Monday, May 19, 2014

A Great Suggestion For the OUAT Writers (AKA The Call To Use Different Fairy Tale Characters From 'Round the World)

With the season end reveal of Elsa coming to Storybrooke for Season 4 of Once Upon A Time, speculation is rife with regard to story lines, additional Frozen world character additions, plot twists and, as you can imagine, concerns about changing an already much-beloved character. Clearly, from the brief finale teaser, Elsa will be fair skinned (ie caucasian) but there are a lot of people, many already concerned with Disney's lack of POC representation, that see the same in OUAT, and that the addition of Elsa just exacerbates that.

   
(I'll get to why I am posting images of all these cultural variants of Cinderella in just a sec. Bare with me.) 

The "discussion" throughout social media has birthed a petition, calling for Tiana (from Disney's The Frog Princess) to be added to the cast and canon but not just as "fodder" like it seems most other POC characters have been used in OUAT.
   
The lack of POC people in the ABC show Once Upon a Time is rather depressing. They are either villains, dead or forgotten. The character Mulan has disappeared and Rapunzel, who was added to the royal line up, had one episode and she wasn’t even the focus. For three seasons, the fans have waited patiently for at least one POC who doesn’t get shafted. So to the writers and creators, would you please give us Tiana? All we are asking is for a POC character that gets to go on a journey and not be forgotten.  

The fact that the POC issue is coming up so regularly these days says a lot to me: not just about the lack of representation by arguably the most influential company using fairy tales in the world, but also that people are tired of the same regurgitation of stories. Red Riding Hood has been told multiple times the world over in a myriad of ways, yet Western retellings of Red Riding Hood tend to default to the girl in the red hood in the wood with a wolf.

        
Carissa Shuman, of The Celebrity Cafe, however, came up with a solution that I want to applaud, (despite the fact that it's highly unlikely this suggestion will be implemented):
           
Should Horowitz and Kitsis decide to include more POC, they could possible draw from fairy tales of other cultures which are sometimes stand-alone stories, and sometimes variations of their European counterparts. Their focus has been predominantly on Disney princesses, which does include Mulan and Tiana. However, they have also included or alluded to other popular stories such as Hansel and Gretel. If they were to refer to some other stories, they may want to use Leola from Melodye Benson Rosales’ Leola and the Honeybears, which is an African-American version of Goldilocks, who although not a princess is a well-known fairy tale character. 
                    
Another option could be to incorporate “relatives” of Red or Ella by using a variation of their story. For example, Lon Po Po is a Chinese version of Little Red Riding Hood written by Ed Young. There are also several versions of Cinderella. The idea of rags to riches is a common theme, and the Chinese have told it in Yeh-Shen by Ai-Ling Louie. Robert D. San Souci told it in his story entitled Cendrillon, a Caribbean Cinderella, and Rafe Martin told it in The Rough-Face Girl which stars a disfigured Algonquin girl.
  

The whole things about OUAT being basically a Disney property and using Disney versions of fairy tales makes sense, from a production point of view (and an intellectual property point of view). That excuse doesn't apply for when they go outside the canon though. For them to use, for example, Red Riding Hood and Hansel and Gretel, which Disney do not have popular versions of, says that they're willing to step outside the Disney canon if they think it's worth they're while (read, ratings).
             


With regard to the fact that Horowitz and Kitsis are extremely unlikely to consider using cultural variations of stories, what I would like to see is: They decide, yes, they'll bring Tiana on board and yes, they'll bow to popular demand and offer Oscar Winner Lupita Nyong'o the role. She says "yes, on one condition". They say "anything!" and she demands that they bring some fairy tales from her cultural background to the show...

I can dream.

Saturday, May 17, 2014

Grimm's Season 3 Finale Quotes "The Robber Bridegroom"

Note: Apologies for a late post today. It would appear our neighborhood internet was fried in the heat but we are back online now, just in time to turn back into a pumpkin.
So NBC's Grimm just used a quote from The Robber Bridegroom (actually, it's from the song within the story) in their season finale last night (Friday, May 16, 2014) and they did a great job of making the themes of this fairy tale echo through the multiple story lines, including, of course, the long-anticipated wedding, though, thankfully, not in too obvious a manner.

If you know the tale, you'll appreciate the way the twists happen in Grimm's season 3 finale. It's wonderfully layered (right down to one of the characters being a female fox-like creature, echoing, of course, the related tale of Mr. Fox*) and it makes for a terrible mess for the characters, of course. (No spoilers - you will have to watch it yourself.)
Season 3 Episode 22 (finale) "Blond Ambition". The quote is from The Robber Bridegroom.

The writers for Grimm are clearly people who do their research into the old tales (they said this when the show was launching and over time I've come to believe that it wasn't just a marketing point but actually true). Although they're not trying to retell any one story anymore (thankfully, though it was deemed necessary at the beginning of the series to be more obvious about the use of fairy tales to draw in an audience), they've gotten great at weaving in the fairy tale (and occasionally mythic) inspirations for the twists in their writing, which are usually shown in the opening quotes (see below for a good example of the episode prior to the finale, the themes of which carried over into the last one as well).
Season 3 Episode 21 "The Inheritance". The quote is from The Water of Life.
As someone who adores seeing the lesser known fairy tales used and referred to, being able to recognize a lot of the opening quotes as the show begins makes for a highly enjoyable viewing. (And I live in hope that, that also means the cast and crew of Grimm are becoming aware of these tales too.)

I can't wait to see what "obscure" fairy tales they weave into the writing in Season 4!

*A variant of the Bluebeard & The Robber Bridegroom tales, collected by Joseph Jacobs for English Fairy Tales.

Friday, May 16, 2014

Ask Baba Yaga: How Do I Keep From Dwelling on the Love I Haven't Had?

Baba Yaga's House by Nonobot

Just a taste and you will crave it always... at least, that's how it seems. What do you say to someone who feels like this (other than give them a hug and hide all sharp objects)? Baba Yaga knows.

This week's question and answer (via poet and oracle Taisia Kitaiskaia* of The Hairpin):
(Originally posted at The Hairpin HERE)

Know your empty place... Wow. I wish I'd heard that when I was younger. Just like an earlier commenter wrote on the original post:

  • I want to wallpaper my walls with Baba Yaga answers. (ktbean)
YES!

What do you think of Baba Yaga's advice?

Want to ask Baba Yaga a question of your own?
You can!
There's now an email address where you can send your questions
directly to Baba Yaga herself.
AskBabaYaga AT gmail DOT com
To encourage Baba Yaga to continue imparting her no-bones-about-it wisdom (ok, there may be some gristle in there... bones too), I suggest we not to leave her box empty... 

Thank you Baba Yaga (& Taisia).


Taisia Kitaiskaia is a poet, writer, and Michener Center for Writers fellow. Born in Russia and raised in America, she's had her poems and translations published in Narrative Magazine, Poetry International, and others.

Thursday, May 15, 2014

Breaking News: "The Tale of Tales" In Production (That's Right - We're About to Get Basile's Tales On Film. In English!)

Grannonia and the Fox from The Serpent by Warwick Goble
UPDATE 9pm 5-15-14:
I've updated the cast members announced today, as well as added a description & brief synopsis.

From earlier in the year we learned this from Variety:
Salma Hayek and Vincent Cassel are set to topline Italian helmer Matteo Garrone’s “The Tale of Tales,” the helmer’s follow up to “Reality,” which won a Grand Prize at Cannes.
The English-language film will shoot in Italy during the spring. Garrone’s most ambitious project to date, the period fantasy is based on three tales from Giambattista Basile’s “Lo cunto de li cunti.”
(It would seem Vincent Cassel is on a fairy tale kick, no? We totally approve. And at least this one we will get to see!)
**************************************************************** 
UPDATED 9pm 5-15-14: Just today it was announced that John C. Reilly (Chicago) and Toby Jones (Frost/Nixon) have also joined the cast. 
And a description & brief synopsis from The Hollywood Reporter
The film is described as an Italian baroque era fantasy story.It is inspired by and loosely based on Tale of Tales by Giambattista Basile, a 17th century Neapolitan author whose fairytales are recognized as the forerunners of worldwide fantasy literature.
Garrone co-wrote the story and screenplay with Edoardo Albinati, Ugo Chiti and Massimo Gaudioso, with the script billed as a “fantastic journey through the baroque era, narrating the stories of three different kingdoms and their respective sovereigns.” 
SHORT SYNOPSIS:
From the bitter quest of a jealous queen (Hayek) who forfeits the life of her husband (Reilly), to two mysterious sisters yearning for youth in order to provoke the passion of a king (Cassel), to a king (Jones) obsessed with a giant flea leading to heartbreak for his young daughter, the stories weave the beautiful with the grotesque. 
*****************************************************************
Well it's now in production in Sicily and there's a little more news about this English language (yes!) fairy tale film.
The Prince and Filadoro with the snails from The Dove by Warwick Goble

(I cannot believe how excited I am about this!)

Excerpted from the exclusive Variety interview:

Q: The movie you are about to shoot is based on “The Tale of Tales,” a collection of fairy tales by 17th century Italian author Giambattista Basile which, among other stories, contains the earliest versions of famous fables like “Rapunzel,” “Hansel and Gretel,” “Sleeping Beauty” and “Cinderella.” What made you want to work with this book?  A: I chose to enter Basile’s world and make it my own because when I read them I immediately felt these stories were something familiar. I really connected with their spirit,  their irony and also with their dark aspects. In his fables I found that mix of real and unreal that has always characterized what I strive for as an artist. This project could seem far-removed from the rest of my work to date. But actually I think it pretty much fits in with what I’ve done so far. 
Rita riding on the dolphin
from The Three Enchanted Princes by Warwick Goble

Q: How so?  A: Among my movies, “The Embalmer,” or “First Love” or even “Gomorra,” and also “Reality” all had fable-like elements. Perhaps in those cases I took my cue from reality to transfigure it into a fantasy-like, or dreamlike, dimension. Whereas this time I’m doing the reverse, I’ve taken fable-like situations and turned them into something more realistic and believable. However, it’s the first time I’m venturing into supernatural territory and playing with magic.  
Q: In terms of genre how would you describe it?  A: I would call it a fantasy film with horror elements.  
Q: What are some of the themes in “Tale of Tales”?  A: The stories we chose to work with are amazing because they are so modern, so contemporary. They comprise a yearning for youth and physical beauty, the suffering of a woman willing to do anything to have a child, generational conflict, the struggle for power.
Parmetella gathering the golden leaves from The Golden Root by Warwick Goble

************

Added from The Hollywood Reporter today:

Garrone said: “I chose to enter Basile's world because I found in his fables the mix between reality and fantasy that has always defined my artistic research. The stories described in Tale of Tales form a world in which all the opposites of life are exposed: the ordinary and the extraordinary, the magical and the mundane, the real and the surreal, the simple and artificial, the sublime and the filthy, the terrible and the pleasing.”

*****************************************************************
Interestingly, while many places shoot on set to look like it's set in a real place, Garrone has taken the opposite approach. They spent seven moths location scouting throughout Italy, looking for real and complete places that looked as if they might actually be a set.

According to IMDB (which isn't exactly the best source, but the only one I could find with a date) the film is set to be released sometime during 2014 in Italy at least. That will be some quick post production if they do! Maybe Christmas..?

I already like the sound of how this is going to look and what it's about. I hope it's stunning and draws a lot of people in. I was just thinking at the beginning of the year that there aren't enough beautiful looking volumes of Basile's tales. Other than the versions with Warwick Goble's illustrations and the one with George Cruikshank's, they all look old, outdated, cheaply printed and not at all precious or important, which is not how they should be presented at all. We need some Il Pentamerone volumes that look like the gorgeous - and loved - collections available of Grimm's andAndersen's tales. Then people might actually pic them up and read them again. Hopefully this film will do that too.
The Lizard showing Goat-Face the palace by Warwick Goble
Click on the image below to go to a simple overview of The Pentamerone:
And once you have the overview, head over to SurLaLune to do some in depth reading, starting HERE.

"Maleficent" Clip: Fairy Godmother

Sun Princess
Beautiful, a faery’s child;
Her hair was long,
her foot was light,
And her eyes were wild.
~John Keats
Oh Aurora, bless your little heart... I do hope we get to see that Maleficent encouraged your "wild side" just a bit.  
Such naivety does not become a ruler-to-be.

Did you see Maleficent's face at the end? Perfect.It's how I often feel when I see fairy tales brought to life too...

"Cinderella" Live Action Movie Teaser Trailer Released

OK so it's more of a music preview video with a shoe. But the response so far today has been CRAZY! One glass slipper and people are nuts.

(And people ask why Disney keeps making Cinderella.)

Anyway, enjoy the shoe!
Disney's live action Cinderella is slated for release in March, 2015.

OK Disney MARCH. That's NEXT year. What about this year's Into the Woods. Can't we even have a poster yet?

Also: Did that butterfly just DIE??! OMG no! :(

Lisa Stock's "The Buried Moon"


The Buried Moon (Self portrait) by Lisa Stock: InByTheEye
(See larger version HERE)
Mythic filmmaker and fairy tale friend Lisa Stock has once again found a new expression to explore hers - and our - connection with fairy tales and the universal themes and questions they hold.

The new image is actually a very unusual, and beautiful, self-portrait, inspired by the fairy tale The Buried Moon.

From Lisa's filmmaker blog (for InByTheEye):
A big thank you to Lisa (Lisa Derrick of Fire Dog Lake) for sharing this (fairy tale, The Buried Moon) with me. I was so moved by the mutual admiration between humans and the moon.  It’s also one of those stories where you can see yourself in every character: days when you’re the mischievous crawler who wants to hiss at any thought of vibrancy; or perhaps your light has been diminished, and you feel like you’re sinking in the muck; but there too are humans, that part of us that goes out and faces our fears to regain our light.  Therefore I decided to make this image a self-portrait (that’s me inside the moon).
Read more about her inspiration and the process of creating the image HERE.

A few weeks back, Lisa was interviewed at Fire Dog Lake about her filmmaking, her journey to becoming a filmmaker, her work, current projects and her love of myth and fairy tale. I've been aiming to transcribe the portion of the Q&A in which Lisa discusses fairy tales but it's taken me a while to get all the notes and comments in order (it was conducted in a comment-and-reply-to-comment fashion so multiple threads were being discussed simultaneously at some points!). I've finally managed to finish putting together the sections discussing fairy tales, to coincide with her releasing a new fairy tale image we can enjoy and reflect on.
Here's Lisa Stock on fairy tales (and her work using fairy tales) excerpted from the interview at Fire Dog Lake:

You directed a Neil Gaiman play–that’s pretty rad! Tell us a bit about that… (we're getting to your films, honest!)
“Snow, Glass, Apples” was a great experience. I was working with a group to raise money for the East Atlanta community association. I contacted Neil to see if I could adapt the short story. It’s done as a radio play – but I did my own adaptation. I’ve always really loved that story and the way it unfolds. The narrative structure is so interesting. He said Yes! And I directed it as an immersive theater experience. The audience literally walked into the market where the play took place. BUT… my favorite part about the play – was my forest chorus. I created a traditional Greek classic chorus using dancers who had branches in their hands – and they would guide the audience and sometimes interact with the characters. I loved them!
Neil Gaiman's "Snow, Glass, Apples"
with the Forest Chorus and Victoria Hay as The Queen poisoning the apple
We also tricked the audience a bit. We drew them in close in the beginning as the princess was walking among the trees and then the huntsman cuts her heart out right there in the very beginning in front of all of them. Blood everywhere – it was so gross. But we had fun.
Created for Snow, Glass, Apples
by Jen Parrish of Parrish Relics
Wow! Theater should surprise and excite.
You live/create in place where the veil between world is very thin (you contributed to a book about mythical origins of favorite foods). Did you read a lot of fairy tales as a child (I did, and I see most things that go in my life on a few different story tellling levels).
Yes – Primal Picnics! Great book and it comes with recipes from each of the authors. What I like about that book and its tie to food – is that food is so important in so many fairy tales. It’s the breath of life, food, sun, earth.

The little girl who trod on loaf…one of the creepiest stories ever!
I read a lot of fairy tales – I also read a lot of things with fun language, Dr. Suess, Shel Silverstein. When it came to fairy tales – I more wanted to see paintings and the pictures, I was very visual. Then I’d make up my own stories to with the pictures. My parents put big pictures on my walls as a child – animals and trees, and I’d lie in bed at night and just make up stories in my head until I fell to sleep. (After they had read me a story or two)- I still do that just on a bigger scale now.
So re Persephone (which Lisa recently finished filming a web series on) –I have a version in my head that I think is true–that humans got lazy with the endless sun and harvest and stopped worshipping the Olympians, and in despair turned to the Titan Hekate, who had been given to Hades as his bride. She came up a plan to make Demeter weep–and more importantly ne which allow her to go above ground for part of the year.
And Persephone thought hades with his black steeds and smoke was kinda hot (like a rock star on his Harley), so she wasn’t exactly “kidnapped” she ran off with the bad boy who promised her gems and and a kingdom…
I like it!
Several years ago – I had the amazing opportunity to see Clarissa Pinkola Estes give a talk on Little Red Riding Hood and she traced it’s origins back to the myth of Persephone. Amazing!
The same idea though – Red was in charge of her own fate in the earliest versions of the tale.
It was important to me that my Persephone make her own decision by the end of the series. She’s a very different person from episode 1 to episode 8.
I just started watching it! Can’t wait to see all 8! Wow…I hadn’t thought of that (Persephone being traced back to Red).
Let me know your thoughts!
Production photo from Persephone
One of my favorite stories is from Andrew Lang’s More English Fairy Tales: "The Buried Moon".
The creatures who live in the swamp capture the moon and bury her so they can do their mischief. It’s very scary for mankind, but luckily the wise woman tells them to look for a cross, a candle and a coffin…they see the moons hair flickering (candle), the rock covering her (coffin), and the vines used to bind her hand (cross) and set her free..
Oh – that sounds beautiful. Haven’t read that one. (adding to nook list) Have you read Calvino’s Cosmic Comics? Not a fairy tale, but the first story is a larger than life look at the moon.
Every once in a while I just like to have a project where I have no deadlines and no expectations and can go out with my camera and see what the landscape brings, and then take it home, put the footage in my edit system and see what happens. I often come away with something I’ll use in a larger project.
I used PERSPEHONE to do a lot of experimenting, visually, but also emotionally as well. I wanted her to grow just a bit in each episode. Discover something new about her world and herself. How did her world, reveal something more about herself?
I think some feminists are gonna show up brandishing torches and pitchforks when I say this, but i do feel a difference in the directorial styles of women and men filmmakers, even going back to Ida Lupino and Leni Riefenstahl.
Triptych Heart (experimental film inspired by Maya Deren)
I agree. I think men and women have different ways of looking at the world. But above that – it’s the unique eye of the woman – whether me, or Sophia Coppola, or Julie Taymor. A BIG influence on me is Maya Deren.

Here is a favorite quote from Maya Deren:
“Cameras do not make films; film-makers make films. Improve your films not by adding more equipment and personnel but by using what you have to its fullest capacity. The most important part of your equipment is yourself: your mobile body, your imaginative mind, and your freedom to use both. Make sure you do use them.” – MD
I hope though – that a woman would not be afraid to film the world as she sees it – because she feels it has to appeal to a certain demographic. I don’t really believe in those categories. There are audiences for all kinds of films.
One of the things I like about social media (is) I can see your work where I might not otherwise, say 10 years ago, have had the chance. It’s a great thrill to know that you can put your film up online and reach someone half way across the world. But more important to me, is that I can go out onto the web and find someone who is creating art that rally inspires me.
Connie Toebe's work for Through the Cobweb Forest
I collaborate a lot with Connie Toebe, a 3D artist in Chicago. http://www.connietoebe.com. We created an online allegory called “Through the Cobweb Forest” (www.cobwebforest.com) – it tells the story of a woman name Helena who gets shipwrecked on a mysterious island and finds her independence along the way. It’s interactive too – you can zap ships with lighting and make ghosts appear.
Wow! Wow!!
Cobweb Forest was taught to students at the University of Malaysia as an example of contextual storytelling. Again – absolutely thrilled and honored that it was being seen across the world. :)
Official 2014 In Production/Teaser Poster
That is astounding, how miraculous technology can be!
How far along is Tatiana, and can you tell us about it?

TITANIA – yes! We are in development on that film. It’s inspired by the fairy tale of the Armless Maiden. Titania (from Shakespeare’s fairy queen in Midsummer) has been exiled to an unfamiliar town and is missing her wings. It’s a story of healing and endurance. This one is very personal for me, as I find it has imitated my own life over the past few years. Another story of a woman coming up from her own “Underworld”. http://www.TitaniaFilm.com
We’re hoping to go into principle photography on TITANIA in the Fall. This is the biggest project I’ve ever worked on.
Making Titania - behind the scenes
******************************
Lisa Derrick discusses more of Lisa's filmmaking with her LLC, InBytheEye, and they go behind the scenes of her latest amazing short film HELL. They also talk about why Lisa recommends FilmAnnex for filmmakers and how it has helped her. 

I recommend going and reading the whole interview HERE (you will need to scroll down to the comment section to read the exchanges).

A special and personal thank you Lisa, for continuing to create new work with fairy tales. You show people how relevant these stories are and why we need to keep them all in circulation.