Artist sadly unknown |
#lookforthemagic #sharethemagic #fightforthemagic
“Most “Nutcrackers” are about well-off children who already have a whole lot of toys and are about to get even more. I wanted to explore more complex storytelling — holding on to the Tchaikovsky score, which I love, and all the things that audiences expect to have happen in this ballet... And I wanted the central focus to be on how children — without the usual aristocratic manners, and without much in terms of material things — use their imagination.” (Wheeldon - source)
Wheeldon and the Joffrey’s artistic director, Ashley Wheater... had both read Erik Larson’s 2003 bestseller, “The Devil in the White City,” and they sensed the Exposition (“minus the serial murderer,” as Wheeldon quipped), was exactly the right magical environment against which the ballet could be set, with the construction of the fair seen though a child’s eye. The fact that the Joffrey’s home stage, the landmark Auditorium Theatre, was completed in 1889, made the whole thing seem even more ideal. (FTNH: Not to mention that historically this takes place a few days after this ballet of Tchaikovsky's premiered in Russia!)
But there was a dilemma to solve: The fair ran from May 1 to Oct. 30, 1893, while the story had to unfold on a snowy Christmas eve. “We could either ignore history, or set the story in the post-fair ruins, or set it five months before the fair opens, while it was under construction. We chose the latter. We also found a photograph of what looked like a wooden worker’s shack on the fairgrounds, and that became our touchstone. The fair was built by many immigrant laborers, especially Poles, and we envisioned this shack as the place in which one of the many female sculptors for the fair worked. She is a single mother with a young daughter, Marie, and a son, and the ballet is Marie’s dream version of the fair. We also reimagined two of the ballet’s characters to create an element of romance, with the sculptress more or less taking over what is usually the Sugar Plum Fairy role, while Drosselmeyer, the magician, has been renamed The Great Impresario.” (And as Wheeldon describes him, he is “part Daniel Burnham, the visionary urban designer who planned the fair, along with a bit of P.T. Barnum and Nikolai Tesla, that mad scientist of electricity.”)
We are in theater mode from the get-go, with a clear class divide of Chicago’s rich and poor at holiday time. Tchaikovsky’s traditional living room party scene music illuminates instead an urban environment where rich and poor intersect, street urchins steal what they can from unsuspecting shoppers, and rats lurk behind every corner (Basil Twist’s whimsically diabolical puppets). The resident Rat-Catcher (a wry Rory Hohenstein, with his own pet rodent perched on his hat) contrasts with The Great Impresario of the Fair (Miguel Angel Blanco), a magical and mysterious counterpart to Hoffman’s original Drosselmeyer.
Wheeldon’s Nutcracker magic reaches a pinnacle of wonder in the transformation of the scrawny pine sapling into a friendly version of the Little Shop of Horrors Monster, completely overwhelming the stage, proscenium, and audience with its massive branches and six-foot-tall pinecones. The Rat Catcher becomes the Rat King, the battle between the rats and toy soldiers unspools with predictable humor, and the Nutcracker Prince’s victory transforms the puppet Nutcracker into the handsome Nutcracker Prince who literally sweeps Marie off her feet and into a snowy wonderland. There they dance a luscious Snow Pas de Deux with elegance and charm, exuding the joy of young love.
For the new Joffrey production, Brian Selznick’s story, the sets and costumes by Julian Crouch and Basil Twist’s puppetry turn out to be as crucial as the choreography. I loved learning about Chicago history from their work.There are rats, not the usual “Nutcracker” mice, and a menacing Rat Catcher.
When the Christmas tree (a poor specimen) grows magically huge in Marie’s dream, it fills the stage, as if the action were occurring within its branches. And though the rats are later played by dancers, they’re most memorable when we see them as puppets, running along upper levels of the scenery and across the floor. As usual in “The Nutcracker,” they’re defeated in a battle with the title character and his toy soldiers (some of them cavalry).
Here's some seasonal reading for you on Baba Yaga's Yuletide 'sisters':
The Lost Female Figures of Christmas Part I
Mōdraniht - Mother's Night
Santa Lucia - Saint Lucy
Christkind (always portrayed by a grown woman)
Snegurochka - Snow Child/Maiden
Frau Holle
The Lost Female Figures of Christmas Part II
Perchta
Witte Wieven - The White Women
Befana
Grýla - Icelandic giantess
The ad, which was created by King's Speech director Tom Hooper, sees a little boy called Jake write to Mrs Claus on Christmas Eve for help. ...She reads Jake's letter (while sporting some fabulous thick-rimmed black glasses) and resolves to help him.
...New Christmas ass-kicking outfit on, and her hair subtly transformed into a Hillary Clinton power bob, Mrs Claus gets on her snowmobile and rides over the frozen landscape to an ice cave, where a bright red chopper (called R-DOLF, obviously) awaits. ...in a scene which wouldn't look out of place in a Bond film, Mrs Claus flies her ruby red helicopter from the North Pole to ...deliver the gift.
(At) a time of year when all around seem to be telling women how to drop a dress size before party season; which shop the best mums go to; or how to plan ahead to ensure everyone else's needs are satisfied on the big day, it's refreshing to see a middle-aged woman tearing through the skies in a helicopter as if it's the most natural thing in the world. After all, in 2016 every little girl should know that she's just as capable as any boy.
"These are the courses for people who dreamed of elven battles while studying economics, those who have always sworn they could see ghosts, those who longed for a school of magic to send them an unexpected acceptance letter. The gates of Carterhaugh are open. Welcome."Have we intrigued you into signing up to study The Fairy Tale yet? If you're needing (yet another) incentive... ta da! There's a special one-time bonus for this first 'long course' The Carterhaugh School is offering.
Psst! If you missed the other parts of our interview, we've linked you to them directly below:
Pt 1: 'Carterhaugh School of Folklore & the Fantastic' Brings Us The Best Gift Ever: Fairy Tales!
Pt II: In which we discover what studying Carterhaugh School's 'The Fairy Tale' is like
Pt III: In which we discover the different paths of study (Scholar! Artist! Writer!) in 'The Fairy Tale' course at Carterhaugh SchoolBefore we let our magical guests get back to weaving the wondrous course material into magical lessons (Yes. Yes it IS a virtual Hogwarts classroom for fairy tale folk!), let's find out a little more about the tangible magic bonus they're
For our readers, once more, here is the summary of the course details:
Dates: January 16th, 19th, 23rd, 26th, 30th, February 2nd, 6th, 9th, 13th, 16th – note that these are simply the dates that materials will be posted! You will be able to access everything indefinitely and watch whenever is most convenient to you.
Total Number of Lessons: 10
What’s Included: Welcome Letter, Mailed Special Welcome Package, 10 Video Lectures, 10 PowerPoint Presentations, 10 Beautiful PDF “Grimoire Page” Lesson Summaries, PDFs or Links to Any Supplementary Reading, Personal Feedback on Completed Final Assignment if Desired
Any Additional Materials Needed: No
Registration Closes: January 15th at Midnight
Price: $150 – you can pay in one, two, or three installments! Full payment must be complete by the time registration closes on January 15th.
Click HERE to sign up yourself, or a lucky fairy tale friend.
(And if you'd like to send something your friend could officially wear - or hold - you can send a t-shirt, tote, button-pin or sticker with the gorgeous Carterhaugh School of Folklore & the Fantastic logo (see below next to the course schedule), through HERE! There's a special 20% off storewide till SUNDAY December 25th 2017: Use Code: ZGOODBYE2016)
By the year 2050 there will be more plastic rubbish floating in our oceans than fish unless we make some drastic changes to the way use and dispose of plastic materials.
To raise awareness of the ocean’s urgent plight, Benjamin Von Wong, a renowned Canadian conceptual photographer and conservationist, has developed an epic visual movement called #mermaidshateplastic, which he hopes will draw the world’s attention to the grave threat plastic waste poses to the world’s oceans.
Using his signature hyper-realistic art style, Von Wong photographed models transformed into ‘mermaids’ ‘swimming’ amid 10,000 discarded plastic bottles he used to represent the sea. The ambitious shoot took place in a Montreal warehouse where Von Wong staged each of his scenes and photographed from above.
Currently in Australia, Von Wong spoke to news.com.au about the #mermaidshateplastic campaign, which launched globally last week.
“To me, the ocean is … like space but on our own planet and it’s something I find really fascinating,” Von Wong says. “But, virtually every single piece of plastic that has ever been created still exists on the planet today and if we do nothing, by 2050 there will be more plastics than fish in the sea and that’s terrifying.”
As an artist, Von Wong says that while he isn’t able to find the tangible solution to this problem, he’s chosen to apply his creative skills to draw the world’s attention to the ocean’s urgent plight. “I’m not a plastics engineer, I can’t create a new material, I can’t impact policy but what I can do, hopefully, is drive awareness,” Von Wong explains.
If you missed our first two interview posts you can find them here:
Pt 1: 'Carterhaugh School of Folklore & the Fantastic' Brings Us The Best Gift Ever: Fairy Tales!
Pt II: In which we discover what studying Carterhaugh School's 'The Fairy Tale' is likeBut there is another, very unique and exciting aspect to this course that will make it unlike anything you've done before. Not only will participants:
There will be a final assignment prompt for which you may choose the path of the scholar, the path of the writer, or the path of the artist. Personal feedback on completed final assignments is available upon request – we would love to see what you come up with!Oh the possibilities! Let's find out more in Part III today of our exclusive behind-the-scenes interview.
We'll wrap up our interview in the next post as there are yet more goodies up for fairy tale participants that we simply have to save, to showcase all by themselves...
Join us tomorrow for Part IV, our final part of the interview with these amazing women who are busy spreading magic to all they can, and who encourage knowledge and exploration of the world, of tales, of history and of our future potential - something which our world sorely needs right now.
Dates: January 16th, 19th, 23rd, 26th, 30th, February 2nd, 6th, 9th, 13th, 16th – note that these are simply the dates that materials will be posted! You will be able to access everything indefinitely and watch whenever is most convenient to you.
Total Number of Lessons: 10
What’s Included: Welcome Letter, Mailed Special Welcome Package, 10 Video Lectures, 10 PowerPoint Presentations, 10 Beautiful PDF “Grimoire Page” Lesson Summaries, PDFs or Links to Any Supplementary Reading, Personal Feedback on Completed Final Assignment if Desired
Any Additional Materials Needed: No
Registration Closes: January 15th at Midnight
Price: $150 – you can pay in one, two, or three installments! Full payment must be complete by the time registration closes on January 15th.
Click HERE to sign up yourself, or a lucky fairy tale friend.Stay tuned tomorrow for the last part of our special interview series with the roses of The Carterhaugh School!