A Hodgepodge of Timeless Tales News

If you follow us on Facebook/Twitter or receive our newsletter, you've probably already heard that we've released new editions adding poetry to issues #1-3 (Puss in Boots, Pandora's Box, and Twelve Dancing Princesses). Rather than repeat it all again, I'm going to focus on other news. But if you haven't checked out those five new poems, head over to our LIBRARY and get reading!

So instead, let's start this update off with a reminder that submissions for Hades & Persephone open up on August 25. Full details at https://www.timelesstalesmagazine.com/submissions

What I haven't talked about on social media is the major facelift we've given to ALL our back catalog. Shoutout to our amazing graphic designer, Geoffrey Bunting, for spending almost a year working with me to make everything polished and uniform.

There's far too much new artwork to show off them all, but here's a sample:

Arthurian Legends

Arthurian Legends

Arthurian Legends

Baba Yaga

Baba Yaga

Baba Yaga

Baba Yaga

Baba Yaga

Baba Yaga

Perseus & Medusa

Perseus & Medusa

Perseus & Medusa

Psyche & Cupid

Rumpelstiltskin

Rumpelstiltskin

Rumpelstiltskin

 Still with me? Cool. Let's wrap up this update by talking about what's next:

1. I'm doing my very first public event on October 12! If you live in Central Texas, come on out to the Texas Teen Book Festival near Austin, TX. We'll have a booth and be giving out hard copies of our magazine!

2. Kindle Editions of all our issues will be coming soon. I've been wanting to offer ebook versions for ages, but it's been so daunting, I've procrastinated until this summer. Stay tuned for details!

3. We're still looking for a volunteer Marketing Assistant to join our team. More details on the original blog post.

4. I'm working on a book review for a collection of socialist fairy tales, so keep an eye out for that soon.

Cinderella Represents Inclusivity in New Musical "Stepchild"

We read about this inclusive musical in an article posted on Yahoo (originating in The Mighty) on July 16, 2019. Though the previews and available performances are over, with no new ones yet advertised, what these Broadway veterans (hearing and deaf) are collaborating on is not only worth sharing but supporting.

The different take on Cinderella is an intriguing use of a very familiar fairy tale to highlight and explore a specific social issue, too; one that not only speaks directly to and for the deaf community, for whom it was created, but for anyone considered 'different'. It's a tale all too relevant and has something for everyone.

Yes - you read correctly: this is a musical for deaf and hearing people to enjoy equally. (Yahoo)

“Stepchild,” (is) a musical that combines songs, spoken word and American Sign Language... (and aims) to make every aspect of the show accessible and meaningful to Deaf and hearing audiences alike. 

Here's the premise:

Loosely based on the classic fairy tale Cinderella, “Stepchild” tells the story of Orella, a deaf girl coming of age during the Italian Renaissance. She and her widowed father Massimo struggle to eke out an existence as street performers until their shadow puppet shows attract a wealthy benefactor, the kingdom’s young prince Luca. As Orella’s father seeks out stability by courting Antonia, a widow with two daughters, Orella encounters Allegra, a mysterious fortune-teller who is also deaf and teaches her how to communicate using sign language.

Orella discovers a joyous new world, but when she tries to teach others in the community about sign language, she attracts the ire of the ignorant and fear-mongering King, who ruthlessly punishes anyone that dares to embrace what makes them “different.” After an unimaginable tragedy, Orella finds herself fighting for her life, and must find the courage to combat the darkness and liberate her kingdom from oppression.

Interview excerpts (combined from 2 interviews - apologies for the odd-formatting!):

Although “Stepchild” is a fairy tale set long in the past, how does it shine a light on the discrimination Deaf people experience today?

“As we began delving into our research and outreach to the Deaf community, we uncovered a dark and at times brutal history for people with disabilities. The widespread disregard and common violence against many Deaf and differently-abled people is a heartbreaking truth left out of our high school history books. So we set out to create a full-length musical theater piece with the gravity of this dark historical past and the weight of mankind’s propensity for vilifying ‘the other’ as our dramatic base... — David James Boyd and Chad Kessler, Creators of “Stepchild”

“As have other ethnic groups and cultures, the Deaf have had to fight for the existence of and the right to their language. The deprivation of language acquisition is political and abusive. Political because it is about control and abusive because of the severe psychological, emotional and social harm it does to the individual.” — Kim Weild, Hearing Director

Why is the tale of Cinderella the right choice for your specific adaptation?

David: Oh, that’s a good question! I think the tale is oft-told for its primal yearning to be recognized as someone important in society; it’s become a tale about being a member of the elite. But here, in Stepchild, she doesn’t want to be in the highest echelon of society, she just wants to be a part of society. Her goal isn’t to be the Queen, to wear a beautiful gown and glass slippers, but for her kingdom to be able to communicate using sign language. Becoming Queen happens to her because of her hard work and efforts to create communication and understanding between people who are deaf and hearing, so our focus is more social than economic or political. - David James-Boyd - Writer for Stepchild

Chad: We set the story in 1590, on the imaginary island of Costa Bella in Italy, but it’s actually based on the history of Martha’s Vineyard, which was a Deaf colony, once considered to be a kind of “Deaf Utopia,” where everyone was fluent in ASL. When trading, shipping, and, eventually, elite tourism took over the island in the 20th century, the colony died out. But it existed for 350 years as an important Deaf colony, up until the 1950s, and some of the present-day residents still know ASL.

Kim: In our story, Costa Bella is a pious world, where sign language is seen as “the devil’s language” and people can be put to death for using it. So our character is deprived of language until the gypsy Allegra (the equivalent of Cinderella’s fairy godmother) teaches the girl and her father sign language. Her world blossoms, and her relationship with her father deepens, through her new-found ability to communicate.

What do you hope to accomplish with Stepchild?

David: To be very clear, we are hearing writers. We do not claim to represent the Deaf culture/experience. Only a Deaf person can truly relay what it is like to be Deaf. We are storytellers, people from our own diverse backgrounds, who wanted to tell a story about how ignorance, prejudice, and fear can divide a family and a community at large – the story of how people’s efforts to communicate with people who are not like them can take steps towards uniting us all. It’s also very rare that a Deaf heroine is featured in a musical; maybe this is the first. Also Orella is not just rescued, but against all odds and obstacles, she triumphs through her own courageous efforts and empowerment. So along with her accomplishments and pride in being a Deaf Queen, there’s also a definite feminist element in her story.

“One of the most important things we can do to increase diversity is to make sure that characters who have a disability are being cast authentically and played by actors with those same disabilities. Disability is a lived experience, not a technical skill. But even if a project doesn’t have characters with disabilities in it, creative teams should be open to actors with disabilities auditioning for those roles anyway. We already have plenty of able-bodied actors taking roles with disabilities and then winning awards for it — it’s a slap in the face to us.” — Dickie Hearts, Deaf Actor (Prince Luca)

You may also be interested in this book: Deaf Culture Fairy Tales by Roz Rosen
Description, with front and back covers shown below:

Readers are transported into the enchanting world of fairy tales in this book — with one slight twist: all the stories have characters who are Deaf or sign. Designed for the reader who uses American Sign Language or wants to learn about sign language and Deaf culture, each story takes unexpected and fun turns, always with a lesson in mind. Classics in this book include Snow White, Hansel and Gretel, Three Little Pigs, Beauty and the Beast, and many others. Also included are signed songs and poems one can play with in sign language. Original illustrations help make the stories come alive. With such magnificent culture, history, morals, humor, and imagination, this marvelous book will delight readers of all ages.

                      

About the Cinderella mosaics:

The mosaics are from the Walt Disney World Resort, Cinderella Castle - and yes, they're not the Disney Cinderella you're used to seeing. Walking inside the castle archway, one will find five beautiful mosaic murals telling the story of the fairy tale. The series was designed by Imagineer Dorothea Redmond and set by a team of six artists led by mosaicist Hanns-Joachim Scharff. Each panel is a 15 feet by 10 feet shaped Gothic arch. Skilled artists took 22 months to complete the murals using over 300,000 pieces of Italian glass in more than 500 colors. The tiles are hand-cut and many are fused with sterling silver and 14k gold. Some tiles are as small as the head of a tack! (Information from DisneyFanatic & Disney Parks Blog)

Sources Referenced:

• Deaf and Hearing Theatre Professionals Collaborate in New Musical 'Stepchild' - for The Mighty website, hosted on Yahoo
• Deaf and Hearing Broadway Vets Team Up For Workshop of New Musical Stepchild' - by BWW Newsdesk for BroadwayWorld.com
• Previewing ‘Stepchild, A New Musical’ in the Rough Draft Festival at LaGuardia Performing Arts Center: An Interview with David James Boyd, Chad Kessler, and Kim Weild by Deb Miller for DCMetro Theater Arts
• IRT Theater - Stepchild, A New Musical 3B Development Series (through June 2019) for irttheater.org

Animation Short: Rescuing Rapunzel (2019)

A short film and different take on Rapunzel is currently a Vimeo Staff Pick (August 2019) and an Official Selection for the Shivers International Film Festival, 2019. Watching it, we can see why.

Animator Juan Pablo Machado looks at Rapunzel from a different point of view and, not surprisingly, since it's in the Shivers Festival, things get a little dark.

What might not be at first apparent though, is that Machado - whether intentionally or not - also asks us to redefine the age-old idea of "rescue". Machado's opening scene follows a knight, who, just like Sleeping Beauty's prince, bravely climbs the tower past corpses of past would-be rescuers, and must navigate the towers own 'maze of brambles' before he can find the trapped girl.

Following this adventure from the (initially heroic) knight's point of view, it's made clear that even well-intentioned knights (perhaps especially those) need to seriously consider their motives before rushing in.

Machado does all this at a wonderful pace, with succinct storytelling and characters explored just enough to get a wider sense of the story beyond this episode. It even makes us reconsider just what a tower might be.

Enjoy!

Knights climb the tower to find Princess Rapunzel and deliver her from a monster in this new interpretation of Rapunzel by Juan Pablo Machado, student at Emile Cohl.

You can find Juan Pablo Machado's website with portfolio and much more HERE.

Graphic Adaptation of "Snow, Glass, Apples" Has A Feral Magic (Preview!)

Lies and half-truths fall like snow, covering the things that I remember, the things I saw. A landscape, unrecognizable after a snowfall; that is what she has made of my life. - Snow, Glass, Apples by Neil Gaiman

A graphic novel adaptation of Snow, Glass, Apples is nearing release, and the more we see, the more of artist Colleen Doran's work on this project, the more excited we are. But note - this is not your mother's Snow White...

Readers will know our Editor has a soft spot for Snow White, and may also know Neil Gaiman's Snow, Glass, Apples is one of her favorite retellings, (the audio recording is particularly memorable) so has had this pre-ordered since it was announced. If you're not familiar with Gaiman's retelling you might want to know 'blood' is key in this version.

Synopsis: Terrified of her monstrous stepdaughter and determined to repel the creature and save her kingdom, a not-so-evil queen desperately tries to stop a happily ever after that was never supposed to be. Stopping ever after, however, is no small task…

'Dark beginnings'

Here's what you need to know about the new graphic novel:

Colleen Doran took inspiration from (Neil Gaiman would say 'channeled') Irish Arts & Crafts genius Harry Clarke, famous for both his illustrations and his stained glass, to style her adaptation. Harry Clarke's work is both very 'fairy tale' (beautiful!) and at the same time feral. (A quick google search for Harry Clarke images will show you what we mean.) Doran's images do more than provide visuals for Gaiman's story and true to Clarke's style, we get an additional subtext layering the story - one that doesn't shy away from the darker themes Gaiman explores.

If you're wondering, "Just how dark could it be, really?" Gaiman's retelling is one of the most memorable "revisionings" of Snow White to date, complete with flipping the script on who should be terrified of whom, and combines it with a hard-left into Anne Rice territory. (And yes, "V is for Vampire". Did we mention this is not for kids?)

'Passion'

The graphic novel includes an afterword by artist Doran, in which she provides a few in-progress sketches and gives some information on how she created the artwork. We are intrigued - it looks especially time-consuming - not just from a decorative point-of-view but also the work of including different design motifs and "visual subtext" that adds it's own layer of the story.

'A lonely soul'

Here are some excerpts from a very interesting and poetic advanced-preview review by Arpad Okay for DoomRocket:

If Snow, Glass, Apples was once a children’s tale, the art is its connection to those storybook roots. The look is the close of the fairy tale age, as suited for temple walls or stained glass as it is for a golden-bound board book. The story is suitable for neither, full of sex, suffering, and psychedelics. When the forests were wild and old things still dwelled there. 

Neil Gaiman and Colleen Doran have turned Snow White inside out, adding other folk tale traditions, the European Christian fetish for suffering idols, and a splash of V for Vendetta self-reliance. It’s a raunchy, debauched, Grand Guignol take on a Grimm story. 

...Doran’s adaptation has unearthed something within Gaiman’s short story that has elevated it to more than it was before. Snow, Glass, Apples is a mixture of comics tradition—showing what was written—and the picturebook tradition of framing what was written in the iconography it inspires. Doran has pulled an illustrated encyclopedia out of the cultural roots of Gaiman’s dreams and Grimm’s world.

'Hunger'

We recommend reading the whole review HERE. The review definitely reads as being written by someone who is still emerging from the dream haze one can get caught in when immersed in Snow, Glass, Apples.

While you enjoy the previews and "sneaky-peeks", as Colleen herself called them, here's a final note about the work that she posted on ADistantSoil, back in January:

Doran's first work (highschool!) "Holy Grail"
in style of Harry Clarke (click to enlarge)

I’m working in a style I’ve adapted from long study of the work of Irish Arts and Crafts Movement illustrator and stained glass creator Harry Clarke. I’ve admired his work since discovering it as a teenager. I mistook his drawings for those of Aubrey Beardsley, whom I also admire, though Clarke is far more macabre and had a longer career. Like Beardsley, he died young. Clarke passed away at age 41 after an amazingly prolific career. 

I’ve referenced a few of his drawings in the images for Neil’s book. 

Please be advised, this is a dark, mature fantasy: not for children at all. 

This highly decorative style and romantic approach suits me, and I enjoy everything about doing this book and this look. All of the drawings are by hand, and the colors are digital. I think I’d like to have a go at another work in this style.

'Taking the apple'

You can view a "live-draw video" by Colleen HERE, made while she works on Snow, Glass, Apples, in which she discusses cartoonist Rosie O'Neill, creator of the Kewpies. It's about 50 minutes long but very worth it if you're interested in Colleens' work or the importance of forgotten female cartoonist pioneers like O'Neill.

More sneaky peeks below (some of the work is in-progress):

One last note on ore-orders (which are an immense help to both Colleen and Neil): if you have access to a local comic book store you can pre-order for the earlier Comic Book store release date of August 7th, 2019 (you lucky ducks!), otherwise you can pre-order through Amazon, who is releasing it on August 20th, 2019 (and if you don't hear from us that day, you can assume its because we are caught up n the Doran-Gaiman world of Snow, Glass, Apples.

SOURCES REFERENCED:

• Breathtakingly ornate ‘Snow, Glass, Apples’ a debauched, Grand Guignol take on Grimm by Arpad Okay for DoomRocket
• Dark Horse Comics Announces ‘Snow, Glass, Apples’ Graphic Novel by GraveDecay
• Neil Gaiman and Colleen Doran Reinvent Snow White in Snow, Glass, Apples Preview by Matthew Aguilar for ComicBook.com
• Colleen Doran's "Sneaky peeks" of her upcoming work on Twitter - posted by Colleen Doran for sharing
• Neil Gaiman's Snow, Glass, Apples by Colleen Doran for A Distant Soil
• All art is by Colleen Doran for Neil Gaiman's Snow, Glass, Apples for Dark Horse Books

Join the Timeless Tales Team (Marketing Assistant Needed)

Are you interested in joining our team of passionate volunteers? We are looking for a part-time social media/marketing assistant to help us grow our audience. This is a remote volunteer position with a $50/month stipend.


Here's a list of what you'll be doing:



1. Focus on our Patreon page and give our patrons a little more love than we're currently able to offer. You'll also be creating materials to help promote our Patreon page more frequently on various platforms.



2. Work with our Social Media Manager, Carina, to schedule Facebook posts that you create. You'll primarily focus on creating simple graphics to promote our original content.



3.  Once you've mastered these two items, I eventually want someone to create and nurture a GoodReads page for us. Since we're a magazine, it seems like this is a platform where our fans probably spend a lot of time.

TO APPLY (Applications open until 8/30, but we'd like to find someone asap):


Email us (Tahlia and Carina) at timelesstalesmagazine@gmail.com with a short explanation of why you think you'd be a good fit for our team. You don't need to send us a resume (although, you can!), but if you have any skills/experience that particularly stand out, mention those. No need to be formal.

Now, here's the important part of the application: Create a graphic using Canva.com (it's free!) that will promote our Patreon page. It needs to be sized for sharing on Facebook, but otherwise, the design/wording is up to you. Attach it to your email.


Here's a link to our logo pieces so you can incorporate them into your graphic.


Example below: