




Evil stepmother, ugly and mean stepsister; the girl is sent into the woods in a paper dress and shoeless to find strawberries in mid-winter. Magic elves enchant her - she'll grow more beautiful every day, gold coins will fall from her mouth when she speaks, and she'll lead a long and wonderful life.I've read 'sent out in rags' before but not the paper dress. It's a nice touch. You can read the rest HERE.
I discovered an interesting piece of Christmas folktale history while researching why it was the well known illustrator of fairy tales from the 1800s, John Bauer, would paint such a thing as a Christmas Goat. Here's some of what I found:
The Yule Goat is one of the oldest Scandinavian and Northern European Yule and Christmas symbols and traditions. Yule Goat originally denoted the goat that was slaughtered around Yule, but it may also indicate a goat figure made out of straw. It is also used about the custom of going door-to-door singing carols and getting food and drinks in return, often fruit, cakes and sweets. "Going Yule Goat" is similar to the British custom wassailing, both with heathen roots.
The function of the Yule Goat has differed throughout the ages. In Finland, the Yule Goat was originally said to be an ugly creature that frightened children, and demanded gifts at Christmas. In Scandinavia, people thought of the Yule Goat as an invisible creature that would appear some time before Christmas to make sure that the Yule preparations were done right. During the 19th century its role shifted towards becoming the giver of Christmas gifts, in Finland as well as the rest of Scandinavia, with one of the men in the family dressing up as the Yule Goat. The goat was replaced by jultomte or julenisse (Father Christmas/Santa Claus) at the end of the century, and the tradition of the man-sized goat disappeared.
(fromVisWiki- click HERE for more information on the history, tales and the Yule & Christmas traditions involving a Yule Goat.)
You may also be interested to know the tradition* of having a 'Christmas Ham' as part of a Christmas dinner is thought to be related.
Fire and Ice is a full length company piece creating narrative ballet on ice. Set between the Planet of Fire and the Planet of Ice, it tells of a love story between a Prince of Fire and a Princess of Ice. It is a full set piece with visual designs and effects depicting different locations on the two planets and telling the story.
The piece opens with Dean performing actually ballet within the catacombs of the Plant of Fire, while seeing Torvill in the blue flames of their alter. Upon diving in he finds himself upon her planet. He meets her, and after taking some time to adapt to her planet, they fall in love. She gets called away to a Royal Ceremony but she rejoins him later. The following morning they are discovered and a violent attack is carried out on the Fire Prince by her own people. She pleads with her father to have mercy on him but he banishes her from his sight and the Fire Prince is left trapped in a prison of ice. Later the Ice Princess sneaks back to him and melts the ice with all her strength, leaving her close to death. The Fire Prince revives her and they are together once more. Meanwhile the Prince’s own people have witnessed his fate in the flames and have arrived on the Planet of Ice. A war breaks out which ends in the death of both the Prince’s and Princess’s fathers. Devastated and alone, they find each other once more and grieve. As time heals their wounds and their love endures a distant archway appears, touring over the icy mountains. We watch them make their journey towards the arch and finally enter and make their break for freedom and a new life together.
Torvill and Dean devised Fire and Ice in Australia with Graeme Murphy, sold it to LWT (London Weekend Television – part of ITV). It was written by Tom Gutteridge and Carl Davis and rehearsed and filmed in Germany ready for its UK television premier in Christmas 1986.You can find out more about the production HERE and occasionally DVDs surface like the one below and become available to own (yay!). I gather it's also available on the 'Dancing On Ice' DVD from 2006.
The Fir-Tree is Lilli Carré's sometimes enchanting graphic interpretation of Hans Christian Andersen’s classic Christmas tale.
... This is a fine adaptation of a beloved, abeit bottom shelf Yuletide narrative, but Carré squeezes the drama out ad infinitum. (The ShamWow® guy would be proud.)
... The lesson that the tree learns at the end is slightly cruel and aligns well with Andersen's slightly dark storytelling (the original The Little Mermaid.) Even though the plot is extremely slim, Carré has a masterful grasp of the clear line style and imbues a lovely watercolor palette into the mix.You can read the whole review HERE.
Of all the ways that presents and good things might come into one’s life, the chimney would, at first glance, be a bad plan—dirty, likely to be filled with fire, narrow and uninviting. A chimney is where we turn wood into smoke, and what exits by way of the chimney is of the least value to humans—soot, ash and greenhouse gas. Ashes to ashes and dust to dust, the burned down remains of the hearth’s fire would seem to be the end of the road, and yet they mark the scene of a new beginning.
The blogger, Bruce from Privilege of Parenting, then goes on to discuss Cinderella, Bert from Mary Poppins and Rumpelstiltskin and how we often find worth, in things and in people, in the unlikeliest of places, including the ordinary dirt - and dirty faces - of home.
You can read the rest of the article HERE.