Wednesday, April 1, 2015

"Trick of the Tale" illustrated by Tomislav Tomic


While April Fool's Day isn't really connected with tricksters in the tale sense of the term, we all have them on the brain during the day. We do our best to not be gullible and not be fooled, so I thought highlighting a lovely collection of trickster tales (which might give us a few clues about what to do - or not do - next year, since today is pretty much over at minutes to midnight), was appropriate.

Trick of the Tale: A Collection of Trickster Tales by John & Caitlin Matthews, illustrated by Tomislav Tomic
Description:
Celebrate the slyest trickster tales from around the world in a lavish volume that gives a well-loved story tradition its rightful due. 
Enter (carefully) the world of the tricksters, those wily creatures who lie their way out of trouble, cheat when they get a chance, and devise elaborate tricks to get what they want —- with delightfully unpredictable results. This truly diverse, elegantly illustrated collection follows such clever characters as Anansi, Coyote, Brer Rabbit, and others who play a role in a multicultural array of storytelling traditions, from African to Inuit to European, Tibetan to Native American to Japanese.

This collection of trickster tales, retold and edited by John & Cailtin Matthews (a writing pair you see often with regard to fairy tale and folklore collections), is illustrated by Tomislav Tomic, whom you may know from his beautiful work in illustrating the special edition Lang Orange Fairy Book for the Folio Society.

Can you match the titles to the illustrations?







And I'm so glad to see at least one Anansi story here! There is persistent confirmation that Neil Gaiman's Anasi Boys really will be making it's way to screens in the foreseeable future too, as a multi-part mini series of hour long episodes by the BBC... (*whooping and cheering*). Expect a revival of trickster tales when that  - eventually - happens too!

I always greatly approve of stunningly illustrated collections. Yes, of course, I adore beautiful illustrations but every book that captures the attention of people brings these lesser known tales more into focus and back into circulation. More please!

"The Fool and the Fish" illustrated by Gennady Spirin


Today, with fools and tricksters on the brain, I thought I'd offer reference of some tales. Here's this years "fools tale".

There are a number of variations, even within Russia, of The Fool and the Fish. Sometimes the 'fool' is Ivan and sometimes he's Yemelya or Emilian or Emelyan but the result is the same: a foolish (and rather lazy) boy catches a pike and, when it speaks to him, he releases it. His good heart and merciful deed is rewarded by wishes. Lots of them! (We don't hear much from him after he gets his princess, er tsarina, but then when something like that happens, you rarely do..)

Russian fool tales tend to have simple demands, simple wishes and this one is no different. All of the wishes have to do with ordinary things: water buckets that walk themselves home, a sledge that moves by itself (no horse - or person - needed), and axe that can chop wood all by itself. They're childlike in many ways, magical though still not really believable and nowhere near the realm of magical three-headed dragons. They're quite domestic. I think that may be one of the appeals of the Russian fool for me personally - they're pretty down to earth. While they're often considered lazy, they can also be seen as people who take life day by day, season by season, not straining under  the need to be 'more' but enjoying whatever life has to offer. This is a quality that seems to make them level headed rulers, too, when any of them reach that status.

I wanted to add a note I found, too, in the book What Every Russian Knows (And You Don't) by Olga Fedina. She writes:
"You cannot talk about the genre of (fool) tales, about "simpletons" with mentioning the role that the yurodivy, the "holy fool" - has played in Russian culture. Holy fools were those who rejected (or fell out of) normal life to live on the street, abasing themselves completely, going around in rags and acquiring a reputation for being clairvoyants and close to God. This figure, present in many traditions and religions, has been very important in Russia. Being mad or simulating madness helped the yurodivy to detach himself from society and the social hierarchy. They were believed to be divinely inspired, and their utterances, usually in the form of riddles were given a lot of attention. Harming a holy fool was considered a terrible sin, and even the tsars listened to what they had to say."

But back to the wishing fish. A little background on just how the pike is considered, helps shed a different light on the tale as well.
Schuka is a pike fish. The Slavs of old assigned terrifying abilities to this fish – people thought it could swallow a man and that the Water Spirit rode it in the watery kingdoms. (FTNH edit: it's easy to see how this then translates to a fish with magical powers.) In Russian fairy tales, the pike assumes more reasonable proportions and a more harmless nature.
(FTNH edit: a little sampling of artist renditions of the pike from various nations below- it's a monster fish!)
 

I couldn't find artist names to credit for these unfortunately.
The bottom one has a fairly clear name but as I can't read Russian I can't even type it.
See HERE for more info on the legendary size of this fish.
In fact a meeting with a pike fish brings good luck, as the fish can even grant wishes. But you have to catch it first, as Yemelya the Fool (or Ivan in some versions) does in the fairy tale of the same name, and then release it back into the water. There is no limit to the wishes you may ask. Yemelya gets eight wishes in his tale. The tale here is “The Fool and the Fish.” (source)
This version is illustrated by the incredible Russian artist Gennady Spirin, who seems to have an affinity for illustrating fairytales, no matter where they hark from. The text for the 'original' tale can be found (in English) HERE.

In the book Russian Folk Tales by William Ralston Shedden Ralston (not a typo - that is actually his name), there are some notes accompanying the story Emilian the Fool, of which I have taken some pics to include below:
 Did you know that in France, which is thought to be the origin of Aprils Fool's Day, the day is actually called Poisson D'Avril, meaning, literally, April Fish. Children commonly attempt to stealthily stick a paper or cardboard fish on their friend's backs and when it's discovered shout "Poisson d'Avril!" What the connection is between April 1st to fools and fish seems to be unclear. There is a whole history about the need to move the date (as in, change the calendar to start the year on a different date), which was supposed to take effect on April 1st, though some refused to acknowledge this and become the butt of pranks because of it. That makes the fool part clear but not the fish.

There's one theory that changing the date affected changing the end of Lent, in which people weren't/aren't supposed to eat meat. When Lent was over, fish was/is the common meat given and eaten so it's likely fake fish were given to those believing Lent was (finally!) over, only to find they couldn't eat meat at all (yet).

And now I feel foolish that the day is almost over and I haven't had time to post this yet... at least I got it on the right date - even if it was after midday.

Happy April Fish, er, First!
Fairy tale bonuses of the day:

Emelya beer label
Useful Russian expressions based to The Fool and the Fish:
There is a great saying associated with the fairy tale used in every day Russian language.
"By the pike's command" - you can use this phrase when talking about something good that comes out of nowhere, as if by magic.

Or you can use a different version of the same phrase (it sounds different in Russian but translates to be the same in English) to tell someone he is lazy and wants everything to happen by magic."By the pike's command."






Advertising references:

You can see above that there's a beer names after the lazy Emelya but there's a bunch of Russian snack food I found as well. (interesting..)

Fool and the Pike by Lev Ovchinnikov 
You can also find reference to this fairy tale today in a make of Russian car seat heaters called "Yemelya" - the marketing being "it is twenty degrees below zero outside, but you are nice and comfortable in your car, as though it was a magic Russian stove you were driving around."

There is also a special truck line called Yemelya that was used to first reach the North Pole in a motorized vehicle. The trucks were named after the fairy tale character who did not like to leave his stove and preferred to travel with it. In fact in this version of the story the oven is magic and could cut trees for fire.
“The joke is that the vehicle is built so well that it’s good for lazy people,” says Yelagin.
(A discussion on Russia and their relation to stoves and ovens is a whole other fascinating subject!)

On Fools and How We Choose To See the World

Vladimir Kush - The Madness of Don Quixote
Happy April Fool's Day!
Interesting thought, isn't it? How we choose to see things as opposed to how we truly see things.

Is anyone familiar with the German novel by Christoph Martin Wieland, based on Don Quixote, in which the main character saw fairies and many other things from fairy tales? I need to do more research...
Artist unknown

Tuesday, March 31, 2015

A Raw Icelandic "Beast" with Much Beauty


"Once upon a time, there was a hero, although she didn't know it yet. Her name was Bell. And she was destined to confront a Beast..."

There's a new film in the making which promises a very different take on Beauty and the Beast, journeying back to the fairy tale's roots and delving into the Mythic, in a way we haven't yet seen. It's titled, simply, Beast, but the movie promises to be anything but simple.
The Icelandic setting and all-Icelandic cast, along with "The Mountain", (aka Hafþór Júlíus Björnsson) from HBO's Game Of Thrones, ratchet the epic factor up more than a few notches, as does the edginess of the Viking-esque time period of 'the year 800'. 
This is Bell is on a feminine hero's journey, one which would give Theseus a run for his money, so it's no coincidence that the mythic story of one of Theseus' great challenges, defeating the Minotaur at the center of the labyrinth, was a foundation for this movie.

Director Max Gold says:
"When Beast is released, fans can expect to see a darker, Icelandic take on the fairy tale that they’ve come to know and love--told from a feminine perspective.  


"A masculine hero’s journey usually involves the hero leaving home then conquering and/or killing his way through a series of obstacles. But a feminine hero’s journey happens in a different style. For example, Scheherazade tells stories to save her own life. Persephone empathizes with her captor in the underworld to earn some time above ground. The Theseus/Minotaur myth (lots of similarities to Beast) is actually also a more feminine version of the hero’s journey even though Theseus is male. For example, Theseus leverages his enemy’s size and strength to his own advantage. Or when facing Medusa, Theseus literally “reflects” in his shield to find her whereabouts. These are feminine means, which makes sense because Theseus’s father is Poseidon, god of the sea.  
"There’s this new buzz phrase, “strong female protagonist.” Most of the time “strong” just means “put a weapon in the female protagonist’s hand.” That does not make a strong female protagonist, it just makes a female protagonist who carries a weapon. In Beast, the story is told from Bell’s perspective and she uses her own courage and cunning to find her way. She is a deeply flawed character but is also willful. You will find out whether her strong will is enough when she comes face to face with her darker side. And yes, at some point she does also wield a badass sword!"
Apart from showcasing a selection of beautiful visuals here, the best way I could think to introduce you to the film is via a couple of their development films. First "Princess" Bell then Bell the HeroIf you don't have time to watch any of the videos, I still strongly suggest you take a look at the last 30 seconds or so of Bell the Hero (at the 1min35sec mark). It's amazing.Take a look:

While the film is definitely a "darker take" on the Beauty and the Beast tale, it's clear from corresponding with Max Gold, and getting peeks behind the scenes here and there, that every scene, including the bloodier ones, are all there with a purpose.
"Violence is a necessary part of a fairy tale; it always points to the death of potential consciousness that befalls those who don't pay attention. Our Beast is a hoard of energy that saps the land and causes the famine. Without this as an antagonist, the stakes of Bell's journey would be inauthentic.
“Bell’s psychological journey inward is as much a focus as her harrowing quest through the Icelandic wilderness. Bell is fleeing a brutal past; she is contending with a lot of inner demons. She is a deeply flawed character and we don’t shy away from putting those flaws up on screen, but she is also extremely willful. Her will and courage ultimately carry her through.
From references of The Poetic Edda and Icelandic Sagas, along with nods to Jung and David L. Hart's "The Water of Life: Spiritual Renewal in the Fairy Tale" and labyrinthian metaphors, both with regard to the inner psyche and the forbidding Icelandic wildlands, this Beauty and the Beast retelling has some serious foundation to build it's story on. The attention to storytelling detail is also clear in every frame with both beautiful photography and specific framing that tells a story of its own (a quick look at the embedded videos will have you amazed that such an icy wasteland can be so very stunning!). 
When you see this it's easy to recognize how important the awareness of the Land is in the movie as well. A sense of story grows out of it, just like it does for the Icelandic people, so it made sense when I learned that Max Gold had more than a passing appreciation for it as well.

"One of the patterns I began to notice in Icelandic folklore was that everything ties back to the land. The evil wizards who turn the sand black, or the elves who come from the lava rocks--all of them emerge from and return to the landscape. They are land spirits, or for the more objective they are anthropomorphisms. Take a drive through Westfjörds and when you come back tell me that you didn’t see faces in the rock staring back at you. There is a deep respect for and connection with the land in Icelandic cultural heritage, something akin to that of the original Americans before the Europeans unfortunately wiped them out.  

"Casting the film entirely Icelandic maintains an integrity of place that bleeds through the screen. Rather than rely on special effects, my visual team emphasizes the stunning landscape to catapult the audience head-on into this magic world. 


"My friend Helga introduced me to the Icelandic landscape painter called Kjarval. Kjarval was responsible for re-introducing the landscape to the Icelandic people by way of his paintings. 
Between Kjarval’s paintings and the folklore, the unique and rustic world inhabited by Beast and Bell comes to life. All of that said: not once did we “use” the landscape. Everyone on my team had a running joke: “the landscape used us.” My friend Max was carrying a 4x4 floppy up a hill and he actually blew away in the wind. Henry had to grab him and pull him back down!" 
This video below is slightly longer at over 3 minutes but you get to see a lot of that 'mythic foundation building' I keep referencing. 

Now that you know the context of the film and have seen an exploration of visuals and scenes, I'd like to add the trailer for you to view too. Just be warned: the trailer begins with some violence, which can be a shock if it's the first thing you're seeing. If any form of violence or gore bothers you, just don't watch the first 11 seconds. The rest is worth watching and at times breathtakingly stunning, I promise. (I do recommend you don't have kids around though - this is not for children.):
I've spent quite a bit of time looking into Beast and am more and more impressed the more I learn. The only trouble is that there isn't a guarantee it will be finished... yet. Despite the formidable talent and crew they have on board, this film is still an Indie project and is relying on crowd funding and support to get the picture done.
I'm not the only one who believes this film promises and excellent standard though. Beast was recently named a Kickstarter "Staff Pick" and they're more than half way to their goal. I'm sort of astonished that the monetary goal is so low, considering how high they have the bar set for production but they've already proven they can do a lot with a little. I'd dearly love to see this film complete and we've got just one week to help them make this possible.



Being a Kickstarter, there are some really great incentives and rewards for helping out with donations. You can donate as little as a dollar or a few dollars and get some extra promotion yourself, and starting at the $30 mark you can receive a high res copy of the film yourself (isn't that close to what you'd pay for a Blu-ray these days anyway?)

The approach to this film is the sort of storytelling we want to see - exploring tales we love in a new ways with intelligence, reverence and excellence. Please consider joining me in supporting Beast. Even a small amount can make a huge difference.


BEAST: A DARKER RE-IMAGINING OF “BEAUTY AND THE BEAST.”
SET ENTIRELY IN ICELAND.
Blind Hummingbird Productions
Beast stars Hafþór Júlíus Björnsson, aka THE MOUNTAIN from HBO’s Game of
Thrones
alongside a completely Icelandic cast.
Bell is played by newcomer Berta Andrea and Beast is played by Icelandic model Ingi
Hrafn. The film is shot by Cannes-showcased cinematographer, Ed Wu. Production
Designer: Haisu Wang (Steven Spielberg’s THE PACIFIC) Costume Designer: Ella
Reynis (GAME OF THRONES.)
Beast is written and directed by Max Gold, whose previous credits include the Golden
Globe-nominated Arbitrage (2012). Gold’s commercials, short films and video art
installations have received numerous accolades and international festival attention.
Kickstarter: https://www.kickstarter.com/projects/maxgold/beast-a-live-action-feature-
film-of-beauty-and-the
Trailer (official site): www.beast-iceland.com
Blind Hummingbird Productions: www.blindhummingbird.com
Twitter: @Beast_movie , @blindhummingbrd
Facebook: facebook.com/BEASTIceland , facebook.com/blindhummingbird


Additional sources: HERE, HERE, & the official website HERE