Will Disney's New Little Mermaid Be Part Of Your World, Or Is She #NotMyAriel?

Art by Denver Balbaboco (click name for portfolio link)
IG: denvertakespics (see IG & image details at this link)

Halle Bailey is to be Disney's newest princess as Ariel in the upcoming Disney live-action "The Little Mermaid"

"It was abundantly clear that Halle possesses that rare combination of spirit, heart, youth, innocence, and substance — plus a glorious singing voice — all intrinsic qualities necessary to play this iconic role," said (Director Rob) Marshall. 

Exactly what Disney's live-action Little Mermaid needs to be - right?

Surprisingly Mer-ky Waters Stirred By Announcement

Artist: Alice X. Zhang
Halle Bailey as The Little Mermaid
(complete with red hair)

The announcement that black actress Halle Bailey (star of Grown·ish, half of the R&B duo Chloe x Halle) is set to star as Ariel in Disney's live-action The Little Mermaid has certainly polarized social media. While multitudes celebrated Disney supporting diversity in their live-action casting of a classic and beloved film, the #NotMyAriel hashtag took off in almost the same moment. In the too-long list of complaints, they appear to center around the change in look and image of a figure people have loved - and identified with - since they were kids. But that's kind of the point. People have seen themselves in Ariel for almost two generations, with the emphasis on "selves". When the disgruntled began to cite culture*, history, and even science (!) it became clear that these objections were actually outing a privileged and endemically racist viewpoint. For those watching, it should be noted that the #NotMyAriel reaction is not coming from kids. Kids across the board are responding with excitement. The disgruntled demographic is embarrassingly specific: 30yrs+ white women.

The "original Ariel", Jodi Benson, raised her voice on the matter too:

“I think that the spirit of a character is what really matters," (Benson) replied. "What you bring to the table in a character as far as their heart, and their spirit, is what really counts."  

Benson talked about how channeling Ariel's inner spirit is how she herself has been able to step into the role over the years, despite getting older: 

"And the outside package — cause let’s face it, I’m really, really old — and so when I’m singing "Part of Your World," if you were to judge me on the way that I look on the outside, it might change the way that you interpret the song. But if you close your eyes, you can still hear the spirit of Ariel. “We need to be storytellers," she concluded. "And no matter what we look like on the outside, no matter our race, our nation, the color of our skin, our dialect, whether I’m tall or thin, whether I’m overweight or underweight, or my hair is whatever color, we really need to tell the story.” (Source: combookmovie.com)

If it really comes down to "a certain look" that about puts it in a n̶u̶t̶shell and then to bed. (See what we did there? OK, sorry - moving on...) Unfortunately, if you look beyond the surface, it's easy to see that is only part of the issue here.

Doing our best to get all sides of the story, our Fairy Tale News Hounds spent a long time reading through multiple responses to the news on various social media outlets and were very glad to find that there are many white voices being raised in support of sharing - and representing - the magic they felt as five-year-olds with children of every color, especially those with dark skin.

One response in particular melted our hearts.
This is it:

 ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~

That was a bit of a roller-coaster read, so we will now have a brief

--Intermission--

with some beautiful baby black mermaids

           

These lovely little merkids are by illustrator Raissa Figueroa, aka @Rizzyfig on Instagram. She created a series on this little afro-haired mermaid for Mermay one year and so many people fell in love with this little character that she's kept on drawing her and boosted her whole illustration career as a result.

You can purchase a print of these beautiful baby mers on Etsy HERE.

You can also follow her on Twitter and get in-process or glimpses of new sketches HERE.

 ~ ~ ~ ~ ~ Intermission Over ~ ~ ~ ~ ~

Don't Worry: Classic Ariel Will Not Die - Ever

The level of distress on social media about the live-action casting is downright odd for another reason. Having a new black Ariel, does NOT remove, erase, eclipse, or in any way 'undo' the fact that red-haired, white-skinned Ariel exists. She will always exist. For thirty years this very Western image has represented the Little Mermaid story (thanks to Disney's worldwide influence). If you judged from the outrage evident in response to casting a live-action black actress and singer in the role, you would think these distressed Ariel fans think "their" Ariel would no longer exist, but that will never be. Both characters are Disney. Both are/will be lucrative properties for the Disney marketing department and they're not about to let a proven cash cow of 30 solid years disappear. When assured that the classic Ariel won't disappear, all that's left is that those who are attached to "their" Ariel just want all the new shiny for themselves. Put that way, the negative responses begin to look... well... spoiled. Eep.

Annie Leibovitz photography fro Disney Dream Portraits, featuring Julianne Moore as Ariel

Classic Ariel "In The Flesh"

Parody poster of Mera (artist unknown)

Amber Heard as The Little Mermaid, all grown up

But let's play devils' advocate for a minute and talk about representing the original classic, that is, Ariel with white skin and red hair. What look-alikes do "Ariel purists" have? See below for an "off-the-top-of-our-heads" list (not conclusive by a long shot):

• Disneyland & Disney World/s live Ariel character performers (for 30 years)
• The Little Mermaid musical - the title role in the big Disney version/s and the school-approved versions
• Every Disney Little Mermaid Halloween/roleplay/cosplay costume ever
• All the Ariel dolls
• Not to mention her image on hundreds of products
• The Annie Leibovitz poster photo of Julianne More as Ariel for Disney Dream Portraits (and Queen Latifah as Ursula)
• Once Upon A Time's live-action Ariel  - a repeat role in the series (played by JoAnna Garcia Swisher) - note that this version is on film and includes many iconic scenes from the classic movie as they fit the story being told
• Mera from DC's Aquaman 2018

Wait! Mera isn't even Disney and isn't Ariel! Why is she included?? Here's the reality: even though the character is not owned by Disney, the new live-action Mera looked exactly like (quote) "Ariel on crack", all grown-up and ready to fight and rule by her own merits. In fact, if Disney had decided to use a "spitting image human" of the animated Ariel she would look an awful lot like Mera (although younger and more naive), with the disadvantage that Disney's Ariel would look rather wimpy next to her. Mera is totally badass and a now a feminist icon in her own right. A live-action Ariel who looked similar would always be compared to her. We suspect Disney marketing folks are quite aware of this, just as they were very aware of needing to distance the new mermaid, aka Ariel, being created at Disney Feature Animation from Darryl Hannah's blonde mermaid sensation in the 1984 hit-movie Splash. A Splash sequel )(Splash, Too) was also in the works when The Little Mermaid was pitched and the to-be-animated-classic was "temporarily nixed" as a result: "Too many mermaids!" said the then-CEO, though that decision was later reversed. Eventually, the reasons for giving Ariel red hair, rather than blonde, were a) not like Darryl Hannah and b) because red is a complementary color - that is, opposite - of green (the mermaid tail). Yes, folks - that is the main reason Ariel became a red-head instead of the expected blonde. Red was not chosen for ginger-representation. It was for marketing.

Why did we bother with this list? There are many already-awesome options to choose from, should folks need a human-looking version of the classic Ariel to still feel 'represented'. Truly, there is such an abundance - why is it the 'purists' feel they are 'owed' (not our term!) the new live-action movie too?

Disney's Black Mermaid Trial Run

ABC OUAT special episode promo poster

 Tiffany Boone as young Ursula
with mer-tail (pre-tentacles)
(OUAT ep 4:11)

This seems like a good time to remind folks that Disney already had a successful trial run with a black Ariel-like mermaid**. The very popular Disney-owned and based series Once Upon A Time, was known for looking into classic characters and exploring their backstories, always with a twist on the trope. Villains weren't exempt from the treatment and often the black and white villains ended up eliciting sympathy from the viewers regarding their own difficult pasts and bad decisions (making it very possible for many of them to be redeemed). With Ariel having made an appearance in a couple of episodes, it wasn't unexpected that Ursula would appear too and that fans would learn how she came to be the villain she was known to be. In an inspired twist, it turned out Ursula's story was actually a Little Mermaid tale. 

 Tiffany Boone as young Ursula
on land (OUAT ep 4:11)

The exploration was short and kept within a single episode, which meant it didn't get as much media coverage as a story with a multi-episode arc. As a result, it's a great pity the episode "Poor Unfortunate Soul" didn't get more attention. In the OUAT "twist" Ursula was originally a beautiful young, black mermaid. She's seen with tail and fins, on land with two human legs and eventually transforms into having those classic and villainous tentacles. Fans loved it all. While it should be noted that OUAT included a red-headed, white-skinned Ariel (and her Prince Eric) in their character line-up throughout the series (and in the same episode!) to be on the safe side, Ursula's own mermaid story of a girl finding her feet and her voice was beautifully written, poignant, unexpected and immensely satisfying in its exploration of multiple issues and their resolution. While OUAT was inconsistent on many fronts throughout the series and draws a lot of criticism, it did have many moments where it struck a chord, was truly revisionist and a perfect exploration of the fairy tale in its pop culture era. Ursula's backstory as the "original" Little Mermaid was one of those.

Ursula and Uncomfortable Truths

"Mary Belle and the Mermaid" illustration by Leo & Diane

from Her Stories: African American Folktales, Fairy Tales, and True Tales by Virginia Hamilton

(Coretta Scott King Author Award Winner)

With Melissa McCarthy now confirmed for the role of Ursula, we're already holding our breath for that moment when the white lady takes away the black girl's voice... yikes! 

But perhaps that's what Disney and Director Rob Marshall are planning to acknowledge and explore. Although women as a whole have had it tough for the majority of written history, when it comes to inequality it must be acknowledged that white women are not completely blameless. It would seem it's a hard conversation to have but that makes it worth having all the more. The negative reaction to the casting of Halle Bailey as Ariel by a rather large (and vocal) demographic has been surprising, and uncovered a hidden white-privilege mindset among long-time (mostly female) fans - women who believe themselves to be progressive, inclusive and 'woke'.

That the negative response to Disney's casting of Halle Bailey was - and is - so very emotional and feels personal to those objecting is a clue to just how endemic white privilege is and that's a scary thing, especially seeing it come from intelligent people you know and love, and, let's be honest, in some cases ourselves. To be clear, there is no doubt many of these women are much more progressive than their predecessors but that doesn't mean there isn't still (a lot of) work to do. That this is happening at all should make it clear that this issue needs to be addressed, and attitudes - and assumptions - reassessed. Now. While we will admit we were hoping a wonderful drag queen (with all the singing and acting chops) would be cast in the villain's role to nod to the character's original inspiration (Harris Glenn Milstead, better known as Devine), putting a powerful white woman in the antagonist role opposite a lovely young black heroine is going to resonate... 

Uncomfortable? Yes. 
Worth the trouble and ruffled feathers (er scales)? Absolutely.

Congratulations Halle!
We are so here for this movie!

Disney's live-action feature film, The Little Mermaid, is scheduled to go into production in 2020.

*A Short Reference List on Mermaids & Mermaid Tales From Around the World

Every country with a coast has their version of mermaid tales but many of those mermaids look a little different than the popular images we've gotten used to. Here are some resources for you to find some different mermaid tales

BOOKS:

A Treasury of Mermaids: Mermaid Tales from Around the World – a diverse cultural collection of tales by folklorist Shirley Climo

Mermaid and Other Water Spirit Tales From Around the World (Surlalune Fairy Tale series) by Heidi Anne Heiner

Mermaid Tales From Around the World by Mary Pope Osborne

The Annotated African American Folktales edited by Henry Louis Gates, Maria Tatar, includes a mermaid tale with annotations

ONLINE RESOURCES:

• Becoming Mermaids - American Museum of Natural History  (Note the Australian Yawk Yawk - looked like a typical mermaid -half-human, half-fish, well before any European influence)
• 9 Mermaid Legends From Around the World (Mentalfloss)
• Mermaid Tales Appear in Myths Around the World - Arnhem Land Included  (ABC.net.au)
• Mami Wata, the most celebrated mermaid-like deity from Africa who crossed over to the West (face2faceafrica.com)
• Goddess Yemaja (a personal blog)
• Mermaids Around the World That Are Far From Dream Girls (BuzzFeed)
• The Cultural Significance of Mermaids Around the World (Mermaids of Earth - website dedicated to mermaids around the globe - lore, art, tales, influence, enjoyment and ocean conservation)
• Part 1
• Part II

** Other Disney "Trial-Runs" On OUAT:

• black Rapunzel (huge hit! though they also had a white version as well)
• female Jack (of the famous beanstalk)
• lesbian Mulan (& Dorothy - a nice nod to the LGBTQ community and their famed love of the MGM movie)
• a maternal Maleficent (which the Disney live-action movie also used)
• a Latina Cinderella

The whole season 8 of OUAT had the Latina Cinderella (Jacinda) as the main character, with the premise of the eighth season being that there are multiple versions of the same fairy tale across universes - a valiant effort for inclusivity though a little late in the show's popularity to make a huge difference. Still, it showed that some people were considering the same stories with a different look, and that's a huge step toward inclusivity and diversity.

For further reading, you may enjoy

• this Twitter thread on Medieval mermaids (a fun examination of the logic behind the folks citing historical reasons to keep Ariel white) 
• an amusing recap of ABC Once Upon A Time's episode "Poor Unfortunate Souls" (some familiarity with the main characters in the OUAT series will be helpful, but not essential to the Ursula backstory/plot as it's essentially a stand-alone story)
• 'The Little Mermaid': A Milestone in Colorblind Casting, but Black Fairy Tales Need Representation Too - there are a LOT of black fairy tales that could use a little love from Hollywood
• article from the Washington Post explaining the social media tumult of the black casting of Halle as Ariel and explaining why a strong black mermaid is part of black people's ancient traditions in Mami Wata - Africa celebrated black mermaids long before Disney and #NotMyAriel

Mermaids, of course, don’t belong to one region. The earliest fish-women emerged in southwestern Asia’s ancient Mesopotamia, said Sarah Peverley, a cultural historian at the University of Liverpool in England.
“But almost every culture has a version of a mermaid,” she said. “They come in all shapes, sizes and skin color.”
When the Danish author Hans Christian Andersen published “The Little Mermaid” in 1837, people across Africa were already swapping tales about Mami Wata. (Washington Post)

Stop-Motion Animation: A Creaky Artist's Studio and a Little Clay Girl "On the Other Side of the Woods"

A small clay girl is lost in a creaky artist's studio, meets a wolf... and it's exactly as "fairy tale" as it sounds.

Gypsy shared this on Twitter the other day and we realized we had never posted it on OUABlog, which we should have. It's possibly our favorite stop-motion animated fairy tale short film.

"On the Other Side of the Woods" is "a beautifully realized stop-motion fairy tale about a small clay girl lost in a creaky painter’s studio."* It's a tale of art retelling a folktale, using the fourth-wall of an artist's space, commenting on itself & its story. Created, shot and directed by Estonian director Anu-Laura Tuttelberg (with animator Olga Bulgakova), it's the sort of film that stays with you and continues to delight, long after seeing it. It's not only beautifully done but it comments so well on the art of storytelling, on fairy tales, and on those who tell them & the resulting new tale variations.

It's short, sweet and beautifully shot.

Take a look:

One of the beautiful things about this film is that the deceptively simple presentation gives the viewer lots of room to consider different things it could be commenting on: the confusion, naïveté, and vulnerability of childhood; the artist's process and the life the creation has separate from its maker; the monsters of wolves and also of time; the nostalgia and inevitable passing of childhood; seeing our stories in our creations; the wilds of the creative process and the struggle to make a work that survives it; the contrast versus the interconnectedness of fantasy and reality; the different paths retelling an old tale can take...

“I didn't want to separate the two worlds,” says Tuttleberg, “but to make them fit together instead. I wanted to unify them all into one world and atmosphere. The black and white photography is very graphic and I like that kind of character of a visual, plus I started my studies in art with photography, with black and white analog photography and I find it beautiful and intriguing.” (source)

The description - and appreciation - below of the film, while focusing on the materials used, shows yet another aspect of this lovely film. This is from the Dragonframe website (Dragonframe is the industry-standard software used for stop-motion film):

Directed by Anu-Laura Tuttleberg, “On the Other Side of the Woods” is the story of a little girl made of clay who awakens and brings everything she touches to life. The films aesthetic is special because of its unique use of materials for its sets and puppets. The textures are extremely satisfying to watch. Wet clay becomes hardened, pools of water evaporate and replenish, and light slides across every scene . Shot using only natural lighting, both time and the animators touch are very present throughout the piece. “On the Other Side of the Woods” is a great example of what is so special about stop motion. It is a true labor of love and an enchanting and thoughtful film.

We love how the materials for each set and character are very specific and form part of the commentary on, not just the characters but the story itself, as well as being a commentary on the artistic process. Director Anu-Laura Tuttelberg writes:

"“Teisel pool metsa” / On the Other Side of the Woods is a poetic fairytale shot in an old house in the centre of my hometown Tallinn. The atelier where the story takes place used to be the working space for a famous Estonian painter Ants Laikmaa and is now giving inspiration for my works. The film studies different materials for puppet making and sets using such contrasting materials as wood and clay to bring out the differences in the film characters.  

The materials for puppets were chosen to express their characteristics. The girl for example is made of moist clay to express her dynamic and free personality. She is always flowing along with any event that she comes across in life. I used real clay for making her, and asked the animator to move the surface of her body in every frame so that it is visible that she is made of soft wet clay. The technique was quite time consuming as the clay deforms easily while animating and I had to make a new puppet for each shot.

The film is shot with natural light which makes the viewer aware of the stop motion technique and also shows the passing of time in the film."

If you think about the character of Little Red Riding Hood as you read the above description. doesn't it feel like subtext for this classic fairy tale character?

There's so much contained in this little gem!

And now, ever since seeing this film, we fully expect to stumble across other little characters living out their artistically-fairy tale lives in other busy ateliers, don't you?

* Quoted from a review by This Is Colossal
- Additional source: Anu-Laura Tuttleberg portfolio -https://anulaura.com/on-the-others-side-of-the-woods/

Henson's 'The Storyteller' Is Getting A Gaiman-Assisted Reboot & Reimagining (O Happy Day!)

Yes, it's true. The Storyteller - that inspired and beloved anthology series that fairy tale folk recommend at every turn - is coming back to the small screen (ie. whatever device you currently watch TV or stream on). It's going to get a little updating and "reimagining", thanks to Neil Gaiman and a new generation of Henson Creature Shop folks, and to cater to the new (lucrative) world order of binge-watching/streaming viewers but we are being promised that it will still recognizably be Jim Henson's original vision.

Deadline had the exclusive when the news broke on February 19, 2019.

In the new incarnation, written and executive produced by Gaiman, The Storyteller will create a mystical world combining various fairy tales and folklore. It will be updated to work “for the binging kind” of viewer of today, Gaiman said.

We might be getting more of a backstory on the Storyteller himself too...

“Part of what fascinates me about The Storyteller is the stuff that we don’t know.,” he said. “Who was the Storyteller, why was he telling these stories, was he a goblin, what kind of creature? What I’d love to do is an inside story that’s as long as the outside story. We’re going to find out a lot about who the storyteller is, we’re going to find out things we don’t even know that we don’t know. We’re going to begin in a Northern kingdom where stories are forbidden and where the act of telling a story is liable and can get you imprisoned or executed. If you put a storyteller into that situation, things would need to start getting interactive.”

But never fear. This won't "devolve" into a drawn-out character story and ignore the tales it originally meant to highlight. We're going to be treated to brand new "old tales" from around the world. 

“The original Storyteller was a brilliantly written, directed and told set of stories. It’s a terrifying and inspiring task to reinvent what Jim Henson did for the golden age of television we are in right now, and I’m honored that The Jim Henson Company would entrust me with the task of bringing back the storyteller and his magical stories, and sending him out into the world for a whole new round of tales,” Gaiman said. 

Gaiman and Henson would not say which fairytales they are planning to tackle. “We have our eye on lots of them and one of the things that was brilliant (about The Storyteller) was, they would take little known versions of well-known fairytales because every story comes in various different versions, and I think that’s definitely something that I would love to keep going,” Gaiman said.

That makes us heave a huge sigh of relief! The unique and memorable retelling of lesser-known tales is the whole reason we adore The Storyteller and it would seem that both Lisa Henson and Neil Gaiman intend to keep this core intact. (Yay!)

Within that frame, the aim is to create new and innovative directorial methods for blending puppetry, tales and live action with a variety of unique directors - a risky, but needed move to breathe life back into the series and reach a whole new generation in the making. 

Lisa Henson whose studies in folklore and Greek mythology at Harvard university inspired her father, Jim Henson, to create The Storyteller series, is well qualified to develop a folklore-related project.  Folklore, myth and old fairy and folktales are an interest she and Gaiman not only have in common but have bonded over since they met in 1991, so this project is personally important to both of them with regard to using integrity in bringing old tales to life again. Regarding how they would approach this for an audience that has a very different view of the world to the original Storyteller audience and consumes entertainment very differently, Lisa elaborated a little on their new approach:

“I think that we’re looking to do the same thing here, (Ed: a.k.a. use non-linear shooting with impactful imagery like music video directors do) work with the directors who can do the most innovative work with puppetry technologies to marry it up in that truly innovative modern way with word crafting.”

We are SO EXCITED!

What tales - and cultural variants - would you like to see be brought to life in the new Storyteller series?

If you would like to read more of the production details currently available, you can read the whole exclusive article at Deadline HERE.

Frozen II Teaser Trailer Drops With Fairy Tale Vibes In Full Force

Confession: we have not been keeping close tabs on Frozen II's development. With the Frozen shorts being underwhelming (despite lots of artistic effort evident behind the scenes), we haven't held out much hope for a film for which the biggest hype seems to be "Will Elsa get a girlfriend?", rather than actual story* or any fairy tale associated content (as opposed to just fantasy).

Enter today's teaser release, full of fairy tale feels and allusions. You have our attention again now Disney!

Check it out:

See what we mean?

Have to mention that we are quite tickled that the internet is including this speculation about the two new characters below:

"What if these two are supposed to be Gerda and Kai from the original Snow Queen story?!"

Heh. We would be delighted - but surprised - if they were.

What we'd really like to see is the Little Robber Girl (from Andersen's original story - who, by the way, is representative of the Land of Autumn/Fall in Andersen's multi-part fairy tale) making an entrance. Apart from being a favorite character from The Snow Queen, the Robber Girl would be an interesting character to (eventually) explore for a potential Elsa-love-interest, though please note, in this teaser the new girl character is still a child. Check the original text describing her and you'll see that potential as one way to interpret her.

In the meantime, what do you think of the trailer? Does it capture your fairy tale radar's attention?

We'll remain tuned as updates from Frozen II continue in the remaining nine month countdown till it hits theaters in November...

A new snowflake design with different symbols - lots for fans to speculate over

*Now if someone mentioned 'Frozen II' was doing a take on 'The Girl Who Pretended to be a Boy', then you'd have our attention!

Timeless Tales Announces 3 Rapid-Fire Poetry Submission Windows

Devoted readers of Timeless Tales Magazine may know that we've only been accepting poetry since 2016. While poetry may not have the same mainstream readership of fiction, I've always felt that a truly great poem offers the same depth and complexity of a short story, but in a more compact vessel. Writers are born loving words and therefore, it takes so much discipline for an author to restrain their ever-flowing thoughts into such a tiny package. Once we started publishing poetry, I can't help but feel like it's a gap in our older issues.

I've also found times when an idea for a retelling has occurred to me, but none of the stories I receive  fit into that particular gap. I think, "Wow, I wish someone would send me a Puss & Boots retelling about a tiger!", but none magically appear in my inbox. I usually just shrug it off and move on. Until now.

We're trying something new this year. A normal full-size issue usually takes over 4 months to release (hence why we've never managed more than two a year!). So instead of a brand new issue this Spring, we are going to revisit our old themes and add one poem to each. And I'll even give some hints about what I'm hoping to read and what writers should avoid.

NOTE: If you have a great poem retelling that doesn't fit my hints, that's totally fine. As long as you're thinking outside the box, I can't wait to read it. But for goodness sake, please read through the original issue before you submit to make sure you're not repeating an idea we've already published. It could really save you time (or might inspire you with a new idea).

These submission windows will come and go fast, so don't blink or else you might miss them!

To submit, please read our submission guidelines. We will follow all the usual guidelines, but we will only be accepting ONE poem (okay, maaaaaybe two) per theme. Here are the deadlines:

• Puss in Boots: Deadline EXTENDED to March 4

• Hints: 1. I'd love to see a retelling where Puss isn't a house cat. Lions, leopards, griffins, and sphinxes are all encouraged. 2. Something that focuses on the often overlooked ogre encounter would be great. 3. A crossover with the Count of Monte Cristo (just because I think "The Cat of Monte Cristo" would be a fun title). 4. A crossover with The Cowardly Lion from The Wizard of Oz . 

• Pandora's Box: April 14-19

• Hints: The seven deadly sins concept already has a story in this issue, so unlikely to publish a poem with that angle. I'm kind of surprised we didn't have more submissions about the biblical counterpart to this myth (Adam and Eve), so you could try that as a potential twist. No promises I'll love it, but it's an idea. Oh, or what about the box being a volcano?

• Twelve Dancing Princesses: June 9-14

• Hints: Don't send me poems from the shoes' perspective, please. Or a poem with a ballet setting. We already have stories with those angles. What about mixing the tale with some Bluebeard elements? Or the 12 tribes of Israel? How about a crossover with Bluebeard?

Good luck and I cannot wait to see what you send me!

Celebrate the Lunar New Year with 'Dragon Dancer'! - Interview with author Joyce Chng

Joyce Chng is a Chinese-Singaporean author who is passionate about diversity in publishing, particularly children's fiction, werewolves (especially when spotted in urban Singapore and space), and damn good writing, no matter where in the world it's written. 

She has also written a GORGEOUS tale for Lunar New Year with a touch of fantasy. 

Edit added Feb 5th: Take a look at the new book trailer below!

Isn't that stunning? But it's not just the illustrations that make this book special. The prose is so wonderful, reading aloud transforms the room you're in and takes you to a magical place. The illustrations support the story so well they seem to dance off the page. We love it here so much it's become a tradition to read it every Lunar New Year. 

Google doodle for 2019 Lunar New Year - produced by Elaine Zhu
This is actually part of an AI shadow puppet game you enjoy playing HERE.

The dragon, Shen Long (also the name of a spiritual dragon from Chinese mythology) is a character we all fell in love with instantly. The first time we read it, our youngest member spontaneously applauded at the end of the book! Now, older, he still looks forward to it, and requests multiple read-throughs, asking about all the various aspects of Lunar New Year traditions and what they mean, so we are doubly thrilled to be able to ask Joyce a few of his questions on celebrating Lunar New Year in Singapore, and add some questions of our own about her fairy and folktale influences and loves.

Note: all the illustrations for 'Dragon Dancer are by the amazing French artist Jeremy Pailler. You can find more of his work at his website HERE. In the meantime, enjoy a sampling of his work through this interview with the very gracious Joyce Chng.

~ * * * * * * * * ~

Thank you so much for taking time out of your celebrating to talk about 'Dragon Dancer' today Joyce.
JC: Thank you! I am honored to have this opportunity to talk about Dragon Dancer and Shen Long. :)

OUAB: Your writing is very atmospheric and truly dances through the descriptions and story. Having a strong dance background (albeit a different discipline), we were impressed by how much movement you evoked through your text! What was your inspiration? Have you ever been a lion dancer or apprenticed as one? (Could we have caught you acting out the movements as you wrote the text?) 
JC: I love lion and dragon dances. No, I am not a lion dancer nor was I apprenticed under a sifu. I just love the art form and the martial art behind it. I also watch a lot of lion and dragon dances. So I have theoretical knowledge, hehe. :)

OUAB: Is there a Chinese folktale or legend that the sky dragon, Shen Long, is based on?
JC: I don't know if there is a Chinese folklore or legend. But Chinese dragons are known to be benevolent and often are harbingers of great news. 

OUAB: Does Shen Long and Yao's dance describe a similar ritual to that which traditional lion dancers are enacting (seen more often in Western cities than the long dragon performance), or is it unique to dragon dances? (Do dragons also eat lettuces?)
JC: I think the dragon dance has its ritual though it overlaps with the lion dance. The dotting of the eyes symbolizes waking the dragon or lion. (They don't eat lettuce!)

OUAB: What else is included in the book (in words or illustrations) that represents other important cultural customs of a Lunar New Year celebration that people not familiar with the culture and symbolism would miss?
JC: The importance of family and the continuation of tradition. The mention of Yao's granddad. It's during Lunar New Year we also honour our elders (grandparents and parents).

OUAB: What Chinese fairy tales do you wish were better known around the world? (Any you're planning on retelling at some point? Hint, hint!)
JC: Chang' E flying to the moon. (Hopefully... One day...)

OUAB: What is your take on POC authors retelling popular fairy tales, such as Goldilocks, with a (for example) "Chinese twist"? 
JC: I think that's perfectly fine and awesome. That as POC and non-white folk, we view such tales with our own lens and perspectives. 

"I believe mythology and folklore gives us the space to re-myth or re-tell the story in our own terms."  Joyce Chng

OUAB: Apart from buying (and therefore supporting) tales retold by POC authors,  and reading them to diverse groups of kids, how do you suggest folk without an Asian heritage, who dearly love Chinese fairy tales and folktales can help tell and spread these tales? Any do's or don't's?
JC: Ah. I am grateful for the enormous appreciation and respect for Chinese fairy tales. Signal boost and highlight POC telling these stories. Let them tell them. And many of us have grown up in diverse backgrounds (many of us hail from the diaspora). So we bring many perspectives to the table.

OUAB: Are you ready for a lightning round - or should we call it a firecracker round - of questions?

JC: Yes please! 

OK - Go!

Two of your favorite folktales and/or fairy tales?  Chang'Er flying to the moon. Yang women generals.

Two favorite fairy tales/ folktales from any other culture?  The Firebird. The Little Mermaid.

Favorite Lunar New Year food?  Peng cai.

Favorite Lunar New Year custom?  Collecting red packets.

Favorite dragon ever? (After Shen Long of course!)  Draco from Dragonheart.

And... time!

Wow. What a lot of awesome insight you've given us here! 

Thank you so much for being with us today Joyce. 

Wishing you good luck, continuing success in your publishing and health for you and your family in the New Year!

~ * * * * * * * * ~

And readers, if you're wondering what any of these answers are referring to, let us wish you good google-fu as you do a little digging and discover for yourself. ;)

JUST A FEW OF MANY GLOWING REVIEWS:“A visually lush and stunning selection that is textually atmospheric and evocative. A fresh take on one of the most iconic symbols of Lunar New Year. Pailler’s intricate watercolor illustrations truly stand out. They gorgeously complement and elevate the text as Yao and the dragon slither and dance across page spreads and make striking use of white space. – Jennifer Rothschild, Arlington County Public Libraries, VA, for School Library Journal 

‘This is a book that celebrates the power of the imagination and the traditions of another culture. The illustrations waft darkly across the page, never revealing the whole picture but disclosing more the longer you look. The language is evocative and rich; it is a great book to read aloud. Together the illustrations and words compliment each other beautifully creating a dreamlike story that would also be an excellent educational springboard for exploring New Year festivities.’ – Seven Stories, National Centre for Children’s Books 

‘I burst into tears the first time I read it, both when Yao and Shen Long triumph over bad luck, and when Shen Long, as both ancient sky dragon and grandfather, expresses his pride in Yao’s dance. This is exactly the kind of story that I wish I had been able to read to my children, but it’s just as powerful to me as an adult.’ – Jen Zink, Hugo award-winning podcast The Skiffy and Fanty Show 

‘Dragon Dancer is a gorgeous book that draws on ancestry, legend, and tradition for Lunar New Year reading. The text pulses with the energy of the dragon dance, the art coming alive from the page as the dragon writhes, corkscrews, and spins away misfortune and welcomes in prosperity. The music in the story urges dragon and dancer on, and draws the reader into the narrative: you can feel the drums pounding, the cymbals clashing, the crowds cheering. A note from the author provides a bit of personal experience of the New Year celebration. This one’s a definite purchase for my holiday collection.’ – Mom Read It

'Dragon Dancer' is available through many online retailers. We suggest you buy your local library a copy and donate it to be read for the next Lunar New Year!

BUY DRAGON DANCER HERE:

Joyce Chng is also one of the editors of a unique collection of stories, titled 'The Sea Is Ours - Tales of Steampunk Southeast Asia' (edited by Jaimee Goh and Joyce Chng). It's on our 'to read' list. Here's the description:

In The Sea is Ours: Tales of Steampunk Southeast Asia, technological wonder merges with the everyday: children upgrade their fighting spiders with armour and toymakers create punchcard-driven marionettes. The fantastic has always been part of our landscape: large fish lumber across the skies, aswang represent diwata to faraway diplomats, boat people find a new home on the edge of a different dimension. Technology and tradition meld as the people adapt to the changing forces of their world.Steampunk takes on Southeast Asia in this anthology, infused with the spirits of its diverse peoples, legends, and geography. Delving into local alternate histories, we will introduce you to a dynamic steampunk world quite different from the one you may be familiar with.

You can find Joyce Chng in the following places around the web:

Website  -  A Wolf's Tale

Twitter (most days!)

Amazon author page