairy Tales through Picture Postcards' will be available October 10, 2017 but you can pre-order now.

Note: artists of fairy tale postcards aren't always easy to figure out. Click the images to enlarge to full size. Most have an artist signature of some type, though they're not always straight forward to interpret. These images do not represent the content of the book. They are meant as examples of genuine fairy tale postcards only.

Friday, May 19, 2017

'We Are All Connected' (for World Wildlife Day)

In honor of World Wildlife Day we're posting this incredibly gorgeous short film, made for the World Wildlife Fund and presented by National Geographic, with origami art and stunning paper animation, that beautifully and artistically highlights the message of Wildlife Conservation.

The film's title and message is 'We Are All Connected':

Different miniature paper animals move across the various landscapes of an office environment, underscoring what was affected for each supply, telling their stories as they go, and showing us how they are all connected to us. It isn't too much of a stretch to see a folktale connection of storytelling and animals fables, with stunning use of origami, folding itself out of ordinary lined and colored work papers, coming to life and racing away.
From the description on YouTube:
Paper predators and prey spring to life in this visually stunning short from directors Dávid Ringeisen & László Ruska. An ordinary desk and typical office supplies are the backdrop for this micro-universe that carries the macro-message of wildlife conservation. While humans are left out of the piece, their impact is still present in a discarded cigarette butt that sparks an imaginary forest fire and an overflowing wastebasket that pollutes a fantastical rolling-chair river. This piece is part of the filmmakers' MOME thesis project, the animation department at Moholy-Nagy University of Art and Design in Budapest, Hungary and was created for WWF Hungary.

Dávid Ringeisen & László Ruska: https://www.facebook.com/paperworldfilm/WWF Hungary: http://wwf.hu/en/wwf-hungary
Simply gorgeous. It's no surprise it's the winner of multiple notable awards!

'The Dark Crystal' Is Coming to Netflix. As A NEW Series

And it will have puppets and everything! We will admit, we are excited about this. We adore the film but it's pretty slow in places, and there's a lot of potential - and history - the film didn't explore that we'd love to see expanded on. In fact, this series will be a prequel, taking place in that world decades before it reached the crisis in which Gelflings Jen and Kira (and Fizzgig! And the Landstriders!), took #alltherisks and rescued everyone.

From the Henson Company Press Release:
HOLLYWOOD, CA (May 18, 2017) - A beloved classic from the 80s marks its return as Netflix, the world’s leading internet entertainment network, will bring The Jim Henson Company’s The Dark Crystal: Age of Resistance  exclusively to members around the world. The 10-episode fantasy adventure series is a prequel to the groundbreaking 1982 fan favorite The Dark Crystal, and takes place many years before the events of the film. The series will be shot in the U.K., and will star an ensemble of fantastical, state-of-the-art creatures created by Jim Henson’s Creature Shop™ and Brian Froud, the original feature’s conceptual designer. 
The Dark Crystal: Age of Resistance returns to the world of Thra with an all new adventure. When three Gelfling discover the horrifying secret behind the Skeksis’ power, they set out on an epic journey to ignite the fires of rebellion and save their world. 
Feature film director Louis Leterrier (Now You See MeThe Incredible Hulk) will executive produce the series and direct. The Dark Crystal: Age of Resistance will be a Netflix original series produced by The Jim Henson Company and executive produced by Letterier, Lisa Henson and Halle Stanford. Longtime Henson collaborator Rita Peruggi will serve as producer and Henson’s Blanca Lista will serve as a co-executive producer. Leading the writing are co-executive producers Jeffrey Addiss and Will Matthews (Life in a Year), and Javier Grillo-Marxuach (LostThe 100). 
The Dark Crystal: Age of Resistance will combine the art of puppetry perfected by The Jim Henson Company, with Louis’ vision, powerful storytelling and a mix of cutting-edge digital imagery and visual effects,” said Cindy Holland, Vice President of Original Content at Netflix. “I can’t wait for families around the world to see how we bring these unique characters to life.” 
 
“Louis Leterrier is passionate about the world of The Dark Crystal and has an incredible creative vision for the series. He brings this passion to every facet of the production as he leads the talented team of artists and writers that are bringing this entire universe to life,” said Lisa Henson, CEO of The Jim Henson Company. "Netflix has a deep respect for my father's original work and the many people it inspired. They are the perfect partners to create this next epic chapter in The Dark Crystal story for new fans and the loyal fans who have waited so long for more adventures from this world."
Brand new 'state-of-the-art' creatures! *swoon* (Perhaps we're super excited because our newsroom is filled with all kinds of creatures - from fairy tale ones, and Henson creations to yo-kai, but these pop-culture touchstones are major tools for us when we teach art and fairy tales at schools and other kid-centric places, and have guaranteed kids love and remember what we're working with them on in following years - so YES PLEASE! Plus, yeah, they're usually pretty flippin' cute - see below for a selection of 'teaching tools'.)
Aside: anyone notice that 'Age of Resistance' subtitle in there? We have a feeling that is pretty purposeful, and we're looking forward to seeing how that develops. In fact, we're going to tag this with our #RRR hashtag, just because we have a feeling...

Here's the promotional teaser trailer, which doesn't really show anything new, but will get folks excited about the concept anyway - unless it doesn't. We're sure some folks aren't going to be thrilled about the idea. At least it won't be a retread of classic footage but more of an exploration of the world which fascinated so many of us as children.
And we're really excited to see all the folklore world-building that will come out of this! Folklore takes center stage in the film, with knowledge and exploration of those tales being the key to knowing what to do.

PS Anyone noticing we're kinda going back to the that 80's/early 90's era of musicals and fantasy films and series? Anyone also noticing we're rehashing similar issues to those of that time period, societally speaking? Yeah.

'Okja' - An Eco Fairy Tale/Monster Film Coming to Netflix

We just saw this and are pretty thrilled to see a Miyazaki-like story coming to Netflix as live action. While it has nothing to do with Studio Ghibli (that we can find), you can see the influence in the trailer.

Here's the synopsis:
“Okja” tells the story of a girl who travels from Korea to Manhattan to prevent Swinton, head of a sinister multinational meat company looking for a revolutionary product, from kidnapping her best friend, a massive animal named Okja, with some help from a (less extreme) PETA-like organization. The cast includes Tilda Swinton and Jake Gyllenhaal.

It looks like a somewhat-edgy family film, except that Ms. Swinton does use the F-word in the trailer, so more information is needed on the final rating/age appropriateness.

Take a look (we are smitten with Okja!):
It's clearly another fairy tale-like, fantasy/action film, mirroring the eco-warrior trend of the 80's but with a, very relevant, 2017 twist, and perhaps a little Princess Mononoke thrown in. In some ways it reminds us of Baby: Secret of the Lost Legend (remember that little gem, that was also much more violent than you remember?!) except that Okja is a GMO super-pig in serious peril.

Under some controversy at Cannes, due to being backed by Netflix (ie not a traditional/'real' film), Okja is one of two Netflix movies chosen to compete at Cannes. Director, Bong Joon-ho couldn't have been happier with this arrangement though, and his statement makes it easy to see why:
“Netflix guaranteed my complete freedom in terms of putting together my team and the final cut privilege, which only godlike filmmakers such as Spielberg get,” he said. (Variety)
We can hear indie filmmakers getting their proposals in order as we type! In fact, with the current conversations about the representation of fairy tales in films, this sounds like a great option to pursue if none of the big studios seem to be getting on board with a fairy tale vision.

Okja is only on Netflix, June 28.