Call for Papers for The Monash Fairy Tale Salon's Annual Event Celebrating 150 Yrs of Alice

Hot off the press from The Monash Fairy Tale Salon in Melbourne Australia:

Grand Western Arcade Handmade Boutique

Well, it's that time of year again when we start to gear up for our annual event! So excited. Though it's slightly outside the traditional definition of a fairy tale, we had to do something to celebrate the birthday of Alice’s Adventures in Wonderland.

The Monash Fairy Tale Salon will be hosting a curious afternoon of madness and muchness as we go down the rabbit hole in celebration of the 150th anniversary of Lewis Carroll’s classic, Alice’s Adventures in Wonderland. 

Long before Tim Burton and Walt Disney stepped through the looking-glass, a mathematician, a Reverend and three girls went for a boating trip on the Isis. During the journey the mathematician regaled the party with a nonsense story that has become known as one of the favourite stories for children and adults alike. 

For one afternoon only, we will be hosting an exploration of all the impossible things we can do before breakfast. Come along and learn about the author and illustrators who shaped literary history and gave us such wonderfully uncommon nonsense. For the bold at heart (or the Queen of Hearts), come dressed as your favourite Wonderland character! 

Grand Western Arcade Handmade Boutique

This event is open to anyone who has a love for nonsense and will take place at the Theatrette, Glen Eira Town Hall, on Saturday June 13th, starting at 1pm, as part of the Glen Eira Storytelling Festival.

We are looking for interested participants who would like to present papers or original work in the form of readings or performances.

Areas of interest:

– Alice's Adventures in Wonderland scholarship (incl. literary studies, film & TV, drama studies, gender studies) 

– Live performance of Carroll inspired work  

– Carroll inspired readings (incl. readings of Carroll's work or work inspired by Alice)

Please send a 100-200 word summary or abstract to arts-fairytale@monash.edu by April 27th.  For more information, please contact us at arts-fairytale@monash.edu.

"Song Of The Sea" To Be Released on DVD & Blu-ray St. Patrick's Day!

I couldn't make it to any of the showings in LA, so sadly I've missed the opportunity of a big screen experience (at least until there's another special showing) but nevertheless I am really looking forward to seeing this. If the watching experience is anything like The Secret Of Kells, it won't be long before I forget where I'm watching anyway.

I'm so very glad this film got nominated for an Academy Award so it's fairly widely known already.

This and The Tale of the Princess Kaguya seem to have people talking more and more about folktales again. I've even noticed that shift in many of the articles (by non-Disney-allied media) about Cinderella too. They're either about the costumes or are looking at the variety of Cinderella stories and why we're still telling that story today. That's very different from just a couple of years ago.

For Song Of The Sea, I'm curious to see all the old and 'new' folklore blended in as well as see how they handle a selkie story. One of the best made family fairy tale films I know is The Secret Of Roan Inish - a quiet but gorgeous film that isn't at all flashy but still has a very strong sense of magic. High time I dusted that one off and showed it around again!

The medium for Song Of The Sea is different, of course, but it sounds just as down to earth in many ways and that can only be a good thing.

You can currently pre-order this from Amazon at a special price, so that's great if you can take advantage before it's released on March 17th as well, otherwise, go grab yourself a little Irish gem for St. Patrick's Day!

Here are the Special Features we can look forward to:

• Audio Commentary with Director Tomm Moore
• Behind the Scenes with Optional Commentary from Director Tomm Moore
• Animation Tests with Optional Commentary from Director Tomm Moore
• The Art of Song of the Sea
• Conceptual Trailer
• U.S. Trailers

Now I just need a 'Making Of' book please!

"Timeless Tales" Submissions For Issue #4 Closing Soon...

Just a reminder that you have one week to get in your "Perseus and Medusa" retellings for Timeless Tales Magazine's Issue #4.

Writers will be paid $15 per story, have their work published on the website, and have their story narrated for the magazine's audio edition. 

For more information, check out Timeless Tales Magazine's submission page.

Get those fingers typing and good luck!

Review: "Disney's 2015 Cinderella: A Safe Story but the Shoe Does not Fit" by Jennifer Culver

Disney's 2015 Cinderella: A Safe Story but the Shoe Does not Fit

Review by Jennifer Culver 

Cinderella opened  amidst controversy about Cinderella’s waist. Was her waist slimmer via CGI? Does this impossibly thin waist continue to send messages to young women about unattainable standards of beauty? With the clamor regarding Lily James’s waist, an interesting tidbit went largely unnoticed: Cinderella’s shoe did not fit. Costume designer Sandy Powell admitted that the glass shoe designed for the film fit no one, including Lily James. Like the shoe, much about Cinderella’s character does not fit her surroundings, which could actually be a good thing. 

But don't expect a whole lot from the "quiet revolution" Branagh claims he's making with this film. He presents a safe retelling that sticks close to it's source, the 1950 animated Disney film. There are subtle changes that do make a difference, for instance how diverse the ballroom scene is in terms of ethnicities, but for the most part, the story is the same; the talking animals used for comic effect, the bumbling Fairy Godmother, even Cinderella meeting her Prince ahead of time isn't "new". The portrayal of Cinderella as “underdog survivor,” a trait Zipes notes* regarding Cinderella retellings since 1899, and a prince who has “more democratic” leanings, meeting Cinderella earlier in the film, these are things we, for the most part, expect to see.

With The Walt Disney Company having already created two popular direct-to-video animated sequels that portray Cinderella as a far more rounded out character, while still being the same girl, this film seems even more conservative in many ways. 

A standout difference, however, is the portrayal of the stepmother, played dramatically by Cate Blanchett. She eavesdrops on conversations, blackmails dukes, and appears omniscient at times. When she delivers her backstory, told in the style of a fairy tale, her desperation to survive and secure a decent future for her daughters overwhelms all other, crueler aspects, yet the film does not fall into the trap of excusing them.

Throughout the film, Cinderella finds herself uneasy yet she remains in her subservient situation in order to “cherish” the home her parents loved. When confronted with the chance to claim a future with the prince, the narrator tells the audience that coming down the stairs means Cinderella takes one of the biggest risks any of us can take, “to be seen as we truly are.” 

Maybe Cinderella does not fit because of her outlook. She sees the world “not as it was but possibly could be, with a little bit of magic.” Sure, Cinderella still needs help to escape her situation, but she does not need help to improve her outlook. Fueled by the promise to her mother to have courage and be kind, Cinderella lives on her own terms no matter the dress she wears, an attitude that can fit any movie-goer of any shoe size. 

Branagh intends to be subtle and show strength through kindness, something that should endear Cinderella to us even more, but one has to wonder if this message isn't a little lost amidst the stronger impressions handed to us by the very marketing campaign pushing us to see it in the first place.

* Zipes, Jack. The Enchanted Screen: The Unknown History of Fairy Tale Films. New York: Routledge, 2011. Book.

Jennifer Culver works as a Digital Learning Specialist while finishing her dissertation. Her study focuses on the rhetoric within fairy tale adaptations in film. She enjoys continuing the tradition of sharing fairy tales with her children and godchildren.

Ask Baba Yaga: How Can I Be Myself In a Place That I Hate?

Baba Yaga, Ivachko and the Bears - Artist Unknown

For a dancer I know whose feet are currently frozen in place and for another dear friend who is far, far from home. You both know who you are. Sending courage from my heart to yours and a little support from one whose home has feet of its own...

Today's question and answer (via poet and oracle Taisia Kitaiskaia* of The Hairpin):

(Originally posted at The Hairpin HERE)

You can survive this and your stories will be fierce. And free. And strong. (And I'm saving a bottle of bubbly especially for that phone call I get when you both let me know you are finally Home.)

What do you think of Baba Yaga's advice?

Want to ask Baba Yaga a question of your own?

You can!

There's now an email address where you can send your questions

directly to Baba Yaga herself.

AskBabaYaga AT gmail DOT com

To encourage Baba Yaga to continue imparting her no-bones-about-it wisdom (ok, there may be some gristle in there... bones too), I suggest we not to leave her box empty... 

Thank you Baba Yaga (& Taisia).

* Taisia Kitaiskaia is a poet, writer, and Michener Center for Writers fellow. Born in Russia and raised in America, she's had her poems and translations published in Narrative Magazine, Poetry International, and others.

The Rose Elf by Veronica Dye Johnson

Illustrator Veronica Dye Johnson, recently sent me an image of one of her latest personal works and has kindly given me permission to share it with you all, it being inspired by a fairy tale.

Have you heard of this one, The Rose Elf? It's another Hans Christian Andersen one and used to be much better known.

The tale has always struck me as being a little bit of a split personality. As you can see from the above, beautifully rendered image, it has quite the dark side to it. This is of a girl holding her lover's head, after she dug it up out of the snowy wood, where her brother had buried it (after he'd cut it off). Sounds a little soap opera-ish in many ways but it actually has a lot of tragic romance to it.

(Note: Forgive me if I get the details wrong - I'm going from memory here.)

The girl, having just found out who killed her love, secretly takes the head home and buries it in a flower pot, over which she weeps every day. Her brother, who lives in the same house (and whom she keeps it for) has no idea why she's so sad but at least he doesn't have to worry about her taking off and getting married anymore.

Rose Elf in progress

She grieves greatly, pines, dies, and is reunited with her love in heaven BUT her brother, seeing this amazing plant that she's been keeping in her bedroom, decides all that was hers is now his, and he takes it to his room and puts it beside his bed. The plant, having grown on tears of anguish and with a wish for revenge, plunges poisoned barbs into the man while he sleeps, killing him rather painfully. His body is discovered shortly after and in the horror of the scene, the flower pot is knocked onto the bed and breaks, where the skull inside is revealed and so is the brother's secret. I believe he's then buried in an unmarked grave.. (it's been a while).

But I haven't told you the weirdest part.

How does the girl find out in the first place? Because of a 'rose elf'. He lived in a rose that wouldn't open and let him in due to the cold one night, so he went seeking shelter, finding some blooms near these lovers meeting where he overhears their love, their story and their trials. He finds that sweet but then through some slip or accident, ends up in the man's pocket. He's with the lover when he's murdered, escaping by holding onto a dead leaf that's floating through the air in the ruckus, only to land back on the hat of the brother-murderer and end up back at the girl's house. He whispers in her ear what happened when she's asleep, citing that she'll know this is true by the proof of a dead leaf on her chest when she wakes. She wakes, there's a dead leaf, she goes and finds the head, you know the rest now.

Rose Elf early color test

Isn't that just the oddest juxtaposition? You have this happy little elf looking for flowers, floating around so small he's undetected on one side (and there's a whole bit about him going to find the Queen Bee to tell her what happened too) and this macabre plant growing out of a lover's skull on the other.

It just doesn't feel to me like it was constructed by the same person (and when you read it, the language is bizarrely different too). I always felt I had heard the part about the head in the pot with the plant before somewhere - that feels really familiar to me and sort of Slavic too. The Rose Elf character just sounds.. like a construct.

I haven't researched it but it's like someone edited together part of a Disney film and part of an adult epic. Perhaps I'm wrong but in a weird way, it's the plant that feels most fairy tale like to me. The elf just kind of gives me the creeps.. I presume he ends up OK though? I can't remember.

Let me go find a link for you, so you can read the proper tale... HERE.

Anyway, I can see why such a tale inspired illustrators though I don't think I've seen an image of the girl holding her lover's head quite like this before. Thanks Veronica! There's a lot of interesting stuff about this tale that it's definitely worth remembering for.

Veronica Dye Johnson is a working and published illustrator who specializes in narrative images that showcase the human figure. You can find Veronica's website HERE, see more about her process of creating the illustration HERE and follow her and her work on Twitter HERE.

Family Theater: "The Brothers Grimm & A Showgirl" & "Cinderella Italiano"

Despite the implication in the name, The Brothers Grimm & A Showgirl is a family theater production and has a short run starting TONIGHT. Pantochino Productions Inc ("ridiculously entertaining") is an award winning professional non-profit family theater productions company specializing in family friendly musical theater with a large dollop of fun.

From the New Haven Register:

The show features spoofs and goofs of favorite fairy tales such as Snow White, Little Red Riding Hood, Rapunzel and Sleeping Beauty. In the play, the Brothers Grimm arrive to perform their stories and are taken by surprise when a sequined and feathered Showgirl appears and helps tell the tales in her own special way.

More information can be found on the Facebook page HERE and at the Pantochino theater company website HERE. You can see some photos via BroadwayWorld HERE.

The company is also staging an intriguing production titled Cinderella Italiano. Cinderella Italiano begins on April 24th, 2015.
                   

UK Trailer for "The Tale of Princess Kaguya" (Coming to UK Theaters in English & Japanese March 20)

What lucky folks our British friends are! The Tale of the Princess Kaguya is coming to theaters on March 20, 2015, and can be seen with either the English dubbing OR in the original Japanese! #slightlyenviousoverhere

The trailer is the first proper English trailer I've seen and is wonderful, and a very different presentation from what we've seen to date. (I don't understand why this didn't get advertised like this in the US - it would have drawn a huge audience.) If you were on the fence about seeing it before this will likely to change your mind to a "yes - gotta see that!".

For the rest of us, we'll have to be content to watch on DVD and Blu-ray, though we still won't have the original Japanese language, with English subtitles option. (Why?)

I'm hoping to have a "home viewing" of the movie myself (finally!) this weekend. And if I do, I will review...

In the meantime, enjoy - and be inspired:

"Frozen 2" Officially in Development

Fan made banner

So: Tumblr exploded today (Thursday, March 12) because this was announced at D23:

Today at The Walt Disney Company’s annual meeting at the Palace of Fine Arts in San Francisco, California, Chairman and CEO Robert A. Iger told shareholders and D23 Members in attendance ...that Frozen 2 is officially in development at Walt Disney Animation Studios.

The Oscar®-winning team behind Frozen—directors Chris Buck and Jennifer Lee and producer Peter Del Vecho—are returning for the new film. “We enjoyed making Frozen Fever so much and being back in that world with those characters,” said John Lasseter. “Jennifer Lee and Chris Buck have come up with a great idea for a sequel and you will be hearing a lot more about it, and we’re taking you back to Arendelle. We are so excited about that.”

As are many, many (maaaany) Tumblr users but there's also a lot of worry too.

And with regard to fairy tales, well, Frozen is barely connected to a fairy tale to start, Frozen Fever, from all reports has nothing that puts it on par with the movie even in terms of theme (it's goes for the Olaf and the cute, but otherwise...) and Frozen 2 will... very unlikely be a fairy tale either.

But it will be sold to the public as one, and likely have more magic and more Elsa. Would it be too much to ask that at least some regional folklore from Scandinavia and the Sami people (aka Laplanders) get woven in?

And in the meantime, what's happening with Giants - our Disney-fied modern Jack and the Beanstalk story that's supposed to be in production currently? I see it was moved to 2018 at the end of last year but other than that, I haven't heard a peep about it for months and months.

Not an official logo

And Moana, a "mythic musical adventure set in Polynesia", which is supposed to be released in 2016, has barely had any press either, apart from this announcement back in November:

The film will tell the story of MOANA, a teenage girl and “born navigator” who “sets sail in search of a fabled island,” according to a summary from Disney. “During her incredible journey, she teams up with her hero, the legendary demi-god Maui, to traverse the open ocean on an action-packed voyage, encountering enormous sea creatures, breathtaking underworlds and ancient folklore,” Disney reveals.

I wouldn't be surprised if Giants gets bumped (again) and Frozen 2 is put on the fast track because, ya know...

In Memorium: Miyoko Matsutani - Thank You For All The Tales

On February 28th, 2015, one of Japan's leading folktale scholars, collectors and writers, passed away. We lost a fairy tale hero that day  - a woman who made it her mission to preserve the folktales of Japan before they were lost to memory - and whether you know her name or not, we fairy tale folk have benefitted greatly from her life's work. I feel it's only right that I pay tribute to her memory and help her name be remembered.

She began writing fairy tales after graduating high school and wrote over 300 books (picture books, children's and juvenile literature) and was the first Japanese author to make the Hans Christian Andersen honor list (Award of Excellence) for Taro the Dragon Boy and won numerous awards before and since. A committed peace activist, her original works often used themes of war and peace.

She was also the head of, what I've seen described as "a folklore laboratory" which, although is probably only due to a weird translation, sounds awesome. (The real name of the organization is The Miyoko Matsutani Folklore Research Center.) Matsutani herself traveled all over Japan collecting folktales from ancient storytellers, as well as being a storyteller herself - something which, she seems to have done right up till she passed away. She has been instrumental in reviving the fading practice and art of storytelling in Japan, which diminished greatly when the Industrial Age began. Due to her traveling, storytelling, publishing and working with community centers, women's groups, schools and more, the practice is coming back, and although she alone can't take credit for it, she has been one of the key instruments in making that happen.

Her work hasn't been restricted to Japanese fairy tales and folktales either. She worked with Asian tales in general (in addition to her Japanese focus), publishing retellings of Chinese tales and fables as well as Korean, Vietnamese, Philippine, Indonesian and World Folklore collections. (Busy lady!)

Cover by Piotr Fąfrowicz

Here's a little summary extract on her scholarship contribution, from Books of Japan:

As head of the Miyoko Matsutani Folklore Research Center she collects and retells folktales from throughout Japan, and her Gendai minwa ko (Thoughts on Modern Folklore; 12 volumes) has earned praise for its compilation of folklore from the Meiji period (1868–1912) on. She is one of the true giants of contemporary children's literature in Japan, and her complete works have been published twice.

One thing I noticed in trying to search for her books, is that many of her picture books ended up being translated to Russian but are unfortunately difficult to find in English (apart from Taro the Dragon Boy).  You can however, see a whole lot of her Japanese covers HERE. It also seems like tracking down her multi-volume works and her collections of ghost stories and folktales isn't very straight forward either - something I hope will be remedied in the near future, especially since her passing has made it clear how valuable her work was.

There is a new book of hers due to be released in April, titled Shinano of Folklore (honestly - I haven't a clue how to read Japanese so I'm completely at the mercy of an online translator here. I'm not certain this title is correct..) Here's the synopsis, which sounds like a wonderful edition to looking at modern use of folklore and fairy tales in modern Japan and I'm not even going to try moving words around so it makes more sense to our English sentence construction. It has a wonderful charm reading it as is:

Japanese mind hometown revives now of the response with former TBS TV anime "Manga Japan Folk Tales" Mirai Inc. version proven caused a "folklore boom" and "Japanese folklore" series to many years of requests, outfit new We will. Illustrations are intact, the Kuminaoshi the print. "Shinano of folklore" is located in the knot of east and west, folklore that has been handed down among the natural Shinshu which is said to be Japan's roof. Crystal of wisdom, desire ancestors gave birth natural and human battle. 

A knot of East and West. I like that. We're all knots really...

I've done my best to track down the titles of the twelve volume series Thoughts on Modern Folklore (or Modern Folklore Considered) and have listed what I could find/understand below, along with most of the cover pictures. It will give you an idea of how wide her range of study and thinking was, which is pretty wonderful, especially when you realize in order to do this she was tracking the same thing we are here: fairy tale news and use of fairy tales in pop culture and entertainment.







1 Kappa Tengu - God hidden
2 Military conscription inspection and recruits of time
3 Laughter of ghost train, ship and automobile and ghost stories
4 Dream of news fireball missing out soul
5 Story went to news - underworld
6 Home front, thought suppression, air raid, Battle of Okinawa
7 Schools, laughter and ghost stories
8 Laughter of radio, television and ghost stories
9 Echo snake, tree spirits, war and wood
10 Wolf jackals, cats
11 Raccoon mujina
12 Photos of Kai civilization

Here's link to the WHOLE SET.

Here are some other folktale books:

                            

                         Modern Folklore:
                        You Narrator, I Also Narrator

Folklore of the World

Japanese Mythology

Just a few of her "Momo-chan" (peach-chan) books, so beloved by Japanese parents and children. They were based off of her motherhood diary she began keeping when she had her first child.

These don't even begin to cover her books for children and teens with series such as "Story Gems", "Once Upon A Time", a "Thriller Restaurant" series for teens, illustrated folklore collections for children and babies (yes, babies), a huge Japanese folklore series and many, many more. Have a look HERE to see a massive range of titles at Amazon Japan.

Rest in peace Miyoko Matsutani.

Thank you for all the tales.

Additional sources: HERE & HERE