Tuesday, May 27, 2014

Ask Baba Yaga: How Can I Tell the Difference Between Prestige and Personal Satisfaction?

Cover of  Russian Fairy Tales (minus text) by Marie Avril
When you are boosted by a sense of achievement, how do you know if what you feel has anything to do with your true happiness? Where is the right conjunction of happiness and success for you? I vaguely recall someone telling me that's part of what you're supposed to figure out during your lifetime, but I wasn't satisfied with that then and even less so now. Baba Yaga puts all that aside and hones in on the Real...

This week's question and answer (via poet and oracle Taisia Kitaiskaia* of The Hairpin):
(Originally posted at The Hairpin HERE)

"..find & name yr hungriest wolves..." "..keep them all strong, not starving.."  

Oh dear. Well that explains a lot. *checks bite marks all over* 

I believe I have some wolves to go feed ASAP. (Now where did I put that wolf food? O.o )

What do you think of Baba Yaga's advice?

Want to ask Baba Yaga a question of your own?
You can!
There's now an email address where you can send your questions
directly to Baba Yaga herself.
AskBabaYaga AT gmail DOT com
To encourage Baba Yaga to continue imparting her no-bones-about-it wisdom (ok, there may be some gristle in there... bones too), I suggest we not to leave her box empty... 

Thank you Baba Yaga (& Taisia).


Taisia Kitaiskaia is a poet, writer, and Michener Center for Writers fellow. Born in Russia and raised in America, she's had her poems and translations published in Narrative Magazine, Poetry International, and others.

Thursday, May 22, 2014

Your Fairy Tale News Hound Is Now A Card Carrying Founding Member of the AFTS!

It's official!
It has been a week teetering on insanity (exactly how many days can one go without sleep?) but I've nearly made it to the end and will be able to bring you daily news again shortly... (after I catch 40 winks!)

Very quickly, an exciting bit of my news that arrived by mail box this week: I am now, officially, a card-carrying founding member of the AFTS (Australian Fairy Tale Society)! *does backflip* *imagines she's doing a backflip while pouring a celebratory glass of wine*

Australia is rich with many (many!) authors who work with fairy tales, fairy tale artists and filmmakers and those using innovative approaches to fairy tale scholarship. You might be surprised how many names you already know, but didn't realize hark from Oz! (I'm aiming to highlight some of these people around the time of the inaugural conference taking place on June 9th.)

The AFTS is brand new and needs support to help get things running, with the intent that their work will not only benefit Australians working in fairy tales, but will also be of use to scholars, students, artists and enthusiasts all over the world.

To this end, AFTS has a crowd-funding campaign with the option to become a founding member at the same time as well (no Australian citizenship required).They (we!) are now a little over half-way funded in the modest goal of $2000. If regular Once Upon A Blog readers donated just the minimum, we'd easily meet the goal and fill the kitty!

Please consider donating to help this important - and much needed - society, start it's daunting work in earnest. Every little bit helps.
Here is a little summary of the AFTS' objectives:
The objectives of the Australian Fairy Tale Society as set out in our extremely new constitution are:  
To investigate, appreciate and perform fairy tales within the Australian context through: 
• Collecting original Australian fairy tales, fairy tale adaptations, interpretations, and criticism, through research within existing collections and in the field. 
• Organising and cataloguing this fairy tale collection meaningfully for maximum accessibility by Australian and international researchers, folklorists, educators and creatives. 
• Analysing this fairy tale collection according to evolving manifestations of Australian cultural identity  
• Communicating this investigation through: interpersonal discussions (conferences and small groups); the publication of written articles; digital resources (websites, social media, teleconferencing)  
• Building a community of interest across Australia, (academics, folklorists, performers) in national and local groups, which can communicate with like-minded communities internationally.  
• Promoting Australian fairy tale retellings in all forms 
• Encouraging the creation of new fairy tale works (literary, visual, musical and performative). 
• Analysing this fairy tale collection according to evolving manifestations of Australian cultural identity  
• Communicating this investigation through: interpersonal discussions (conferences and small groups); the publication of written articles; digital resources (websites, social media, teleconferencing)  
• Building a community of interest across Australia, (academics, folklorists, performers) in national and local groups, which can communicate with like-minded communities internationally.  
• Promoting Australian fairy tale retellings in all forms 
• Encouraging the creation of new fairy tale works (literary, visual, musical and performative).
The status of the crowd-funding campaign on May 22, 2014

Monday, May 19, 2014

A Great Suggestion For the OUAT Writers (AKA The Call To Use Different Fairy Tale Characters From 'Round the World)

With the season end reveal of Elsa coming to Storybrooke for Season 4 of Once Upon A Time, speculation is rife with regard to story lines, additional Frozen world character additions, plot twists and, as you can imagine, concerns about changing an already much-beloved character. Clearly, from the brief finale teaser, Elsa will be fair skinned (ie caucasian) but there are a lot of people, many already concerned with Disney's lack of POC representation, that see the same in OUAT, and that the addition of Elsa just exacerbates that.

   
(I'll get to why I am posting images of all these cultural variants of Cinderella in just a sec. Bare with me.) 

The "discussion" throughout social media has birthed a petition, calling for Tiana (from Disney's The Frog Princess) to be added to the cast and canon but not just as "fodder" like it seems most other POC characters have been used in OUAT.
   
The lack of POC people in the ABC show Once Upon a Time is rather depressing. They are either villains, dead or forgotten. The character Mulan has disappeared and Rapunzel, who was added to the royal line up, had one episode and she wasn’t even the focus. For three seasons, the fans have waited patiently for at least one POC who doesn’t get shafted. So to the writers and creators, would you please give us Tiana? All we are asking is for a POC character that gets to go on a journey and not be forgotten.  

The fact that the POC issue is coming up so regularly these days says a lot to me: not just about the lack of representation by arguably the most influential company using fairy tales in the world, but also that people are tired of the same regurgitation of stories. Red Riding Hood has been told multiple times the world over in a myriad of ways, yet Western retellings of Red Riding Hood tend to default to the girl in the red hood in the wood with a wolf.

        
Carissa Shuman, of The Celebrity Cafe, however, came up with a solution that I want to applaud, (despite the fact that it's highly unlikely this suggestion will be implemented):
           
Should Horowitz and Kitsis decide to include more POC, they could possible draw from fairy tales of other cultures which are sometimes stand-alone stories, and sometimes variations of their European counterparts. Their focus has been predominantly on Disney princesses, which does include Mulan and Tiana. However, they have also included or alluded to other popular stories such as Hansel and Gretel. If they were to refer to some other stories, they may want to use Leola from Melodye Benson Rosales’ Leola and the Honeybears, which is an African-American version of Goldilocks, who although not a princess is a well-known fairy tale character. 
                    
Another option could be to incorporate “relatives” of Red or Ella by using a variation of their story. For example, Lon Po Po is a Chinese version of Little Red Riding Hood written by Ed Young. There are also several versions of Cinderella. The idea of rags to riches is a common theme, and the Chinese have told it in Yeh-Shen by Ai-Ling Louie. Robert D. San Souci told it in his story entitled Cendrillon, a Caribbean Cinderella, and Rafe Martin told it in The Rough-Face Girl which stars a disfigured Algonquin girl.
  

The whole things about OUAT being basically a Disney property and using Disney versions of fairy tales makes sense, from a production point of view (and an intellectual property point of view). That excuse doesn't apply for when they go outside the canon though. For them to use, for example, Red Riding Hood and Hansel and Gretel, which Disney do not have popular versions of, says that they're willing to step outside the Disney canon if they think it's worth they're while (read, ratings).
             


With regard to the fact that Horowitz and Kitsis are extremely unlikely to consider using cultural variations of stories, what I would like to see is: They decide, yes, they'll bring Tiana on board and yes, they'll bow to popular demand and offer Oscar Winner Lupita Nyong'o the role. She says "yes, on one condition". They say "anything!" and she demands that they bring some fairy tales from her cultural background to the show...

I can dream.

Saturday, May 17, 2014

Grimm's Season 3 Finale Quotes "The Robber Bridegroom"

Note: Apologies for a late post today. It would appear our neighborhood internet was fried in the heat but we are back online now, just in time to turn back into a pumpkin.
So NBC's Grimm just used a quote from The Robber Bridegroom (actually, it's from the song within the story) in their season finale last night (Friday, May 16, 2014) and they did a great job of making the themes of this fairy tale echo through the multiple story lines, including, of course, the long-anticipated wedding, though, thankfully, not in too obvious a manner.

If you know the tale, you'll appreciate the way the twists happen in Grimm's season 3 finale. It's wonderfully layered (right down to one of the characters being a female fox-like creature, echoing, of course, the related tale of Mr. Fox*) and it makes for a terrible mess for the characters, of course. (No spoilers - you will have to watch it yourself.)
Season 3 Episode 22 (finale) "Blond Ambition". The quote is from The Robber Bridegroom.

The writers for Grimm are clearly people who do their research into the old tales (they said this when the show was launching and over time I've come to believe that it wasn't just a marketing point but actually true). Although they're not trying to retell any one story anymore (thankfully, though it was deemed necessary at the beginning of the series to be more obvious about the use of fairy tales to draw in an audience), they've gotten great at weaving in the fairy tale (and occasionally mythic) inspirations for the twists in their writing, which are usually shown in the opening quotes (see below for a good example of the episode prior to the finale, the themes of which carried over into the last one as well).
Season 3 Episode 21 "The Inheritance". The quote is from The Water of Life.
As someone who adores seeing the lesser known fairy tales used and referred to, being able to recognize a lot of the opening quotes as the show begins makes for a highly enjoyable viewing. (And I live in hope that, that also means the cast and crew of Grimm are becoming aware of these tales too.)

I can't wait to see what "obscure" fairy tales they weave into the writing in Season 4!

*A variant of the Bluebeard & The Robber Bridegroom tales, collected by Joseph Jacobs for English Fairy Tales.

Friday, May 16, 2014

Ask Baba Yaga: How Do I Keep From Dwelling on the Love I Haven't Had?

Baba Yaga's House by Nonobot

Just a taste and you will crave it always... at least, that's how it seems. What do you say to someone who feels like this (other than give them a hug and hide all sharp objects)? Baba Yaga knows.

This week's question and answer (via poet and oracle Taisia Kitaiskaia* of The Hairpin):
(Originally posted at The Hairpin HERE)

Know your empty place... Wow. I wish I'd heard that when I was younger. Just like an earlier commenter wrote on the original post:

  • I want to wallpaper my walls with Baba Yaga answers. (ktbean)
YES!

What do you think of Baba Yaga's advice?

Want to ask Baba Yaga a question of your own?
You can!
There's now an email address where you can send your questions
directly to Baba Yaga herself.
AskBabaYaga AT gmail DOT com
To encourage Baba Yaga to continue imparting her no-bones-about-it wisdom (ok, there may be some gristle in there... bones too), I suggest we not to leave her box empty... 

Thank you Baba Yaga (& Taisia).


Taisia Kitaiskaia is a poet, writer, and Michener Center for Writers fellow. Born in Russia and raised in America, she's had her poems and translations published in Narrative Magazine, Poetry International, and others.

Thursday, May 15, 2014

Breaking News: "The Tale of Tales" In Production (That's Right - We're About to Get Basile's Tales On Film. In English!)

Grannonia and the Fox from The Serpent by Warwick Goble
UPDATE 9pm 5-15-14:
I've updated the cast members announced today, as well as added a description & brief synopsis.

From earlier in the year we learned this from Variety:
Salma Hayek and Vincent Cassel are set to topline Italian helmer Matteo Garrone’s “The Tale of Tales,” the helmer’s follow up to “Reality,” which won a Grand Prize at Cannes.
The English-language film will shoot in Italy during the spring. Garrone’s most ambitious project to date, the period fantasy is based on three tales from Giambattista Basile’s “Lo cunto de li cunti.”
(It would seem Vincent Cassel is on a fairy tale kick, no? We totally approve. And at least this one we will get to see!)
**************************************************************** 
UPDATED 9pm 5-15-14: Just today it was announced that John C. Reilly (Chicago) and Toby Jones (Frost/Nixon) have also joined the cast. 
And a description & brief synopsis from The Hollywood Reporter
The film is described as an Italian baroque era fantasy story.It is inspired by and loosely based on Tale of Tales by Giambattista Basile, a 17th century Neapolitan author whose fairytales are recognized as the forerunners of worldwide fantasy literature.
Garrone co-wrote the story and screenplay with Edoardo Albinati, Ugo Chiti and Massimo Gaudioso, with the script billed as a “fantastic journey through the baroque era, narrating the stories of three different kingdoms and their respective sovereigns.” 
SHORT SYNOPSIS:
From the bitter quest of a jealous queen (Hayek) who forfeits the life of her husband (Reilly), to two mysterious sisters yearning for youth in order to provoke the passion of a king (Cassel), to a king (Jones) obsessed with a giant flea leading to heartbreak for his young daughter, the stories weave the beautiful with the grotesque. 
*****************************************************************
Well it's now in production in Sicily and there's a little more news about this English language (yes!) fairy tale film.
The Prince and Filadoro with the snails from The Dove by Warwick Goble

(I cannot believe how excited I am about this!)

Excerpted from the exclusive Variety interview:

Q: The movie you are about to shoot is based on “The Tale of Tales,” a collection of fairy tales by 17th century Italian author Giambattista Basile which, among other stories, contains the earliest versions of famous fables like “Rapunzel,” “Hansel and Gretel,” “Sleeping Beauty” and “Cinderella.” What made you want to work with this book?  A: I chose to enter Basile’s world and make it my own because when I read them I immediately felt these stories were something familiar. I really connected with their spirit,  their irony and also with their dark aspects. In his fables I found that mix of real and unreal that has always characterized what I strive for as an artist. This project could seem far-removed from the rest of my work to date. But actually I think it pretty much fits in with what I’ve done so far. 
Rita riding on the dolphin
from The Three Enchanted Princes by Warwick Goble

Q: How so?  A: Among my movies, “The Embalmer,” or “First Love” or even “Gomorra,” and also “Reality” all had fable-like elements. Perhaps in those cases I took my cue from reality to transfigure it into a fantasy-like, or dreamlike, dimension. Whereas this time I’m doing the reverse, I’ve taken fable-like situations and turned them into something more realistic and believable. However, it’s the first time I’m venturing into supernatural territory and playing with magic.  
Q: In terms of genre how would you describe it?  A: I would call it a fantasy film with horror elements.  
Q: What are some of the themes in “Tale of Tales”?  A: The stories we chose to work with are amazing because they are so modern, so contemporary. They comprise a yearning for youth and physical beauty, the suffering of a woman willing to do anything to have a child, generational conflict, the struggle for power.
Parmetella gathering the golden leaves from The Golden Root by Warwick Goble

************

Added from The Hollywood Reporter today:

Garrone said: “I chose to enter Basile's world because I found in his fables the mix between reality and fantasy that has always defined my artistic research. The stories described in Tale of Tales form a world in which all the opposites of life are exposed: the ordinary and the extraordinary, the magical and the mundane, the real and the surreal, the simple and artificial, the sublime and the filthy, the terrible and the pleasing.”

*****************************************************************
Interestingly, while many places shoot on set to look like it's set in a real place, Garrone has taken the opposite approach. They spent seven moths location scouting throughout Italy, looking for real and complete places that looked as if they might actually be a set.

According to IMDB (which isn't exactly the best source, but the only one I could find with a date) the film is set to be released sometime during 2014 in Italy at least. That will be some quick post production if they do! Maybe Christmas..?

I already like the sound of how this is going to look and what it's about. I hope it's stunning and draws a lot of people in. I was just thinking at the beginning of the year that there aren't enough beautiful looking volumes of Basile's tales. Other than the versions with Warwick Goble's illustrations and the one with George Cruikshank's, they all look old, outdated, cheaply printed and not at all precious or important, which is not how they should be presented at all. We need some Il Pentamerone volumes that look like the gorgeous - and loved - collections available of Grimm's andAndersen's tales. Then people might actually pic them up and read them again. Hopefully this film will do that too.
The Lizard showing Goat-Face the palace by Warwick Goble
Click on the image below to go to a simple overview of The Pentamerone:
And once you have the overview, head over to SurLaLune to do some in depth reading, starting HERE.

"Maleficent" Clip: Fairy Godmother

Sun Princess
Beautiful, a faery’s child;
Her hair was long,
her foot was light,
And her eyes were wild.
~John Keats
Oh Aurora, bless your little heart... I do hope we get to see that Maleficent encouraged your "wild side" just a bit.  
Such naivety does not become a ruler-to-be.

Did you see Maleficent's face at the end? Perfect.It's how I often feel when I see fairy tales brought to life too...

"Cinderella" Live Action Movie Teaser Trailer Released

OK so it's more of a music preview video with a shoe. But the response so far today has been CRAZY! One glass slipper and people are nuts.

(And people ask why Disney keeps making Cinderella.)

Anyway, enjoy the shoe!
Disney's live action Cinderella is slated for release in March, 2015.

OK Disney MARCH. That's NEXT year. What about this year's Into the Woods. Can't we even have a poster yet?

Also: Did that butterfly just DIE??! OMG no! :(