Ask Baba Yaga: How Do I Overcome My Guilt?

Baba Yaga by Nicolai Kochergin

Have you recently realized you have more than you thought you did? (Perhaps by becoming aware of things you took for granted that now seem under threat?) You're not alone.

Here's today's question and answer (via poet and oracle Taisia Kitaiskaia* of The Hairpin):

(Originally posted at The Hairpin HERE)

"Yr work is to keep growing..." Yes. So we don't always get it right, but we can change some of that by moving forward and growing as people: learn, grow, be better and go on with the intent of being, becoming, the best we can be, so that we can be the best for those around us too.

LAST SPECIAL REMINDER: Baba Yaga's advice will be collected into a book, Ask Baba Yaga, to be published in Fall of 2017. Her oracle, Taisia, is looking for questions from our Once Upon A Blog readers that she can answer for special inclusion in the book- right now. Although there's no guarantee which ones will make print, the earlier the question, the more likely you will get Baba's attention and see your anonymous question - and answer! - in print. Although Taisia hopes she will be able to continue as Baba Yaga's oracle, it is uncertain this will be possible at this time, so consider this your chance to get those burning questions answered by our favorite crone. Don't delay - send that question today!

(And remember, IF we hear that Baba Yaga has had a good amount of questions from readers here, we will hold a special giveaway when the book is published! Now go: write those words!)

This is the email address where you can send your questions

directly to Baba Yaga herself.

AskBabaYaga AT gmail DOT com

To encourage Baba Yaga to continue imparting her no-bones-about-it wisdom (ok, there may be some gristle in there... bones too), I suggest we not to leave her box empty... 

Thank you Baba Yaga (& Taisia).

* Taisia Kitaiskaia is a poet, writer, and Michener Center for Writers fellow. Born in Russia and raised in America, she's had her poems and translations published in Narrative Magazine, Poetry International, and others.

'The Singing Bones' World Premiere in Los Angeles Tomorrow! (Dec 8, 2016)

Have you read the short story "Bones" by Francesca Lia Block from "The Rose and the Beast - Fairy Tales Retold"?

It's a Bluebeard story... with a difference. (Anyone familiar with Block's writing will know exactly what I mean.)

Award winning indie fairy tale film film director, Danishka Esterhazy, has been working with Block on a project to bring her story to life. Now, thanks to some wonderful support via crowd funding and an amazing collection of film talent, behind the camera and in front, Esterhazy is presenting the World Premiere of the short film Thursday, December 8th, 2016, tomorrow night as of this writing and TONIGHT for many readers seeing this post for the first time.

We are happy to announce our WORLD PREMIERE at the Culver City Film Festival in Los Angeles. Thursday December 8th at 1pm. Tickets are available HERE. (FTNH: $10-$50)

Production still from The Singing Bones - Red Czarina

Block posted a brief, but illuminating announcement when the first image from the film was released. We're including most of it here, as it will give you insights into the story, the film, why this is one to keep an eye out for, and, if you're in LA, worth giving up your Thursday night to go check it out, if it's at all possible.

I wrote the story "Bones" as part of my collection of fairy tale retellings, The Rose And The Beast.  It is an emotional story for me  because the nameless main character represents the sense of loss, isolation, and loneliness, and the self-destructive tendencies, of my late teens and early twenties.   When Danishka Esterhazy shot her adaptation The Singing Bones in Oakland this last weekend, I was transported forward into the world of her fairy tale and backward into my past.  As I sat behind Katie Polley, while Michael Klinger seduced her with blue cake, blue drinks and his blue gaze, tears filled my eyes. Katie's stunning, fine-tuned acting skills and the fascinating way I was situated made me feel I was reliving my painful past through her, facing my seductive self-destruction embodied by a gorgeous, charming and intelligent young actor playing a Bluebeard-like character. 

The cathartic aspect of theater is something I've never been so fully aware of. 

This is one reason I want to work in film. Perhaps nothing is more powerful.

(Doesn't that make you want to go to the theater or get involved in creating and supporting a film of a story you love as well? Us too. If you're serious about film, we know some worthy indie filmmakers, Esterhazy and her company Red Czarina included, who could use your help.)

Award winning, indie filmmaker, Danishka Esterhazy

Block also interviewed Esterhazy about her love of fairy tales and aspects of creating this new film. From Block's blog:

FLB: We share an interest in dark retellings of classic fairy tales. What do these tales mean to you? You’ve based work on Hansel and Gretel, Red Riding Hood and The Snow Queen (as well as Bluebeard in The Singing Bones). What do these specific tales represent for you? What other tales are important in your  life? Who introduced you to these stories? 

DE: My mother read fairy tales to me and encouraged me to be an avid reader. So I have her to thank. She has always liked ghost stories, too, so I grew up hearing a lot of fabulous scary tales. But what I love about retelling fables is the power of layered meaning that becomes possible when a story is ancient and well-known. The audience is already familiar with the characters, with the plot, so you have a shorthand for communicating ideas. You can draw attention to important themes in a powerful way. And I love to take a story where the moral is all about a woman's need to conform - to turn that upside down - and make it about empowerment.

You can read the whole interview HERE.

If you are one of the lucky ones to attend the premiere, let us know! We'd love to hear about it and what you thought. (We are predicting all good things!)

Today is the 100th Anniversary of the Gumnut Babies!

Today, 5th December, is the 100th anniversary of the publication of Gumnut Babies by May Gibbs! 

This teeny little book was the first in a huge and much beloved series in Australia, which included the popular Snugglepot and Cuddlepie, The Adventures of Ragged Blossom, and Little Obelia, introduced the concept of fairies in the Australian bush and landscape. 

May Gibbs, who adored Australian fauna and flora, saw the Australian bush as a magical place and these tiny creatures, and the supporting cast of talking animals and scary Banksia men, were characters she felt were constantly present but just beyond our vision. Her artistic depiction of Australian flora, in particular, was  - and remains - stunning and, with the aid of these Australia faerie characters, helped generations grow up with a special appreciation of the beauty in the harsh landscape of Australia and its potential for magic. She grew to be Australia's best-know and most enduring children's author. Though she didn't publish her first volume, Gumnut Babies, until she was 38, the popularity of her work meant that, unlike many other artists and writers of that era, she was able to make a living from her illustrations and writing.

Souriante (self portrait, smiling)
by May Gibbs, c.1923

First published on 5 December 1916, and retailing at one shilling and sixpence. the first print run of 3,000 books sold out before Christmas. The characters, cute, innocent anthropomorphised gumnuts and gum-blossoms were extremely popular with the war weary public in Australia. (source)

2016 marks the centenary of the publication of May Gibbs' Gumnut Babies. This much-loved book introduced Australian children to the Gumnut Babies, small imaginary inhabitants of the Australian bush. The Gumnut Babies resemble human babies but wear little gumnut hats and gumleaf girdles. The girls, called Gum Blossom Babies, wear frilly skirts made of eucalyptus blossom and have little blossom caps. These tiny fairies of the bush live among the gum trees with other bush babies, such as the Boronia Babies, Wattle Babies and Flannel Flower Babies.

The bushlands and wonderful wildflowers of the region gave May a deep and abiding love of Australian flora and fauna. After studying art in England, in 1913 she returned to Australia and wrote and illustrated Gumnut Babies, the first of her 18 books on a bush theme. May Gibbs' stories, illustrated with her watercolour and pen-and-ink drawings, are now regarded as classics of Australian children's literature.  (source)

When May Gibbs died in 1969, she left her estate to the United Nations Children’s Emergency Fund (UNICEF) and all her artworks, papers and copyright to the NSW Society for Crippled Children (now The Northcott Society) and the Spastic Centre of NSW (now the Cerebral Palsy Alliance). In 1970 the two charities presented the May Gibbs archive to the State Library of NSW.
                           
To celebrate this anniversary, the State Library of New South Wales is hosting a free display featuring the original illustrations and beautiful reproductions from May Gibbs' much loved children’s books. 

May Gibbs: Celebrating 100 years is on display until 26 February 2017. (source)

You can read more about May Gibbs and her publishing HERE.

There are also, as you might expect, celebratory stamps, and a special envelope with coin and stamp collectible. (See above.) You can go collectible hunting HERE and HERE.

And, because our FTNH is particularly fond of May Gibbs (being her great-great aunt possibly has something to do with that), we are including some additional images specially selected for nostalgia.

Merry Krampusnacht! We Are Reading 'He Sees You When He's Creepin': Tales of Krampus'

Tonight, December 5th, is Krampus Night or Krampusnacht - the night before the feast of Saint Nicholas (December 6th). Krampus has had a bit of a revival in recent years, becoming a better known figure in pop culture, but not just as "the horror story of Christmastime" but with respect to him being Santa's partner - his bouncer if you will. Krampus' scary appearance and tools of chains and "switches" are especially for taking the wicked - the Devil through to very bad children - to task.

I have to say, if I was in Saint Nicholas' business, I'd want a formidable counterpart to help me out too! And that's exactly what Krampus traditionally does.

That doesn't mean that's the whole story though.

Kate Wolford - fairy godmother, mentor and cheering leader to fairy tale writers everywhere - has produced a second Krampus anthology, He Sees You When He's Creepin': Tales of Krampus, just in time for the season, and the range of stories are wonderful.

Kate introduces the twelve short stories with one of her brilliant, informative and accessible mini-essays, explaining the basics of Krampus for newbies but also putting some great meat in there for those more familiar with this old holiday character. (We are big fans of all of Kate's intros!)

The previous Krampus anthology released in 2014, Krampusnacht: Twelve Nights of Krampus, also helmed by Kate and produced by World Weaver Press, was a big hit, and hit the pop culture pulse in conjunction with the horror-light movie Krampus hitting the big screens the following year. (We keep hearing praise for that movie from very different sources, so while that's not our usual fare, we think it's time we had a viewing for our newsroom.)

In the meantime, we have been fortunate to have just received a copy of the second anthology and have been visiting Krampus stories right through the weekend, with much enjoyment and relish! Somehow these short stories manage to bring the season into focus, even while Krampus - and the darker side of folk - are in the spotlight, and that's quite an achievement. For example, the opening story, in which Krampus meets a less than saintly Cinderella (and ends up doing some very non-traditional fairy godmother work) was a wonderful surprise. There was much more to this story than at first met the eye and we were thrilled to find other folklore at home in fairyland, woven in as well. We wish we could say more to tease you in, but we don't want to spoil the twists and surprises... just grab yourself a copy and then we can chat. ;)

We may be teasing you more in the coming days up to the Winter solstice, so keep an eye out!

And for digital readers, finishing today - December 5th, aka Krampusnacht, you can get Kate's new second Krampus anthology for $3.99 as an ebook. We would suggest it's a lovely early present to send to someone who could use a dose of the season with a twist - or as a reward to yourself for surviving 2016.

'The White Cat' Photoshoot by Baba Studio

Are you familiar with Baba Studio? If you love colorful, luxurious, jewel toned fairy tale things you'll likely bookmark this page, if you haven't already. Baba Studio have some of the most beautifully printed artwork reproductions on bags and clothing we have ever seen. They have a special love of fairy tales, but not your usual collection, so it's worth a browse to see the special things in their store.

In honor of Heidi announcing her soon to be released Puss in Boots and Other Cat Tales from Around the World - a *NEW* addition to the SurLaLune Fairy Tale Series - yay! (we are so excited) - we are sharing this unusual cat fairy tale photoshoot by Baba Studio.

This lovely series was made to promote some of their beautiful scarves and accessories almost a year ago now, but I haven't seen many people pick up on it (apart from Faerie Magazine some time ago). It's unusual in that it's based on the French fairy tale 'The White Cat', except that in this version, the prince is the transformed one. You'd think more fashion outlets would pick up on this tale and be inspired by it - there's so much detail in it, but then, that was also typical of French fairy tales around that time too.

There are many elements of the original tale sprinkled enticingly throughout the scenes in the photos if you look closely. I suggest you read the tale first HERE to refresh your memory so you pick up on all the details the art director added...

Here's a video showing the shoot in process  - which I wish they took more stills of - with a little behind the scenes as a bonus. You can sort of see some of the story being acted out.

Enjoy!

'Beauty and the Hulk' - A Fan Remix

Hulk and Black Widow by Huy "Wee" Dinh

It's no surprise to see different combinations and iterations of Disney live action Beauty and the Beast around the web right now. The trailer was received extremely well (yes there were critics, but with a Beauty and the Beast storyline, that's just par for the course), and it's not unusual to see parallels made between one pop culture icon or event and another. The Hulk has always been ripe for a Beauty and the Beast adaption and is nothing new, but it might be the first time this sort of trailer has been made.

This fan made trailer combines the fairly subtle romance of Black Widow and The Hulk from one of the recent Marvel movies, Age of Ultron, with the soundtrack (and dialogue - which spoils the effect a little unfortunately) of the recently released live action trailer for Disney's upcoming film. Although it tries to retell the Beauty and the Beast story a little too exactly to be it's own thing, it's worth a look.

From Comicbook.com:

Darth Blender portrays the more subdued romance of Mark Ruffalo's Hulk and Scarlet Johannson's Black Widow from Avengers... and overlays the wistful dialogue of Beauty and the Beast overtop of it. The reimagining works extremely well and actually makes that romantic arc seem much bigger than it actually wound up being. It's a fantastic mashup, and features clips from Ant-Man, Captain America: Winter Solider, Captain America: Civil War, Guardians of the Galaxy, The Incredible Hulk, The Avengers, Avengers: Age of Ultron, Iron Man 2, and Thor: The Dark World.

It's a testament to how fascinating people find the elements of this fairy tale and continually find parallels between it and perceived monsters.

That's the key word with King Kong connections and now, The Hulk: perceived. Neither of these characters are truly 'monsters' like people/humans are when you call them 'beasts'. They genuinely have no control over their appearance and nature and are, at heart, good, or at least neutral. They don't need 'taming' and the female involved isn't someone taken prisoner or depending on her looks* and charm to earn the beast's trust. The woman has to see him for who he really is and accept him - as he is. Unlike the Beast in Disney's Beauty and the Beast, there is no bad behavior toward the heroine, other than is in the beast's nature, by the original fairy tale Beast, or by Hulk or by Kong. He just is - and remains - himself.

There are others who might say differently - that the beast is tamed - but we disagree. Yes, the Hulk 'changes' (back) to a man when no longer enraged, but more key is how Black Widow (and the blonde in Kong) both see the other side of the beast - while they are still a beast. The purpose is not to transform or tame, but just accept. In both cases it doesn't change the essential nature of the beast either, (they don't morph into men and stay that way), they just help those 'beasts' be their best selves, even in beast form.  That's a Beauty and the Beast tale we can get behind.

We think this is why we like these connections so much. They sidestep the whole possibility of Stockholm syndrome and put the tale back into its roots - seeing beyond the outer skin and learning to love someone as they are and always will be. (And yes, we still have an issue with the transformation to Prince at the end of the original tale, after learning to truly love the whole package 'as is' - and 'no' we do not want to get into a weird conversation about Beast-beaus!)

*(Yes, Kong is attracted by the girl at first but he is truly 'hers' when she sees the true being inside and rises to his defense.) 

Timeless Tales Snow Queen Issue Delayed, But Coming Soon!

Snow Queen by Christian Birmingham

Hi, friends! Tahlia from Timeless Tales Magazine jumping in for a quick update on our Snow Queen issue. 

We were planning on having it released by the end of November, but got slowed down by...well, what can I say--reading so many stories about frost and ice leads to taking lots of breaks for hot cocoa. 

But in all seriousness, it's just been a rough Oct/Nov for this part-time editor. I've been working as hard as I can, but it's time to face the truth: We're looking at early or mid-December. All the stories are selected, but we're still working with our writers to put the final polish on them. Then they're off to our audio narrators and the designer who formats the stories for the page. 

Our fans picked this theme and they will not be disappointed. Believe it or not, Snow Queen isn't one of my favorite fairy tales (Shhhh, don't tell anyone!), but our writers' twists really heighten the color palette of the original. Plus, it's the perfect season for this theme. 

Alright, back to the trenches! Will let you know when we finally launch it. So excited to finally be in the home stretch.

'Warm' regards, ;)

Tahlia Merrill

Editor, Timeless Tales Magazine

Snow Queen by Christian Birmingham

'Moana' - A Movie We Need Right Now

Recent family movie releases have been both the break from stress, worry and confusion that families, especially kids, need right now, and they have uplifting messages to boot.

You know we were happily surprised by Trolls. Fantastic Beasts and Where to Find Them not only brings magic and wonder in spades, it head-on addresses fear of the 'other' on many levels and underscores the importance of diversity. And, now Moana has hit theaters there's another reason to go.

From all reports, Moana is affirming the importance of supporting, believing in and training our young people to be truly great leaders (instead of doubting them), that girls can do whatever they truly set their hearts and minds to, that have a love interest isn't part of being a successful person and even more so, that platonic love can be a source of strength. It also sends an important message about how respectfully and correctly representing someone's else's culture (different than your own) can actually be a unifying force, strengthening communities, rather than widening the gap that tends to occur in fear of what is different; that there is much more value in respecting our various heritages equally than might be obvious.

Japanese poster

The echoes of happy, happy People Of Color feeling heard, are resonating across Tumblr, Pinterest, Twitter and other social media right now, and, after recent weeks, that is a powerful and positive thing.

 (Diverse and respected review site, Rotten Tomatoes, that tallies both critic and audience responses, has a score of 98% positive for Moana at this writing - that's almost unheard of.)

Here's a handy PSA for all those who aren't Polynesian, just to help stop us all from putting our foot in it, and making everyone's jobs of trying to communicate, and build much needed bridges, harder than it has to be.

From Tumblr poster 96kwon:, a poster of Polynesian heritage who reports that, after concerns about misrepresentation, Disney did right by their culture:

A quick FYI for non pacific islanders for Moana

• Even though you only know Hawaiians doesn’t mean she’s just Hawaiian, and yes, there are more islanders than just Hawaiians.
•  Polynesian isn’t a language. Polynesia is a large group of islands that have their own distinct language, rich culture, and customs. There’s Samoa, Tonga, New Zealand, Tahiti, Hawaii, Easter Islands, etc…
•  Moana isn’t one race she’s everything mixed into one because there are too many cultures to just base her off of just one island.
• Maui, as you might have guessed isn’t based off of just one legend either.
• Maui’s “War Dance” is called the Haka and they do that dance to scare their enemies before battle.
• Fun fact: Moana means Ocean
• Please don’t group all of the Pacific Islanders and their cultures into one.
• Another Fun fact: Pacific Islanders are some of the best navigators of the Ocean to have ever lived. There has even been evidence of them being the first to travel to America. sorry not sorry Columbus.
• And last but not least, PLEASE LOVE MOANA AND GO AND WATCH IT IN ALL ITS GLORY 

Spanish language poster

Spanish language poster

And now onto the legend/lore part. We haven't had the opportunity to view the whole film yet but reviews from a wide variety of sources point to it being a success - both as entertainment and as a proper representation of culture and related history and legends.

It's also reported to be full - chock full - of folklore Easter Eggs. Only problem is, we don't have access to a wide variety of Pacific Island folklore to ferret some of these out, but even if we did, we couldn't do better than to point you in the direction of the amazing Zalka Csenge Virág's storytelling, folklore and legend blog, The Multicolored Diary.  She's broken down all the Maui legend references in that character's key song, You're Welcome. The post is titled All the Maui legends crammed into Moana's "You're Welcome".

To explain what she's done, here's an extract from the intro of the post on The Multicolored Diary:

"..what really intrigued me as a storyteller was all the folklore Easter eggs hidden in plain sight. The best among them was Maui the Trickster's introduction song, titled "You're Welcome", which combined the features of trickster and culture hero perfectly.On top of that, each line of the song was a reference to an actual Maui legend."

Csenge goes on to explain the list she put together, with the encouragement that everyone should keep reading indigenous reviews in particular, to truly assess the representational success - both of culture and legends - in the movie. You can read the post (and hear the song in full) HERE.

True to Disney tradition, Easter Eggs , particularly from Ron and John's previous huge hit The Little Mermaid, are spread throughout, making the 'family' this film has come from clear. And,as we have been told over and over - stay until after the credits! There's an extra bit of happy at the very, very end.

Fantastic Beasts Are Given A Chinese Makeover

We so dearly wish to do a proper write-up of Fantastic Beasts and Where to Find Them but are aware that many haven't had the chance to see the film yet. However, we did want to mention that whatever people think of the movie, we are thrilled - thrilled! - with the expanding creature folklore of the Rowling Wizarding World as it overlaps wonderfully with existing lore and legends from around the globe.

Spoiler-free review preview: all here loved it and are itching for a second viewing. Despite some flaws, we all agree that in the end, "fantastic" is still the overall best word to describe it and that our realization of such flaws hasn't dented our enjoyment of it at all.

We will go more in depth when we've had time to put together all the notes accruing on the news board, but for now, please enjoy these lovely Chinese-styled takes of the creatures for Fantastic Beasts posters, creatied for promoting the movie in Beijing during the cast's promotional tour there last week. (The movie opens on the Chinese mainland on November 25th.)

The Director of this newest Rowling movie franchise, David Yates, has revealed that there will be "a mythical creature from Chinese legend" in the next movie (sequel to Fantastic Beasts and Where to Find Them), which has had fans predicting "dragon". Rowling, however, has denied this, which leaves open a lot of possibilities.

Here's a little more info from China Daily:

A Chinese artist inspired by traditional painting methods has created posters to promote 3D film Fantastic Beasts and Where to Find Them. 

The magical animals appear in a traditional Chinese circular fan pattern, and are painted using techniques similar to the meticulous brushwork style of traditional gongbi (FTNH: a refined, realist Chinese painting technique that includes careful layering and meticulous detail; considered high art and affordable only by the wealthy). 

The posters were created by Chinese artist Zhang Chun, and given as gifts to the cast, as well as the director and producer, during their promotional tour last week in Beijing. 

The Chinese-style posters portray six magical animals created by author J.K. Rowling, including occamy, demiguise, swooping evil, niffler, thunderbird and bowtruckle, who travel in Chinese landscape, resembling the rare animals from China's mythological collections Shan Hai Jing (Classics of the Mountains and Seas).

What is the Shan Hai Jing*? It's described as a classic Chinese text of mythical geography and myth - a Chinese mythical bestiary, in many ways.

From Wikipedia:

The book is not a narrative, as the "plot" involves detailed descriptions of locations in the cardinal directions of the Mountains, Regions Beyond Seas, Regions Within Seas, and Wilderness. The descriptions are usually of medicines, animals, and geological features. Many descriptions are very mundane, and an equal number are fanciful or strange. Each chapter follows roughly the same formula, and the whole book is repetitious in this way. 

It contains many short myths, and most rarely exceed a paragraph. 

So we're talking nine-headed phoenix, the nine-tailed fox, the Chinese form of Naga (a snake with a man's head), monsters of land and sea, dragons (of course), odd man-beast combinations and many, many more - all of which seem they would be equally at home in Rowling's world - or Newt's magical case. That these posters recall creatures from ancient myth is good incentive to go learn more about Chinese mythological beasts, and, once you have an idea of how popular the Harry Potter and Fantastic Beasts world is in China, (immensely so!) how much people around the world can have in common.

In the meantime, aren't these just gorgeous and amazingly made?

Director David Yates, producer David Heyman and actors Eddie Redmayne, Katherine Waterston, Dan Fogler and Alison Sudol receive gifts of paintings of Chinese magical beasts created by Chinese artists at the premiere

*University of California Press released a book in 2003 titled A Chinese Bestiary: Strange Creatures from the Guideways Through Mountains and Seas which sounds fascinating.