Friday, October 23, 2020

Disney's "Raya and the Last Dragon" Pays Tribute to Diverse Cultures of Southeast Asia (Teaser Trailer)

It's clear there has been a deliberate shift to properly represent diversity in Disney's upcoming animated feature, Raya and the Last Dragon, and we are so here for this!

THE TRAILER:

Take a look at the just-released teaser-trailer:

Official description: Long ago, in the fantasy world of Kumandra, humans and dragons lived together in harmony. But when an evil force threatened the land, the dragons sacrificed themselves to save humanity. Now, 500 years later, that same evil has returned and it’s up to a lone warrior, Raya, to track down the legendary last dragon to restore the fractured land and its divided people. However, along her journey, she’ll learn that it’ll take more than a dragon to save the world—it’s going to take trust and teamwork as well.

REPRESENTATION:

People are already very excited about seeing real diversity in this teaser. Here are just a few of the many comments:

As for the specific efforts in representation during development and production, here are some examples of how the film's focus has shifted for this to become a major priority. From insidethemagic (August 2020):

"...it is clear that representation has become a major focus of the project.

Raya will be Disney’s first animated feature film to be inspired by Southeast Asia, and filmmakers Don Hall and Carlos López Estrada, and Producer Osnat Shurer, told Entertainment Weekly they’re working hard to accurately celebrate the influential cultures. They are making efforts to send creative teams on research trips to several Southeast Asian countries such as Thailand, Malaysia, the Philippines, Laos, Cambodia, and Vietnam, and collaborate with linguists, dancers, Gamelan musicians from Indonesia, and a Laos visual anthropologist who is said to review every design before it is finalized.

Adele Lim, the screenwriter behind Crazy Rich Asians, and Qui Nguyen are penning the script. Nguyen said that both his and Lim’s life experiences are being used to write this film and that it has meant a lot, personally to see their cultures represented in costumes and martial arts, as well as references to his Asian American Identity.

“When you’re telling a story and you’re just doing it based on research, you end up always having to do it from the high end,” he said. “To have the artists who represent those cultures in there to be able to give the subtleties of what our families are actually like, what our relationships are actually like, has given a lot of nuances to this great adventure.

“To be able to have some [heroes] that look like me and my kids,” he added, “it’s gonna matter to a lot of folks.”

(Note: poster shown above is from the Disney Lunar New Year collection, for Disney China.)

NOT AN AUTO-ENTRY INTO PRINCESS FRANCHISE?

There is an important rumor about this representation though, and one that might be worth keeping in mind. It's being said that because Raya is not a musical the main character won't automatically enter the Disney Princess franchise. It's going to depend on numbers and how "successful" the film is (by Disney Executive standards). So, if it's safe by the release date, bring your feet into the theater, and if it's not, pay the extra for "movie theater streaming at home". We need to underscore how important this effort at representation is, and give all those millions of kids around the world the merchandise they could greatly benefit from, to help them continue the experience of seeing themselves in this story, with a princess that looks like them.

THE FOLKLORE/FAIRY TALE/LEGEND COMPONENT:

As for the fairy tale and folklore elements of the movie, we've only seen a small amount to date but it's clear this will delve more into the realms of legends and allude to Southeast Asian folklore along the way. That doesn't mean there won't be fairy tale elements though. For the moment, the standout touchstone for folklore is the Last Dragon of the title (from Why Southeast Asians Should Be Excited About Raya and the Last Dragon):

The titular dragon is named Sisu and is voiced by actress/rapper/comedian Awkafina. She is the last of her kind and the goal of Raya’s adventure is to find out what happened to the dragons that used to inhabit the land. Sisu herself is able to change into a more human-like form, and is based on the naga, the mythical water serpent that permeates all of Southeast Asian culture.

This deity can be found in Laos, Malaysia, Cambodia, Indonesia, Thailand, and the Philippines, with varying depictions of the dragon between cultures, but its general form and function as a water deity is preserved throughout. Evidently, Sisu isn’t going to be as tame as Mulan’s Mushu, and might just be a force to be reckoned with - like Maleficent’s dragon form.

We're very much looking forward to seeing the joy of exploring the diversity of Southeast Asian cultures in a Disney film, and seeing how it also represents the Southeast-Asian-American community as well, not to mention the stories, folklore, legends, and yes, the fairy tales, that are channeled in this film.

Disney's official posters for English and Japanese shown above.

Monday, October 19, 2020

Black Lives Matter and Black Fairy Tales Matter

"Dig A LIttle Deeper" (Tiana) by Heather Edwards

Black Lives Matter. Always.

And that means Black Fairy Tales Matter too.

There are Black opinions (more inclusively, BIPOC opinions) that should be heard on every topic and that - hopefully, obviously - includes fairy tales. There are also black, indigenous and people of color tales that should be being told and retold, which even they have trouble finding because stories and fairy tales been dominated by white voices for so long, and that needs to change.

Let's cut to the chase. The last thing you need is another white opinion right now. So, re this blog, the best advocacy we can think of, with regard to fairy tale discussion, is to point you to black, indigenous, and POC voices that maybe you're not aware of, or don't know how to find, first before you continue reading what we have to offer. We're going to pin this post right at the top so it's easy to find, and link to a longer entry with some important resources and names you should know and be accessing regularly when it comes to fairy tales.

 It's not a definitive list. There are so many still-unheard voices missing here, and we will do our best to update the main post as we become aware of them, but this, at least is a start.

Please see our list HERE for writers, scholars, and artists

whose voices should be listened to when studying and working with fairy tales.

Be the change we need.

Image credits: "Dig a Little Deeper" (Tiana oil portrait) by Heather Edwards; Maya Angelou quote graphic by Glashanda Lewis B

Black Fairy Tales & Folktales Matter - Useful Resources (a growing list)

ABC's Once Upon A Time Rapunzel in S3:14, The Tower, played by Alexandra Metz

This resource list is just a place to start and will be added to as we can manage. Suggestions for any category below (or for adding more categories) are welcome!

ONLINE ARTICLES:
BOOKS (tale collections):
BOOKS (Scholarship):
                                          

ONLINE ARTICLES (Scholarship):
BOOKS (Fiction):

BOOKS (picture books):

  • Freedom Child of the Sea by Richardo Keens-Douglas, illustrated by Julia Gukova - though it's a picture book, we recommended it for everyone
  • Once Upon A World Collection (board books by various authors & artists): Rapunzel, Cinderella, Snow White, The Little Mermaid, The Princess and the Pea 
              

GRAPHIC NOVELS/COMICS:

FILM/TV:
  • HBO's Happily Ever After: Tales for Every Child series (1995-2000) - world-famous fairy tales told with diverse characters and settings

UPCOMING:
          
Come Away official poster; Halle Bailey as Disney's new Ariel (pic was Disney approved for announcement)
  • Come Away (due for release Dec 2020, directed by Brenda Chapman, starring David Oyelowo, Gugu Mbatha-Raw, Angeline Jolie; Alice in Wonderland & Peter Pan) Trailer available to view HERE.
  • The Little Mermaid (Disney's live-action remake of their animated classic, due for release July 2021, starring Halle Bailey)
FAIRY TALE ARTISTS TO KNOW:

OTHER ART RESOURCES:
  • Racebentdisney.tumblr.com - not recently updated but still a good resource, Tumblr blog includes a wide range of artist interpretations, POC actors in traditionally white Disney roles and more.
FAIRY TALE/FOLKTALE AUTHORS TO KNOW:
  • Helen Oyeyemi (Mr. Fox, What Is Not Yours Is Not Yours, Boy, Snow, Bird, Gingerbread: A Novel)
  • John Steptoe (Mufaro's Beautiful Daughter)
  • Virginia Hamilton (collections of African American Tales)
  • Nalo Hopkinson (Brown Girl in the Ring, Skin Folk, Sister Mine, multi-award-winning folklore/fantasy author)

Sunday, October 18, 2020

Coming Soon: A Virtual Fairy Tale Salon with Timeless Tales Editor Tahlia Kirk

Written by Tahlia Kirk



Tahlia Kirk Bohemian
Spend an evening chatting about your favorite fairy tale at the Storied Imaginarium's virtual fairy tale salon on November 6 (Nov 7 for Australia).

We're evoking the elegant Parisian salon of 17th century France, when wealthy women hosted gatherings in their living rooms to discuss literature and write stories. One of the most popular parlor games played at these salons was to retell classic folktales. Storytellers would use fanciful language of fairy tales to slyly slip rebellious commentary on aristocratic culture past the court's censors. I hope to share some of my favorite counter-culture tales with you and talk about what makes a retelling resonate. While this is more of a meeting-of-minds than a formal writing workshop, I think all fans of the magical and whimsical will enjoy our time together. 

Seats are limited, so sign up now to save your spot!

(Pic is my envisioning of the type of outfit one might wear to a modern literary salon 😅)

Saturday, May 16, 2020

"The Wound and The Gift" - A Film Screening @Home MAY 16, 2020 w/Illustrations by Victo Ngai

HAPPENING TODAY!!

A special film suitable for all ages, about an animal rescue program inspired by an ancient Japanese fable of a wounded crane.

From artist and illustrator Victo Ngai (all images in this post are by her):

Verified

I created artwork for a very special project back in 2014 called “The Wound and The gift” - a documentary exploring the relationship between animals and humans directed by Linda Hoaglund and narrated by Vanessa Redgrave

The narrative spine of the film is an animated ancient Japanese Fable about a wounded crane, saved by a couple of peasants, and attempts to express her gratitude with a gift. Scenes from the folklore are woven into real-life footage of rescued animals. As the fable and the film unfold, the question begs to be asked is - “who is saving who?” 

The @nikkeimuseum in Vancouver is hosting an online screen of the film throughout this week with a Zoom Q&A session this Sat (May 16). 
The link to the tickets ($5 suggested donation) is (below), 100% of the sales will benefit the museum’s activities. Please spread the word!
LINK:

Here is the lovely trailer with sneak peeks of how the folktale and illustrations are woven in:


It's suitable for ALL ages (no worrisome footage to be concerned about!) and has lovely reviews regarding the cinematography, animation and the weaving together of stories. Here's one review, to give you an idea of the tone and how the project and folktale are woven together:
Saw this... at the Vancouver Film Festival, and it is spectacular. The cinematography is what drew me in from the trailer and I was not disappointed, and the stories unfold within the animated story of the Crane perfectly. And I really appreciated that it wasn't cluttered with information and stats. The film breathes slowly and elegantly. Highly recommended. (review by Saints Rescue)

About this Event

Film: Available for viewing at your leisure online May 9-17, 2020

Meet the director Linda Hoaglund online presentation of stunning still images from filming in beautiful Hokkaido, and a moderated Q&A session.
Saturday, May 16, 2pm PST | 5pm EST
The Wound and The Gift is a film about the animal rescue inspired by ancient Japanese fable about a wounded crane, saved by peasants, that attempts to express her gratitude with a gift - 鶴の恩返し. The fable is illustrated by Victo Ngai. The film is suitable for viewers of all ages. (83 minutes).
The film will be available on Vimeo, and the talk will be hosted on Zoom. 

Official Website: http://www.thewoundandthegift.com/
Director: Linda Hoaglund
Narrator: Vanessa Redgrave
Ceinematographer: Kirsten Johnson
Animation Artist: Victo Ngai
Editor: William Lehman
Music: Satoshi Takeishi & Shoko Nagai
Animation: Joe Wu
Producer: Hashimoto Yoshiko & Maryanne Culpepper
Assistant Director: Takaaki Okada

See HERE for full illustrations, some storyboards & an animated scene preview.

Friday, May 1, 2020

Timeless Tales Release Hades & Persephone Collection

The wait is over! Timeless Tales Magazine is proud to present nine transformative twists about Hades & Persephone. From darkly haunting to quirkily humorous, there's something for everyone in this issue. Read the entire collection HERE.
Here are a few highlights showcasing how our writers reinvented this underworldly myth:
  • "On the Subject of Seeds": This story reverses the characters' roles and turns Persephone from helpless victim to the leader of the chase.
  • "The Mysteries of Eleusis": A young grad student discovers evidence that challenges everything the world thought they knew about Persephone's myth. But will historians take a folklorist seriously?
  • "The Tenth Planet": After years of isolation, the planet Persephone is pulled into Pluto's orbit and experiences the searing heat of the sun for the first time.
Here's a look at some of the covers:

 


These are just a few of the adventures awaiting you inside our latest issue. Enjoy the read and let us know which piece is your favorite!