Carterhaugh’s "Spellcraft" Is Like Joining A Wizarding School Especially for Fairy Tale Writers (+ Bonus Interview w/Drs. Cleto & Warman)

"Books are a uniquely portable magic."

(Stephen King)

You've heard this.

You nod your head in fervent agreement every time you do.

And you not-so-secretly wish to hold "portable magic" in your hands that you created.

But - and this is a perfectly logical thought: if books are portable magic, do I need to be a witch or wizard to create one? 

Yes. Yes, you do.

And YOU CAN BECOME ONE.

Writing books, especially ones that draw powerfully on folklore and fairy tales, seems like a special, magical talent, beyond the ability of regular mortals but here's a secret: if you're reading this, if you're curious about writing and love folklore, you can learn to be a Word Wizard. Words are spells. And you can learn how to wield them to create magic. You can become a Word Witch. Anyone who truly wants to - and is willing to get themselves a little magical learnin' - can.

Best of all? There is now a course for wannabe Word Witches and Wizards that anyone anywhere in the world can take. 

You can learn how to be a Word Witch or Wizard and use your love of fairy tales and folklore to springboard you into your new magical role!

Your course?

Spellcraft: Write Like A Witch

The place?

The Carterhaugh School of Folklore and the Fantastic

You can think of it as an inclusive, accessible "Wizarding School for Fairy Tale and Folklore Writers"; with award-winning Word Witch Professors who have hundreds of hours of Spellcrafting under their belts as your guides, different tracks for Word Witches and Wizards looking to specialize, magical reading lists, a uniquely beautiful Spellbook you can literally add your own spells to (available in digital format to type or touchscreen-scribe on, with instructions should you wish to transform it into something to hold in your hands to use with your favorite quill and ink), an enchanting group of peers - all with great magic potential - who will cheer you on and point out magic they've found in the world along the way, and much more!

Yes, there are even t-shirts if you want them. (For real!)

Magic is rarely easy. It takes work, effort, and persistent concentration. Sometimes it even makes you sweat. Writing is no different. But then there are also times where it feels like you've stepped through a portal, lost time, and emerge with a world and characters on a page that never existed before. It really is Magic. But how can those two things both be true at the same time?

Spellcraft will show you how; how to survive the first and harness the second. Now there's a way to learn how to become a real Word Witch or Wizard, so that your spellcraft becomes - not hit or miss- but a solid skill, with you becoming more capable of accessing real magic more often. 

So what does Spellcraft: Write Like A Witch have that no other writing book or course has?

• it's designed specifically for folks who love fairy tales and folklore and want to write
• the course comes with TWO built-in fairy godmothers to guide you personally (if you wish)
• you get invited to be part of the inclusive Carterhaugh community, many with similar Word Witching goals to you
• you have front-row access to scholarly insight into how folklore and fairy tales can richly inform your writing (any writing)
• it includes a magical library's worth of writing resources specially curated for folklore and fairy tale folk, like you
• it goes beyond the book - Spellcraft is intrinsically attached to the extended resources and community of The Carterhaugh School of Folklore and the Fantastic, so, if you do the course and complete the workbook, it really is like joining a Wizarding School!

We assume, if you've been following Once Upon A Blog even a short amount of time that you familiar with who and what Carterhaugh School of Folklore and the Fantastic, is, so we'll just add that Dr. Sara Cleto and Dr. Brittany Warman are very active writers themselves, continually publishing creative works, as well as scholarly ones, in various journals, magazines, and books, even while they’re teaching; these women can teach AND can do! (If Carterhaugh School is new to you, or you need an overview-refresh, please click HERE.) 

Perhaps, though, you're wondering if this new writing book-and-course is really for you. Perhaps you're thinking "but what if this is too niche/not niche enough?" or "how could my love of fairy tale and folklore possibly help me with 'real' writing that will get me published?"

Dr. Brittany Warman (standing) & Dr. Sara Cleto
The Carterhaugh School of Folklore and the Fantastic

We thought we'd take some of the questions to our Magical Professors friends of Carterhaugh, Dr. Brittany Warman and Dr. Sara Cleto, and ask them directly.

~*~*~*~*~

Hi Brittany and Sara!

Thanks so much for taking the time to answer some questions about Spellcraft. It's a HUGE resource - over 100 pages, with bonus options on top too - so we want to be sure our OUABlog readers get a good idea of just how unique Spellcraft is, and how it's been created specifically for writers just like them.

First of all, how would you "elevator pitch" Spellcraft to a folklore and fairy tale fan who's looking for a way to access the wizardry of story writing?

Accessing the magic of writing can be like trying to capture a will-o’-wisp (complete with getting lost in various swamps of despair)! If you’ve read a library’s worth of advice and none of it can connect your love of fairy tales and folklore to writing the stories of your heart, we get it. Enter Spellcraft: Write Like A Witch. We created a tailor-made grimoire for writers who prefer a little wonder in their world, and it's filled with keys to help unlock quality "spellcraft" that’s unique to you. Words are spells  - as certified folklore and literature experts we can prove it! - and writers are witches. If you’re wishing you could find that elusive portal to the magic of writing and you’re passionate about creating fairy-tale and folklore-infused work, Spellcraft is for you!

How is Spellcraft different from other "how-to-write" books and courses?

We made Spellcraft: Write Like a Witch because writing is hard enough without pretending it’s just for melancholy bros. Because there are tools, prompts, and inspiration galore for writers who steep themselves in magic, folklore, and fairy tales and we’ve pulled them together just for those writers. If you want to write with confidence and to feel like writing is fun again, this is for you!

Why will writers who love fairy tales and folklore find the writing tips and exercises in Spellcraft more relatable than regular books?

The prompts and tips in Spellcraft were all written with lovers of fairy tales and folklore in mind. It’s literally custom-made for you. There are sections titled “20 Ways to Start a Fairy-Tale Retelling” and “Folklore & Worldbuilding.” You’re just not going to see that kind of focus in other writing books.

I love folklore and fairy tales but what if I don't really want to write a fantasy novel, a fairy tale retelling, or kid lit (which is what people usually think about when they hear you've written something using folklore or fairy tales)? What other genres can Spellcraft be used for?

The great thing about fairy tales and folklore is that they are “all genre friendly”! You can find fairy tales in fantasy, mystery, sci-fi, literature, ad copy, scripts, romance, horror, YA.. all of them! The tools in Spellcraft can be customized for any genre that appeals to you.

That said, while there is a ton of material in Spellcraft about fairy-tale retellings in particular, there are also tips and exercises about other genres. We talk about “The Art of the Ghost Story,” for instance, and how fairy tales can help shape memoir. There’s also a lot of writing advice and tools that aren’t genre-specific - as long as you’re interested in fairy tales and folklore, these are materials that will resonate with you!

Can Spellcraft help me with my non-fiction?

Absolutely! Folklore is a huge part of everyday life, so it can also be a powerful force in non-fiction. And there’s tons of writing advice and inspiration that can be applied to non-fiction, from discussions of folklore itself to tips for writing dialog to guidelines on starting a writing group and giving (and getting!) useful feedback.

I want to write a memoir but my life isn't exactly magical, even though I love reading fairy tales. How can using the Spellcraft workbook and doing the course help me write something like that?

There’s a prompt and corresponding exercise in Spellcraft that will help you do exactly this! It will help you see your life, and all its non-magical events, through the lens of a fairy tale. We’ve used it with dozens of students, and we’ve seen its power first-hand!

Then again, what if I really DO want to write a retelling of a fairy tale or folktale - a GOOD one - how will Spellcraft help me write something fresh and, well, "good"? Can Spellcraft help me avoid the dreaded cliched fairy tale retelling pitfalls?

Yes! We talk a lot in Spellcraft about what makes something a good fairy-tale retelling, and we take a look at what can make a retelling fall flat, too! Between the many (many) fairy-tale prompts, the close-ups on some of our favorite fairy-tale retellings, and a deep dive into a retelling that just doesn’t quite work, you’ll be armed with a ridiculous amount of knowledge and strategies for crafting your own successful retelling.

Can Spellcraft help me get my fairy tale/folklore-based work published?

If you’re interested in publishing your work, we put together a special package called Bewitch: Getting to Publication, which you can grab along with Spellcraft! If you don’t know where to begin or you're feeling discouraged after another rejection or maybe you'd just like to figure out how to make publishing easier and less stressful, Bewitch is definitely for you! Bewitch gives you access to our submission tracker to keep your pieces organized, a publication-ready checklist to make sure you're setting your submissions up to succeed, insider knowledge on some of our favorite fairy-tale-friendly markets, and a template for submitting your work.

I want to write but I seriously-no-joke have zero time. I can't even watch Netflix like regular people! Is there some magical way to write anyway? Does Spellcraft have something that can help me too? What about if what I truly want to write is a novel? Can Spellcraft help me do that or am I forever doomed to write flash fiction and short poems until I a) win the lottery or b) can free up hours of my schedule?

Oh yes. If you’re in this place (we call it the “I’m going to die if I have to write today but I will also die if I don’t write today” place), we’ve whipped up another toolkit for you called Magic Momentum: Master Your Writing in 15 Minutes a Day. It’s basically all the tools, rituals, and mindset practices that we used to write and finish our dissertations for our PhDs (basically - 300+ page books that we revised a million times.) It was BRUTAL, and we wish we’d had Magic Momentum at the time - but it’s our hard-won knowledge of how to write and keep writing when the situation is dire!

Finally, if Spellcraft was a magical helper in a fairy tale, who would it be (and why)?

Pretty sure Spellcraft would have to be Cinderella’s fairy godmother. There’s even a fairy godmother pep talk in Magic Momentum to help you get to the ball/ finish your manuscript!

Thank you for answering our questions about your new (incredibly expanded) Spellcraft course and workbook! 

Spellcraft:

Write Like A Witch

is AVAILABLE NOW

- and you can begin making your own portable magic immediately.

JUST CLICK HERE FOR A WONDERFUL OVERVIEW & TO BUY

Words are spells.

Writers are witches.

Writing

is

magic!

Image credits from top: photographer/artist unknown, The Secrets by Mikeila Borgia, Personal by Valeria Heine Photography, Neverending story by Patryk Morzonek, Fiction by Dasha Pears, Official Carterhaugh Portrait of Dr.s Warman & Cleto, Floating Books/Red Library (cropped) by Zuzana Uhlíková, Every real story is a neverending story by Joan Carol Photography, With books by Elena Tatulyan, Carterhaugh's promotional pic for Spellcraft, Spellcraft Workbook Cover by Carterhaugh. official logo of The Carterhaugh School of Folklore and the Fantastic

"Once Upon A Time in Japan" Project Makes Us Want To Hunt Down All the Japanese Variants of These Tales

(Please note: credit not given on project page to identify the artist who created the banner)

 "What if fairy tales of our childhood would have happened in old Japan?"

That's the question put to a group of illustrators in Spain for a collaborative project in 2017, which makes for an interesting intercultural study of both fairy tales and Japanese folklore as seen and combined by outside peoples (both the stories, all of which shown here are referring to the German origin in the tales, even more than the American Disney lens, as well as Spanish interpretation of Japanese storytelling, culture, and folkloric characters).

Snow White by Aitor Prieto

There's definitely a subtext here showing how universal the tales of fairy tales are; that they are human stories, but we very much wish this project had included Japanese illustrators in the mix and had been expanded to Japanese writers, so they would write those stories rooted in their culture, as suggested by the illustrations.

Red Riding Hood by Nuria Tamarit

We feel there's a lot that could be unpacked here, in both positive and negative terms, but for now, we are thrilled to see a different lens applied to well-known fairy tales, which helps everyone look at them differently, and reminds people that people all over the world are people and that these tales resonate, no matter what form they take. 

Bremen Town Musicians by Xulia Vicente

It's not an approach without some risk though, For example, it is a little jarring to see a Japanese version of Cinderella as your brain figures out the multiple issues it just hit on. For one, most fairy tale fans these days are aware that one of the oldest variants found was from China (not Japan) and the illustration below isn't, perhaps, as clearly Japanese in style and design as it could be to distinguish this a different interpretation. To add further disruption, the character fondly considered to be the "Japanese Cinderella", Chūjō-hime, is depicted quite differently due to the fact that there is no "shoe" and "prince". Or perhaps that's just us being picky. Whatever the case, these are important conversations to have when considering other cultures, but it's also worth acknowledging that this doesn't make the idea of considering other settings (and how to represent that) as being invalid. The commonality is a love of fairy tales in "different clothes" and that can be very unifying. The important key here, though, is that a common love of something, while good, isn't enough. Using that commonality, however, to open the door to respectful and constructive conversations that aid proper representation can build bridges and bonds where nothing else could. (Yay for fairy tales!)

Cinderella by Alfonso Salazar

It's no secret that one of the big reasons we at Once Upon A Blog love fairy tales so much is that they show us how the human experience is the same all over the world while simultaneously showcasing just how widely variant the flavors of those experiences can be; they celebrate our shared experience as well as our cultural differences, and, as complicated as explaining those two things can be, fairy tales do it simply and clearly, and encourage an appreciation of people and peoples from every corner of the planet.

Continue scrolling down for some more lovely, interesting, and thought-provoking interpretations!

Bluebeard by Marina Vidal

The Wolf & the Seven Six Kids by Cristian Robles

Snow Queen by Aliz Fernandez

Sleeping Beauty by Miquel Muerto

Pinocchio by David Navarro

Puss In Boots by Paco Sordo

Snow White (Evil White) by Raquel Rodenas

There are more illustrations we haven't included here, so be sure to go check out all the various artist's contributions on Behance HERE.

The illustrators involved in this project are: 

Aitor Prieto, Alicia Fernández, Héctor Molina Fernández, David Navarro, Raquel Ródenas, Paco Sordo, MªLaura Brenlla, Elena Serrato, Jordi Villaverde, Michael Sanchez, Miquel Muerto, Cristian Robles, Adrián Rodríguez, Xulia Vicente, Núria Tamarit, Marina Vidal

All the individual portfolios can be found via this project page by scrolling to the bottom and seeing the list of "owners" for the project.

Are you pumped to read some Japanese "fairy" tales? We recommend the book "Once Upon A Time in Japan" by Japan Broadcasting Corporation (Nhk) (Author) Roger Pulvers (Translator) Juliet Carpenter (Translator), to get you started, though there are many beautiful individual-tale books and collections out there. [Please note this book has no relation to the project in this post!] Each Japanese tale (told in Japanese but translated to English) is illustrated by a Japanese artist, with an eye to representing their beloved tales and culture beautifully and magically for modern readers. (Amazon has a great preview showcasing the variety of illustrations used for different tales, which you can see HERE.)

Here is the blurb and a list of the tales included:

When wily animals, everyday people and magical beings come together in a collection of Japanese fairy tales, wonderful things are bound to happen.

Each story is brilliantly illustrated by a different talented Japanese artist. The tales recounted here are among Japan's oldest and most beloved stories. Entertaining and filled with subtle folk wisdom, these retold stories have been shared countless times in Japanese homes and schools for generations. Like good stories from every time and place, they never grow old. Kids (and their parents ) will enjoy hearing these stories read aloud on the accompanying CD.

The fairy tales and classic stories in this collection include:

• The Wife Who Never Eats--the story of a man who learns the hard way the evils of stinginess.
• The Mill of the Sea--the story of how a greedy man was responsible for the saltiness of seawater.
• The Monkey and the Crab--the crabs teach a tricky monkey a lesson in fairness and honesty.
• The Magical Hood--an act of kindness reaps great rewards.
• Sleepyhead Taro and the Children--a story about what can be accomplished at the right time, and with the right help and the right spirit.
• The Fox and the Otter--how a fox pays the price of deceit and selfishness.
• The Gratitude of the Crane--a story about the rewards of kindness and the danger of curiosity.
• The Tale of the Bamboo Cutter--a girl who starts life very tiny turns out to be big in many ways.

Winter Solstice 2020: The Wonder-Filled Time of the Year

by Kristen Gould

Happy Winter Solstice 2020! We've made it this far and not long to go till we get a whole new year... 2020 is a little extra special (yes, that too but this is a good thing, we promise), in that this year we have the conjunction of Saturn and Jupiter in the sky, creating the phenomena called The Bethlehem Star, which was able to be seen in the US after sunset, as well as a shower of shooting stars (meteor shower) that is due to begin being observed just after midnight.

We won't go into the meteorological phenomena or the debate over what all these might mean, although do look up what Chile could see for the conjunction - wow. Instead, we want to acknowledge the beginning of the Yuletide Season, and, even though it's not suitably cold where we are yet, the beginning of our beloved Winter. (Autumn is a close second, we will admit - nature's paintbrush gets pretty showy in areas that have seasons, and there's nothing quite like it, but that quote below about Winter, explains a lot of why we love this season - plus the mix of dark and light magic potential, combined with the season of traditional storytelling: we are Winter Folk!)

Regarding the beautiful illustration at the head of this post, it was created by Kristen Gould during #FolktaleWeek2020, specifically for the prompt "solstice". While there are snippets of the tale/lore about the Oak King and the Holly King at war appearing during this time of year, we don't see many versions of the whole tale and there is only one (possibly two), picture books available detailing the tale in full to read to children. (Note: at the link an author, reads her story, showing pictures from her children's book - she begins at the 3 minute mark of a recorded live session.) It used to be common to see Oak and Holly Kings referenced symbolically in Christmas postcards, if not taking front and center, but the tale behind these images is largely forgotten. If it weren't for the popularity of the song "The Holly and the Ivy" (which overtly references a medieval Christian symbolism, while echoing an older Celtic belief in the Holly King) it might even be more obscure, so it's wonderful to see, now people are exploring more Solstice celebrations alongside Chritsmas traditions, that folks are discovering and remembering this tale of the changing of the seasons and the exploration of the "enchanted" forces of Nature, and to be creating new and wonderful images. We don't think we have seen the two-halves, or yin-yang, aspect of Holly and Ivy illustrated this way before but it makes such an excellent visual for explaining why the tale survives and has resonance. What's interesting to us, though, is that this War, or struggle, or contest - however it's portrayed - usually between two brothers (sometimes two men, or one man transforming through the year, or twins), rarely is thought about at any time other than when the Holly King is at full strength, ie. the beginning of the Yuletide Season, which is the Winter Solstice. Though the brothers "share" the year, it's only when Winter arrives that this tale is usually told. Perhaps obviously, this harks back to when Winters were more difficult to survive and how it was used as a reminder of hope for when the nights would no longer continue growing colder, but anticipate the arrival of Spring and new life, new growth and easier living.

Here's what Kristen wrote about her illustration:

I chose the ancient Celtic belief in the Holly King (the spirit of winter) and the Oak King (the spirit of summer) as my inspiration. It is said that they are forever entwined in battle with one another as the seasons change each year. There is a duality to this so-called battle, for while they oppose one another, they are still two parts of a whole and work in sync with one another to create the solar and harvest cycles. During the winter, the Holly King reigns, bringing transformation and new birth. The winter solstice is the marked return of the Oak King. On this day, the light is reborn.// I liked the idea of the two spirits being two parts of a whole forever entwined. This one also began as a traditional piece and then very quickly became mostly digital.

Oak King and Holly King - by Anne Stokes

"The light is reborn" is a direct reference to the Winter Solstice having the day with the fewest hours of daylight. Even though the Winter season/Yuletide, has just begun and the coldest days and nights are ahead, the daylight hours now start to get longer (think of the Oak King being reborn right at this time and getting larger and larger), until the longer light finally warms up the world again (in that hemisphere) and the seasons turn toward Spring and Summer. 

Here are some thoughts from writer, poet and artist Nellie Cole on the representation of the two Kings:

The Oak King, often represented as having a crown of oak leaves and acorns and dressed all in green, can be seen as comparable to the figure of The Green Man. The Green Man, like The Oak King, was seen as a figure of fertility, and is most commonly depicted as having a face made from sprouting oak leaves. This image of metamorphosis – from man into tree, or tree into man? – could tie in to the notion that the two Kings are the same being, transforming from one into the other.

The Holly King is likewise said to wear a crown of holly leaves and berries, dress in red, and sometimes as being accompanied by eight stags. This of course could arise from the belief that the Kings are aspects of The Horned God. But it also be connected to other figures, such as the Norse god Odin on his eight-legged steed, or Santa Claus and his eight reindeer (before the more modern inclusion of Rudolph). Due to Santa’s patchwork history, it is unlikely he is a direct descendant of The Holly King, despite his resemblances – though this could be another instance of comparative mythology at play.

Kristen Gould's "Solstice", reversed, to better see the Oak King

The dominance of Christmas over other Winter celebrations in the Western world displays an abundance of multi-cultural absorption (and sometimes outright appropriation) of motifs, rituals and practices from other celebrations and religions, (much of it Pagan) so Christmas is a veritable mish-mash of ideas under one narrowly-defined name; something which unfortunately has resulted in misrepresenting many cultures, traditions and people as a result (hence the swing toward the neutral "Happy Holidays"). Whether or not the miraculous-magical Santa/St. Nick and all the associated Christmas trees, gifts, cookies, reindeer, elves, stars, carols and more, come directly (or indirectly) from shared sources (Pagan, Germanic, Celtic, Norwegian and more) or are relatively new, only serves to emphasize the global tendency - perhaps even the "need" - to mark the season with a certain importance in our yearly lives. It reminds us to live, and to keep investing in puposeful living.

The representation of Holly and Ivy has always been an intresting juxtaposition for this concept of living purposefully. Even as Winter gets more severe, there is a strong sign - the lengthening daylight hours - that signals this is a temporary state. Perhaps because of the severity of cold and darkness and the unique challenges of Winter, this almost-magical transformation of seasons is noticed by most everyone, which in turn adds to the awareness of magic and magical possibilities at this time of year. It's a season which promises the possibility of new beginnings.

And it really is magical at this time of year. What began in October with a sense of Other in Halloween/Samhain, continues with different emphasis for a solid three months. We go from thoughts of the supernatural, dealing with our fears and acknowledging our ancestors, to rituals for (ideally) strengthening family bonding through Harvest (and Thanksgiving in the US), to a years-end transformative feast  - full of decorations, dress-ups, special foods, songs and films - that includes charity and gifting to extend the "circle of warmth" to include our fellow man (and often creatures) for holiday/Yule/Christmas celebrations, which then take us into a whole New Year, full of wishes, resolutions (and for this year, the promise of vaccines and the beginning of the end of this hideous pandemic) and resolve that this new year will be nothing like the last one. (PLEASE!) That's a pretty full quarter of the year to be focused on rituals of wonder, Other and magic! 

There really is something transformative about this time of year - even if you hate it. When everyone around you is decorating - even if it's obviously commercial - and people are ritualistically wishing you wellness and joy, there is a communal agreement to make this season unusual, different, and everyone's participation (or active resistance) makes not-normal happen, (decorated trees, twinkling night lights even in the most rundown of places, people giving selflessly to complete strangers, and more - even extreme negative behavior of bah-humbugs are part of the ritual!), which is another way of saying people -together- are making magic possible. Perhaps you won't get to talk to the Jolly Old Elf himself, but it certainly feels like you've been magically deputized by the Spirit of the Season when you pay attention to what your efforts produce. It's a very wonderfully-weird and awesome thing, demonstrating our ability to create Wonder too. This season, if nothing else, reminds you to be aware of the Wonder around you, and the potential of Wonder within you. It is even said that Winter is Wonder Season. 

What could be more fairy tale than that?

Happy Winter Solstice and Wonder Season

from all of us at Once Upon A Blog news headquarters.

Solstice by Kristen Gould
You can find more of Kristen's work on her website Enchanted Studio Co and Instagram - see below

Kristen Gould on the Web:

WEBSITE: Enchanted Studio Co

Instagram: @notkristen

Ko-fi: enchantedstudioco

Society 6: Enchanted Studio Co

Threadless: EnchantedStudioCoArtist

Redbubble: Enchanted Studio - Katy

Patreon: Enchanted Studio Co

Etsy: Enchanted Studio Co - Kristen Gould

"Red and the Wolf" Encourages Kids To See Disability Differently, With Positive Representation

Positive representation of disability in literature is something that still needs working on, especially when it comes to children's books. 

The more we normalize positive representation of disability - and the emphasis here is on positive, as well as on representation for disability in general - the more it helps all children accept difference as natural and develop an understanding that encourages inclusivity for many kinds of difference, including those with disabilities. It also helps those who are disabled not only feel seen as normal, included, and represented, but encourages thinking in which disability doesn't have to limit you. 

That's powerful stuff.

The new book, Red and the Wolf is one of these books, and the project was envisioned - literally - by the charity RNIB (in the UK) to put a spotlight on the lack of positive role models with disability in children's literature and to show how that can be changed.

The Royal National Institute of Blind People (RNIB) has put a spin on the classic story of Little Red Riding Hood, by reimagining its central character as a visually impaired little girl who walks with a cane and has a skill for martial arts. The charity hopes that the book, entitled Red and the Wolf, will counter the lack of disabled role-models in children’s books.

Description:

Follow Red on her journey to Granny's house and see how she uses her martial arts and mystery-solving skills to overcome the challenges she faces.

The book is aimed at young children, aged 3-7, with the aim of normalizing the representation of disability while making it clear that having a disability doesn't have to limit you, but it's a good case study for re-thinking how we're telling classic tales today. Just like many fairy tale heroes and heroines through the ages, Red Riding Hood has adapted as society needed her to, while remaining recognizable. There's definitely room for many more versions of fairy tales that represent disability in a positive way.

RNIB head of innovation and development, Caroline Beard, said: “Some of our earliest perceptions of the world are shaped by the books we read as children. It is essential that children see disability as natural from an early age, gain an understanding of difference, and can help all children, including those with disabilities, feel included in society.

 

“We launched Red and the Wolf to refresh a classic story and turn it into something that celebrates difference. We hope that many children will enjoy reading about Red and how she overcomes the barriers she faces.”

..“Obviously, this story is not going to show what the daily reality is for any one child with sight loss, but we can make it something that's ok to talk about.”

We sincerely hope the author, Deborah Fajerman, who was brought on board by the RNIB for Red and the Wolf, will consider adapting other tales for representation, as will other authors. People - and kids especially - of all kinds, need disabled role models too. Red and the Wolf is a big step in the right direction in normalizing this, and we are here for it! 

The book also comes with an audio version for both accessibility and to encourage kids to read along, or to themselves. You can find the book to purchase HERE.

Note: pictures are by children's illustrator Tilly Rand-Bell. Her work is just lovely so be sure to check out her website.

Pst! Disney's Just Announced 100-ish Projects: Here Are the Fairy Tale-Related Ones To Watch For

Not "1001",  just around 100, which is still incredibly huge, but then so is the Disney reach these days with all the recent company acquisitions of the past few years.  Thursday, December 10, was Disney Investor Day so there were project announcements from every entertainment arm of the company, which includes Disney Animation, Pixar,  Marvel Studios, Lucasfilm and Lucasfilm Animation, National Geographic, Disney+, 21st Century Fox, ESPN, Hulu, FX Networks, and of course, the Walt Disney Studios. All the projects are set to air over the next few years, with a good portion of them appearing in 2021.

You can read the sequential tweet-announcements that occurred over 6 hours about "the big ones" (about 50 of them) HERE, but we thought we'd list the higher-profile projects likely to be of most interest to fairy tale and folktale fans (as well as some folklore). Read, there will likely be more but these are expected to cause a buzz.

Raya and the Last Dragon - Disney Feature Animation - March 5, 2021 in theaters and Disney+ (more characters were revealed).

The Handmaid's Tale - returns for Season 4 in 2021 and has also been renewed for Season 5. (The Handmaid's Tale series makes great use of fairy tale motifs, with Red Riding Hood being the most obvious, but the last episode of last season also made heavy and effective visual references to The Pied Piper, Snow White, the Dying Swan some Hansel and Gretel, some Bluebeard, as well as the Exodus story.)

Mandolorian-adjacent series, among them: Ahsoka and Rangers of the New Republic. here are about 10 new Star Wars properties on the way which, if they're hoping to grab the same audience, will include those fairy tale doses that keep appearing in the currently-airing The Mandolorian. (Seriously: errant knight, chosen child, a quest/search, talismans, castles, even dragons - it has a lot. Be on the lookout for scholarship papers being written right now, that will prove it to you!)

Willow - a new original series, based on the film, including Warwick Davies starring. Coming 2022 to Disney+.

Children of Blood and Bone (20th Century Film & Lucasfilm) based on the best-selling novel of the same name by Tomi Adeyemi. (Quote) "This coming-of-age adventure follows a young African girl’s quest to restore magic to her forsaken people, the Maji."

Hocus Pocus 2 - a sequel to the original Halloween classic coming to Disney+.

The Little Mermaid - Disney's live-action film based on the Disney animated classic, with Halle Bailey (Ed. - NOT Halle Berry - typo corrected with apologies to the actress! 3-18-21) as Ariel, directed by Rob Marshall (production has yet to restart on this film after stopping due to Covid19, as far as we know, so the release date is currently December 2022).

Pinocchio - live-action movie, based on the Disney animated classic, starring Tom Hanks, directed by Robert Zemeckis, coming to Disney+.

Peter Pan & Wendy - live-action coming to Disney+. Starring Yara Shahidi as Tinkerbell and Jude Law as Captian Hook.

Disenchanted - live-action sequel to Enchanted, coming to Disney+, with Amy Adams returning as Giselle.

Tiana - original animated series by Disney Animation for Disney+ (from the world of the animated feature film The Princess and the Frog). 2022. Tiana as a new princess in a country she's never been to before, with Prince Naveen at her side. Musical series.

Moana - original animated series by Disney Animation for Disney+ (from the world of the feature animated film Moana). 2023 Musical series -drawing on storytelling traditions of Oceania and Polynesia.

Iwájú - (Quoted)"In a first-of-its-kind collaboration, @DisneyAnimation and Pan-African entertainment company Kugali will team up to create an all-new, science fiction series coming to @DisneyPlus in 2022: Iwájú. Check out a first look at visual development art from the series." Not a lot is known about this one yet but with Gigantic having failed to move forward, we expect some fairy tale echoes in this one.

Encanto - Feature Animation, Fall 2021. (Quoted) "Encanto takes you to Colombia, where a magical family live in a magical home. Directed by Byron Howard and Jared Bush, co-directed and co-written by Charise Castro Smith, and music written by Lin-Manuel Miranda."

Turning Red - Pixar short film. (Quoted) "Director of the Academy Award-winning short Bao, Domee Shi, brings us Turning Red. Meet Mei: she experiences the awkwardness of being a teenager, with an added twist: when she gets too excited, she transforms into a giant red panda. Turning Red comes to theaters March 11, 2022"

Untitled Beauty and the Beast, Live-Action Prequel with Gaston and Lefou - 6-part musical live-action limited series, with Luke Evans and Josh Gad reprising their roles, concentrating on the backstory of the two antagonists.  (They have GOT to include some fairy tale notes in this to keep fans happy!) Heading to Disney+. Alan Menken will write new music and songs.

Lots to watch for,

and you know there will be many more things bubbling up too. ;)

'Lubin, from Chelm' - Hilarious & Delightful Klezmer-styled Re-telling of 'Lazy Jack' Is Storytelling Gold

Illustrations for Lubin, from Chelm by Alisa Snyder for ESO

Need a smile? Do yourself a favor and listen to - and watch - this wonderful storytelling performance of 'Lubin, from Chelm' (a.k.a. the Eglish folktale 'Lazy Jack', relocated to the Ukrainian shtetl).

The English Symphony Orchestra (ESO) is in the middle of recording and airing a series called The Art of Storytelling and this is the second story of five planned for it. It's also become one of the best things we discovered this month!

We know it doesn't sound like it would grab you unless you're already regularly listening to orchestral programs - there's no pixie dust here to hook you - but believe us when we say this story is SO well presented and did we mention hilarious? These guys know what they're doing, no pixie dust needed. The series is called The ART of Storytelling for good reason.

(Think of an updated and somewhat edgier storytelling of the classic "symphonic fairy tale for children", Prokofiev's 'Peter and the Wolf', but with far fewer musical instrument detours and many more puns!)

Here's what ESO's The Art of Storytelling series is about:

ESO’s ‘Art of Storytelling’ project presents world premiere recordings and broadcasts of five exceptional works for narrator and orchestra. From the cheeky humour of the Brothers’ Grimm to the touching tale of Hans Christian Andersen’s Ugly Duckling, and from the Jewish humour of Lubin from Chelm to the ancient Egyptian tale of The Warrior Violinist, this is classic family entertainment for the modern age at its finest, a powerful synthesis of great literature and great music.

When we clicked on the link to take a half-interested look at this version described as "a Klezmer-styled re-telling of the classic English folk tale, 'Lazy Jack'," we expected to scan the site, maybe listen for thirty seconds, then get back to our to-do list. It took far less than that for the iconic Yiddish storytelling to hook us and we listened, smiled, and giggled more than a few times, for the full seventeen minutes! (Sorry to-do list - another time!) 

The presentation includes the narrator/storyteller, who in this case is Henry Goodman, the ESO playing a soundtrack throughout the story, and delightful little illustrations that, while simple as stand-alones, are wonderful in context.

Here's a trailer to give you a taste, though we must say we think the real opening of the story hooked us much better and wish we could just show you the first couple of minutes to hook you in the same manner we were:

A hilarious re-telling of the traditional English folk tale, Lazy Jack, relocated to the Ukrainian shtetl and brought to life with abundantly witty Yiddish turns of phrase and evocative Klezmer musical stylings by Jewish-American composer David “Yankele” Yang and orchestrated by Kenneth Woods. (ESO)

As we mentioned, Lubin is actually the second story in the series. The first, currently available to view/listen to as well, is 'The Ugly Duckling', and is also wonderfully done, with actor Hugh Bonneville (Paddington, Muppets Most Wanted) as the perfect narrator.

We managed to catch this when it was streaming (for free) on release day and didn't realize it would require being an ESO (English Symphony Orchestra) Digital supporter to view it at a later date, so we apologize for this, but having seen the program we completely believe it to be a most excellent way to spend a £5 monthly donation (yes you can "donate" from the US and other countries, and yes you can cancel anytime). A donation gives you access to all their other digital offerings too, not just The Art of Storytelling, so if you like beautiful music, beautifully conducted and played, it's a great bonus. We've jumped on board the ESO train, at least for the holiday season, so we don't miss any of this magic as well.

The next story in the series is from an Egyptian tale, titled 'The Warrior Violinist'. We're looking forward to it very much!

You can find ESO Digital's The Art of Storytelling series HERE and learn more about Lubin HERE.

Oh - and if you don't know how the tale ends, well, let's just say it will leave with a grin. ;)