Thursday, March 9, 2017

Guest Post: 'Five Fairy Tale Films & Their Forgotten Beginnings' by Diamond Grant

Every year we find ourselves watching feature films based on classic tales throughout the seasons, some of which relate better to winter, others more fitting for summer. It's inevitable we'll discover new fairy tale films as part of our culture.


By the time most people hear about fairy tales, they've been turned into huge cinematic films, but we often forget their humble beginnings. Some of the most popular and loved films that have made their way into most families’ favorite collections all started as lesser-known fairy tales.


Some stories were adapted or loosely based upon original tales and characters from writings, while others stayed truer to the story that not. It's worth paying homage to where these beloved films originated, and to possibly learn some lesser known facts of how they made it to the big screen.

Let's start with one you probably know well, both as film and tale. Will we still be able to surprise true fairy tale fans here with some forgotten facts? Let's find out!


The Little Mermaid
Disney's 'The Little Mermaid' development art

We're all familiar with the feature Disney film The Little Mermaid. Not so many know it started out as a lengthy tale written by Hans Christian Andersen. A master storyteller, Andersen's stories are the source for many of the household fairy tale films we've all come to adore today. The film stays true to the written story in many of the main parts; however, there are some differences between the tale and movie that are startling.


The comedic characters Sebastian, Scuttle and Flounder, while great additions to the film, do not appear in the original, although the little mermaid is described as being so friendly with the fish of the sea that they would eat out of her hand, much like stereotypical land princesses who are friendly with forest creatures. Less well known is that in Andersen's tale the little mermaid ultimately discovers she needs a soul (apparently merpeople aren't gifted with them) so she can avoid a foamy death after living for 300 years in the sea. To win the love of a human is the only way she's able to gain an immortal soul. In the film, she spots Eric, whom she falls for after seeing him for the first time but there's no complication of needing a soul. She'd be happy just to have legs - and Eric, of course. Ursula, who tempts Ariel with this possibility, is portrayed in the film as a witch who has her own agenda and actively wants to make life difficult for the mermaid. In the fairy tale the sea witch is the conduit of fate.
Disney's 'The Little Mermaid', Triton's Kingdom development art
Aladdin
Disney's 'Aladdin' development art

This well-known film and character originate from a lesser-known book of tales entitled One Thousand and One Nights, later referred to as Arabian Nights. Oddly, the story of Aladdin only appeared in the editions after the first European translation was made by Antoine Galland between 1704 and 1717, which has led some to believe he created the character and his story.


In the original works, a woman named Shahrazhad (or Scheherazade) used her wits and creativity to delay her inevitable execution as she told the tale of Aladdin, and many others, to King Shahriyar. Each night, she told him part of the story, and because he wanted to hear more, he kept her alive.


The Disney film uses character traits and ideas from popular movies such as Raiders of the Lost Ark and The Thief of Baghdad, for their version and, reinforcing these tropes is set in Arabia, while the original was set in China. Whether or not Aladdin was Chinese remains a mystery!
Disney's 'Aladdin' development art
Chicken Little
Disney's Chicken Little (2005) concept art

In the original tale of Henny Penny, the main character, more commonly known in the US as Chicken Little, expresses and justifies her fears. The most popular Disney adaptation of Chicken Little is a science-fiction sequel that came out in 2005. Foxy Loxy becomes a bully instead of a rival and both Chicken Little and Foxy Loxy switched genders. Chicken Little is now a little boy and Foxy Loxy is a girl.


Not many know that before this quirky CG retelling, that there was a 1943 Disney adaptation which was manufactured at the request of the United States government to disgrace, and discourage Nazism and what it stood for.

(If you weren't aware of this before it will make watching Chicken Little again quite a different experience, won't it?)

The Princess and the Frog
Disney's 'The Princess and the Frog' development art
The Princess and the Frog was derived from the book The Frog Princess, a middle school novel written by E.D. Baker, who used ideas from the original Frog King (better known as The Frog Prince) fairy tale. The film caught the attention of many because it was the first Disney movie to include a black princess.


The moral of the story differs between tale and film. The fairy tale can be seen to suggest that you can get what you want in life even if you don't deserve it. The movie altered this to be a more suitable and uplifting for todays viewers, showing you can get what you want if you work for it.

The prince transformation differs greatly too. In the tale, the frog is thrown violently at a wall, which releases him from his enchantment, whereas in the movie, the frog turns into a prince when he is kissed. A nice little nod is given to this story's origins in the form of a fairy tale book that's read aloud in the film, retelling a more modern and familiar version where the frog must be kissed - giving the frog his reason for seeking a princess in the first place.
Disney's 'The Princess and the Frog' development art
Frozen
Disney's 'Frozen' character development and design
Now a part of mainstream Western culture, the film Frozen is a family favorite. But where did it really come from? Most fans know by now that Frozen originates from the Hans Christian Andersen tale The Snow Queen. What's less well known is that The Snow Queen is a segmented story, with seven unique 'episodes', each illustrating problems and solutions the heroine must face on her journey to save her friend. Differing from the movie, the tales' main characters are Gerda and Kay, who are like brother and sister though not blood-related.


It's also worth mentioning that in the original material, there are no trolls. The only similarity is the goblin (also described as the devil) who created the evil mirror that shatters, a sliver of which pierces Kay's eye and freezes his mind and heart. In an interesting parallel between movie and tale, in the fourth section of The Snow Queen, Gerda is told a story of marriage by a raven, about a princess who was fixated on getting hitched. In the film, Anna is very keen to marry Hans, so it's possible to see similarities in morals and lessons of the two versions.


Disney's 'Frozen' development art
Watch or Read?


Has dipping into the details on these classics given you a thirst for binge-watching these films? You can watch them on Netflix or use a U.S. connection if you're outside the country and desperately want access. Keep an eye out for the similarities and differences mentioned in this article; you can see where Hollywood has been creative or strayed from the original works and decide whether you like it or not.


It's also great fun reading the tales to see just how differently you interpret the stories. What your mind creates from the creativity of words will be different to what you see on screen. It also gives you an insight of how film manufacturers would have gone about deciding what to put in their movies and how to take the most entertaining and essential parts out to animate them.


Have knowledge on some differences between original works in fairy tales and movies? Or some cool information on where fairy tales were born? Leave a comment below.

Diamond Grant is a fairy tale enthusiast who enjoys reading original works and watching feature films. She also likes uncovering differences between versions of fairy tales, opening up a discussion as to which are more entertaining.

Thank you for being our guest writer today Diamond!

Would you like to write a fairy tale focused guest post for Once Upon A Blog? We'd love to hear from you!
Contact us at fairytalenews AT gmail DOT com. 
While we cannot always guarantee being able to post your writing, and usually schedule our posts well in advance, we are open to ideas and, depending on available time, are happy to work with you.

Wednesday, March 8, 2017

#RecommendedResistanceReads: Kate Forsyth's 'The Beast's Garden'


'Ava fell in love the night the Nazis first showed their true nature to the world .' 

A retelling of the Grimms' Beauty and The Beast, set in Nazi Germany.


Readers of this blog will be aware of our admiration for Kate Forsyth's writing and unique use of fairy tales in her historical fiction, but this novel is especially appropriate for our #recommendedresistancereads (#RRR) theme at this time.

The Beast's Garden is more than a retelling of the fairy tale, Beauty and the Beast. It's a great book of inspiration and bravery. Ava's story, though fiction, rings with the truth of so many real lives. Perhaps those fictitious characters resisting (from the Gestapo to despair) did only one of these brave acts, perhaps they did many, but don't be fooled by the label of 'fiction' here. Throughout the pages are many TRUE stories, and the names and actions of real people, as historical records can testify to. Their stories join them to each other, and, now in 2017, as so many reach for inspiration, it joins us to them.

Here is Kate's summary for the novel, from her blog:
THE BEAST’S GARDEN is a retelling of the Grimm’s Beauty and The Beast set in Nazi Germany. Ava is a young woman who marries a Nazi officer in order to save her father, but she hates and fears her new husband and the regime for which he works. 
She becomes involved with an underground resistance movement in Berlin called the Red Orchestra, made up of artists, writers, diplomats and journalists, who pass on intelligence to the American embassy, distribute leaflets encouraging opposition to Hitler, and help people in danger from the Nazis to escape the country.  
Gradually Ava comes to realise that her husband Leo is part of a dangerous military conspiracy that plans to assassinate Hitler. As Berlin is bombed into ruins, and the Gestapo ruthlessly hunt down all resistance to Nazism, Ava unwittingly betrays Leo.  
When the Valkyrie plot fails, Leo is arrested and Ava must flee.  
Living hand-to-mouth in the rubble of Berlin, she must find some way to rescue her husband before he and his fellow conspirators are executed. 

The Beast’s Garden is a compelling and beautiful love story, filled with drama, intrigue and heartbreak, taking place between Kristallnacht in late 1938 and the fall of Berlin in 1945.  
As a bonus, on her blog, Kate has linked folks to some wonderful resources. One of our favorites is a Pinterest board of photos of people, many of them women, in the German Resistance Movement during WWII.
You can find that fascinating resource HERE.

Update: As this post was about to go live, Kate posted a special article on her blog, paying tribute to the women of the underground German Resistance in honor of International Women's Day. I'm inserting the link here, because her research on these women, and whose very real stories she expertly wove into the tapestry of The Beast's Garden, is one of the reasons it's in our recommended reads as we navigate the beginning of 2017 and all its personal and political challenges. The book is both mythic with the fairy tale resonance of timeless truths, and grounded in the inspiring true stories of amazing people who did their part to stand against tyranny, despite their fear and risk to their lives. You can read her fascinating spotlight HERE.

A bonus for fairy tale folk is that Kate makes wonderful use of The Singing, Springing Lark, a variation on the Beauty and the Beast fairy tale that has elements of East of the Sun, West of the Moon, especially with regard to the motif of 'the search for the lost/ disappeared bridegroom'. It turns out, this variant, fits beautifully in the torn and confused surroundings of Berlin during the rise to power of the Third Reich. The parallel suggests us the connection to stories both past and present, and sections of the novel are indicated with text extracts from the fairy tale, bringing a different light to both tale and history.
The Grimm Brothers published a beautiful version of the Beauty & the Beast tale called ‘The Singing, Springing Lark' in 1819. It combines the well-known story of a daughter who marries a beast in order to save her father with another key fairy tale motif, the search for the lost bridegroom. In ‘The Singing, Springing Lark,' the daughter grows to love her beast but unwittingly betrays him and he is turned into a dove. She follows the trail of blood and white feathers he leaves behind him for seven years, and, when she loses the trail, seeks help from the sun, the moon, and the four winds. Eventually she battles an evil enchantress and saves her husband, breaking the enchantment and turning him back into a man.  
(In 'The Beast's Garden') a young woman marries a Nazi officer in order to save her father, but fears her new husband and the regime for which he works... (from Random House)
It's a daunting task to please readers after garnering a huge award, as Bitter Greens did (her historical fiction retelling of Rapunzel, which won the ALA for 2014), but once again, the deftly woven historical details anchoring the romance, edged with the ring of true stories from inspiring and real people living at that time, has received much praise. Here are just a few:
"Set in World War II, this retelling of Beauty of The Beast will set your emotions on edge. Set against a tumultuous backdrop of the Nazi regime, the choices made by these characters will set them on a path that cannot be undone. Stunningly written, The Beast's Garden explores the transformation of people as their morals are tested while evil rules supreme on every front. A beautiful novel that easily stands up against so many others set in the same era." Dymocks Chermside 
‘Skillfully crafted, The Beast’s Garden is another magnificent historical novel seamlessly melding truth and fiction, from Kate Forsyth. A wonderful tale of daring and courage, of struggle and survival, of love and loyalty, this is a ‘must read’. Book’d Out 
‘Intensely emotional and stunningly written, The Beast's Garden is a must-read. It has definitely made an impact on me, and I couldn't stop thinking about it for days afterwards, If you're a historical fiction fan and love an enthralling story, then this is for you. You won't regret it.’ Genie In a Book
Needless to say (but we will anyway) this book is highly recommended - both as a fairy tale retelling and as a wonderfully researched and written story that explores history, bravery and aspects of these fairy tales in a different context. It's also a novel that is currently very relevant and can speak to the fears and hopes we carry today.

For all the wonderful things this novel offers, this is the one we treasure most: that we must keep sharing stories. To do so is to link to the strength of the many who've gone before, the many who have stood against the storm, the many who right now do the same; the many who find, as they join hands, that they still can love, still create and still live - truly live. And so can we.

Thank you, Kate. It's a book to treasure.

Tuesday, March 7, 2017

Artist's Tribute to 'Beauty and the Beast' Starts March 11 at Gallery Nucleus

The Enchanted Love - Joey Chou
With the release of Disney's live action Beauty and the Beast fast approaching, it's time for more fairy tale movie inspired art! Although the art is specifically 'fan' art (done by professionals) so doesn't explore the fairy tale origins very much, it's still interesting to see the aspects of the story that inspire artists to create images.
Belle - Alina Chau

From the press release and Oh My Disney:
Are you ready for something magical? In anticipation of the release of Beauty and the Beast, Oh My Disney, Walt Disney Studios, Gallery Nucleus, and Cyclops Print Works have come together once again, this time for “Be Our Guest: An Art Tribute to Disney’s Beauty and the Beast.” This enchanting limited-time show will be on display at Gallery Nucleus in Alhambra, Saturday, March 11, 2017 – Sunday, April 2, 2017, with an opening reception on Saturday, March 11 from 7:00 p.m. – 10:00 p.m. 
Taking inspiration from the new live-action film, the artists involved have brought this tale as old as time to life in beautiful detail. Here are all the talented artists participating: 
Abigail L. Dela Cruz, Alex Ross, Alexander Lee, Alina Chau, Alison Strom, Amei Zhao, Andrea Fernandez, Annie Stegg, Benson Shum, Carrie Liao, Cécile Carre, Celine Kim, Corinne Reid, Craig Drake, Eliza Ivanova, Ellen Surrey, Eri Kamijo, Grace Kum, Ha Gyung Lee, Heather Theurer, Jackie Huang, Janice Chu, Jisoo Kim, Joe Dunn, Joey Chou, Jon Lau, Julieta Colás, Justin Gerard, Katie Huon, Keiko Murayama, Kristy Kay, Megan Woods, Milsae Kim, Pernille Ørum, Phillip Light, Sara Kipin, Sophie Li, Tara Nicole Whitaker, Tiffany Le, Trevor Spencer, Trungles, William Robinson, Xinwei Huang, Zoe Persico
OPENING RECEPTION HIGHLIGHTS:
  • Doors open @ 7PM
  • Over 40 new works of art featured
  • Select artists in attendance
  • New Gallery Nucleus exclusive prints released
  • Complimentary themed refreshments & hors d'oeuvres served
  • Cosplay & themed costumes are highly encouraged!
  • more to be announced ...!
*Open to the Public, All Ages Welcome, No RSVP needed.
*Be sure to not miss "Tale as Old as Time," our Artist Panel with the director, editor, animator and more from the original animated film on March 25th 
Tickets for our Tale As Old As Time panel are now online!
Meet some of the original creators as they discuss the behind-the-scenes and process of developing one of Disney's most cherished animated features.
Guests include Don Hahn (producer), Gary Trousdale (director), Roger Allers (story supervisor), James Baxter (supervising animator), Charles Solomon (Author) and John Carnochan (Editor).
Reserve your seats here:
There are quite a few well known artists in that list! A lovely array of styles should be displayed too, beyond what's shown here. From the previews released to date, this show promises to inspire Disney Beauty and the Beast fans everywhere.
And Love Is Born (愛の芽生え) by Eri Kamijo
Beauty and the Beast - Alison Strom
Beauty Is Found Within - Benson Shum
Bonjour - Celine Kim
Enchanted - Janice Chu
New Friends - Ellen Surrey
To the Castle - Zoe Persico
Wolves in the Winter - Sara Kipin
Psst! For those hungry for more, there are some sneak peeks on the Cyclops Print Works Facebook page HERE.

Monday, March 6, 2017

'Make Fairyland Great Again' by N.T.O. Zamboni

We've had eras of fractured fairy tales rising in popularity, and it would appear that this is one of them.

This volume of fractured retellings was written in response to the results of the election last November and have proved even more popular than the author, N.T.O. Zamboni, expected.

Here's the blurb:
Normally, fairytales and fables teach important lessons:
    Build a house to fend off deplorable wolves.
    Don’t be tempted by candied false promises.
    Beware of golden-haired thieves stealing your porridge.
But this is not normal. Trump is not normal. We need updated, 21st-century fairytales to warn against new threats. Tremendous threats. Crude, demented, racist, misogynistic threats. 
Make Fairyland Great Again is a collection of twenty-one revised folk stories and parables: Sleeping Beauty, the Frog Prince, Ali Baba, Rapunzel, the Pied Piper, the Three Little Pigs, and many more! 
(However, just like Trump himself, this book is not appropriate for children.)
There are quite a number available online to read for free HERE and HERE.
Your (free) choices are:
  • The Ant and the Grasshopper
  • The Emperor's New Clothes (an incredibly popular fairy tale right now!)
  • Ali Baba and the Forty Thieves
  • The Frog Prince
  • Sleeping Beauty
Should you feel like reading even more or adding this book to your library (or supporting the author), you can find it HERE.

Sunday, March 5, 2017

Mika Hirasa's Appliquéd Aesop

Mika Hirasa, also known as MICAO, 'draws' pictures using fabric and free motion machine embroidering techniques*, along with appliqué, fabric paint and other techniques as inspired. She regularly uses antique fabrics, lace, different types of thread and kimono fabrics and her use of space and color makes for some striking scenes. Cutting out bold shapes and stitching them as she goes, there's a certain inspired spontaneity and whimsy in her work, something free, unlike much embroidery which feels controlled and stiff. Her techniques mark her as a master, and one who is clearly so confident in her techniques that she can create as she goes. As a result her appliquéd illustrations for Aesop's fables bring a whole new way of thinking about the tales. 

Take a look. Can you tell which fables have been depicted?
You can see many more of her fabric illustrations HERE. It's also worth looking at her Red Riding Hood set HERE. So unique, yet recognizably LRRH. (Red Riding Hood is a featured character in much of her work.) And there was a limited line of clothing for kinder and preschool teachers, with a fairy tale theme you an see HERE.

*Free motion machine embroidery is becoming a more and more popular tool for fabric artists, each resulting in an individual style that is unique and not dissimilar to freehand line drawing. You can see an example of free machine embroidery HERE, by performance textile artist Harriet Riddell. (Start at the 3 minute mark to get right to it.)

Saturday, March 4, 2017

Amanda Allen Niday's 'Protesting Princesses'

Inspired by the recent Women's March around the nation and the globe, artist Amanda Allen Niday, created a 'Protesting Princesses's series, reimagining Disney heroines in the Women's March series. It quickly went viral and caught the eye of Teen Vogue.

Teen Vogue, once considered a fluffy distraction for teens into fashion, is a magazine that's quickly gained respect for recognizing that young people can - and should be - as politically aware as their parents, and that having a penchant for gorgeous shoes and lipstick isn't at odds with that. Teen Vogue, with their finger firmly on the social pulse these days, didn't waste any time getting an interview with Ms. Niday.
Here's an excerpt:
Would Disney Princesses want to be a part of the revolution? Illustrator Amanda Allen Niday thinks so, and thanks to her, we have an idea of what they’d say.
“I felt inspired by the way women expressed themselves on their signs, from the witty and charming to the downright scathing. Women coming together from all backgrounds to say "we are HERE and we MATTER’.” she said. “I wanted to hold onto that message as my newsfeeds dissolved back into squabbling and finding faults in our difference, rather than understanding.” 
...Niday designed a sketch of each major Disney princess holding a protest sign that incorporated a quote the princess actually said in their movie. 
“I didn't want to put words into their mouths. I believed their narratives of overcoming struggles was powerful enough without me trying to force something else on them,” she said.

... She told Teen Vogue she used Disney Princesses for the project because she feels Disney has been making an effort to use the cartoons to remind girls that they’re brave, strong and valuable and wants to pay homage to that. To her, the princesses’ stories of resilience symbolize what girls or women can or should do.

But she also recognizes that women can protest in their own way.
 
“Being strong when you are being told you are weak is a form of protest. Being yourself when you are being told that isn't acceptable is a form of protest. Never giving up hope is a form of protest. I wanted to show that we can control the narrative,” Niday said.
You can read the whole interview HERE.

Want a copy of those posters for yourself? You can get that HERE at Society 6. They also have the options of t-shirts, totes, bedding... and much more.