Art: Edmund Dulac's Fairy Book: Fairy Tales of the Allied Nations - the color plates

The Story of the Bird Feng - A Chinese Fairy Tale

I do love the subtitle of this book, "Fairy Tales of the Allied Nations". I also love that this collection is varied and contains a lot of lesser known tales, even, it would seem, for the time (1916).

The Fire Bird - A Russian Fairy Tale

The Fire Bird (second plate - see above plate for link to tale)

Urashima Taro - A Japanese Fairy Tale

The Green Serpent - A French Fairy Tale

The Friar and the Boy - An English Fairy Tale

The Blue Bird - A French Fairy Tale

The Hind of the Wood - A French Fairy Tale

These are just the full page color plates for the titles but they're worthy of showcasing on their own. If you don't know the tales, I've provided links below each so you can go catch up on some lovely reading.

Ivan and the Chestnut Horse - A Russian Fairy Tale

Seven Conquerers of the Queen of the Mississippi - A Belgian Fairy Tale

The Serpent Prince - An Italian Fairy Tale

Bashtchelik (Or, Real Steel) - A Serbian Fairy Tale

Bashtchelik (Or, Real Steel) - A Serbian Fairy Tale (second color plate - tale link on plate above)

One fairy tale in this book I can't find a color plate for is: The Queen of the Many Colored Bedchamber (an Irish Fairy Tale) and I haven't been able to find any other illustrations by anyone else for this tale either, but I'll keep looking.

Enjoy!

White Caroline and Black Caroline - A Flemish Fairy Tale

The Buried Moon - An English Fairy Tale

Snegorotchka - A Russian Fairy Tale

Today Will Require Some Flying Monkeys...

Flying Monkey of Oz by Jim Pearson

.. and I can't wait!

Today is all about last-minute scrambling for my little monkey's son's first school play, The Wizard of Oz. (In case you hadn't guessed my monkey will be of the flying variety*.)

While flying monkeys are already very cool to him (and were his first choice among the roles), his favorite part is where he gleefully gets to tell the Wicked Witch of the West: "You no longer have any power over us! Goodbye!" and flaps away with a big monkey-grin.

I loved that, in showing him Labyrinth this past weekend, he noticed that Sarah said almost exactly the same thing to Jared, the Goblin King in the end. It's a different sort of dragon to defeat but it's an important one.

Your regularly scheduled daily news will be returning shortly, I promise.

Some of the flying monkeys of Burlington, Vermont**

By the way, looking for an alternate way to introduce kids to the Oz stories apart from the MGM movie and avoiding the largely creepy original illustrations that accompany classic copies of Baum's books? I recommend the Eisner Award winning, Eric Shanower and Skottie Young graphic novels. They follow the original book plots (giving the flying monkeys many more things to do, which my little guy couldn't be happier about) with the first volume being the first, best known, story of Dorothy's visit to Oz, finishing (after a few more detours than the popular movie provides) with her making it home to Auntie Em (no dream required).

The illustrations are charming and adorable yet easily lend themselves to dark subjects as the story requires as well.

Although the Oz books aren't really fairy tales (or 'a fairy tale'), the works are often called "the first American fairy tale", and since Baum himself quoted Grimm and Andersen as inspiration and was, in fact, creating his own version of a literary fairy tale (as extended as it was over many volumes), it seems appropriate that it be included in discussions on fairy tales in general, especially since, the more time goes on, the more the tropes and motifs of the books have taken root alongside traditional fairy tale ones in the American social consciousness (and beyond) until many don't see them as separate any more. 

Note: If this is-it-or-isn't-it-a-fairy-tale territory is new for you, there are many discussions available online on the subject but suffice it to say, as far as this blog goes, while we will mention and refer to Oz from time to time, we still consider it a fantasy that uses fairy tale inspiration and motifs, rather than, by actual definition, 'a fairy tale'. That society at large lumps it into the same category is also something we acknowledge, including the way fairy tales are socially perceived today, especially in the US, so we feel it is important to consider the Oz-influence in general. 

I do find it funny that Baum specifically wrote the Oz books to be a fairy tale without the grim of the Grimm's, yet when MGM made the movie they put the scary back, front and center, with the Wicked Witch of the West.

Here's Baum on fairy tales and on his Oz books:

FOLK lore, legends, myths and fairy tales have followed childhood through the ages, for every healthy youngster has a wholesome and instinctive love for stories fantastic, marvelous and manifestly unreal. The winged fairies of Grimm and Andersen have brought more happiness to childish hearts than all other human creations. 

Yet the old-time fairy tale, having served for generations, may now be classed as "historical" in the children's library; for the time has come for a series of newer "wonder tales" in which the stereotyped genie, dwarf and fairy are eliminated, together with all the horrible and blood-curdling incident devised by their authors to point a fearsome moral to each tale. Modern education includes morality; therefore the modern child seeks only entertainment in its wonder-tales and gladly dispenses with all disagreeable incident.   

Having this thought in mind, the story of "The Wonderful Wizard of Oz" was written solely to pleasure children of to-day. It aspires to being a modernized fairy tale, in which the wonderment and joy are retained and the heart-aches and nightmares are left out.  

Chicago, April, 1900 L. Frank Baum

*Keep your fingers crossed that I won't need to make a last minute costume for his second, understudy role as a tornado. Exactly how do you dress a tornado anyway?
** Burlington, Vermont is on my "must visit" list just because of these monkeys.

Ask Baba Yaga: How Can I Tell the Difference Between Prestige and Personal Satisfaction?

Cover of  Russian Fairy Tales (minus text) by Marie Avril

When you are boosted by a sense of achievement, how do you know if what you feel has anything to do with your true happiness? Where is the right conjunction of happiness and success for you? I vaguely recall someone telling me that's part of what you're supposed to figure out during your lifetime, but I wasn't satisfied with that then and even less so now. Baba Yaga puts all that aside and hones in on the Real...

This week's question and answer (via poet and oracle Taisia Kitaiskaia* of The Hairpin):

(Originally posted at The Hairpin HERE)

"..find & name yr hungriest wolves..." "..keep them all strong, not starving.."  

Oh dear. Well that explains a lot. *checks bite marks all over* 

I believe I have some wolves to go feed ASAP. (Now where did I put that wolf food? O.o )

What do you think of Baba Yaga's advice?

Want to ask Baba Yaga a question of your own?

You can!

There's now an email address where you can send your questions

directly to Baba Yaga herself.

AskBabaYaga AT gmail DOT com

To encourage Baba Yaga to continue imparting her no-bones-about-it wisdom (ok, there may be some gristle in there... bones too), I suggest we not to leave her box empty... 

Thank you Baba Yaga (& Taisia).

* Taisia Kitaiskaia is a poet, writer, and Michener Center for Writers fellow. Born in Russia and raised in America, she's had her poems and translations published in Narrative Magazine, Poetry International, and others.

Your Fairy Tale News Hound Is Now A Card Carrying Founding Member of the AFTS!

It's official!

It has been a week teetering on insanity (exactly how many days can one go without sleep?) but I've nearly made it to the end and will be able to bring you daily news again shortly... (after I catch 40 winks!)

Very quickly, an exciting bit of my news that arrived by mail box this week: I am now, officially, a card-carrying founding member of the AFTS (Australian Fairy Tale Society)! *does backflip* *imagines she's doing a backflip while pouring a celebratory glass of wine*

Australia is rich with many (many!) authors who work with fairy tales, fairy tale artists and filmmakers and those using innovative approaches to fairy tale scholarship. You might be surprised how many names you already know, but didn't realize hark from Oz! (I'm aiming to highlight some of these people around the time of the inaugural conference taking place on June 9th.)

The AFTS is brand new and needs support to help get things running, with the intent that their work will not only benefit Australians working in fairy tales, but will also be of use to scholars, students, artists and enthusiasts all over the world.

To this end, AFTS has a crowd-funding campaign with the option to become a founding member at the same time as well (no Australian citizenship required).They (we!) are now a little over half-way funded in the modest goal of $2000. If regular Once Upon A Blog readers donated just the minimum, we'd easily meet the goal and fill the kitty!

Please consider donating to help this important - and much needed - society, start it's daunting work in earnest. Every little bit helps.

Here is a little summary of the AFTS' objectives:

The objectives of the Australian Fairy Tale Society as set out in our extremely new constitution are:  

To investigate, appreciate and perform fairy tales within the Australian context through: 

• Collecting original Australian fairy tales, fairy tale adaptations, interpretations, and criticism, through research within existing collections and in the field. 

• Organising and cataloguing this fairy tale collection meaningfully for maximum accessibility by Australian and international researchers, folklorists, educators and creatives. 

• Analysing this fairy tale collection according to evolving manifestations of Australian cultural identity  

• Communicating this investigation through: interpersonal discussions (conferences and small groups); the publication of written articles; digital resources (websites, social media, teleconferencing)  

• Building a community of interest across Australia, (academics, folklorists, performers) in national and local groups, which can communicate with like-minded communities internationally.  

• Promoting Australian fairy tale retellings in all forms 

• Encouraging the creation of new fairy tale works (literary, visual, musical and performative). 

• Analysing this fairy tale collection according to evolving manifestations of Australian cultural identity  

• Communicating this investigation through: interpersonal discussions (conferences and small groups); the publication of written articles; digital resources (websites, social media, teleconferencing)  

• Building a community of interest across Australia, (academics, folklorists, performers) in national and local groups, which can communicate with like-minded communities internationally.  

• Promoting Australian fairy tale retellings in all forms 

• Encouraging the creation of new fairy tale works (literary, visual, musical and performative).

The status of the crowd-funding campaign on May 22, 2014

A Great Suggestion For the OUAT Writers (AKA The Call To Use Different Fairy Tale Characters From 'Round the World)

With the season end reveal of Elsa coming to Storybrooke for Season 4 of Once Upon A Time, speculation is rife with regard to story lines, additional Frozen world character additions, plot twists and, as you can imagine, concerns about changing an already much-beloved character. Clearly, from the brief finale teaser, Elsa will be fair skinned (ie caucasian) but there are a lot of people, many already concerned with Disney's lack of POC representation, that see the same in OUAT, and that the addition of Elsa just exacerbates that.

   

(I'll get to why I am posting images of all these cultural variants of Cinderella in just a sec. Bare with me.) 

      

The "discussion" throughout social media has birthed a petition, calling for Tiana (from Disney's The Frog Princess) to be added to the cast and canon but not just as "fodder" like it seems most other POC characters have been used in OUAT.
   

The lack of POC people in the ABC show Once Upon a Time is rather depressing. They are either villains, dead or forgotten. The character Mulan has disappeared and Rapunzel, who was added to the royal line up, had one episode and she wasn’t even the focus. For three seasons, the fans have waited patiently for at least one POC who doesn’t get shafted. So to the writers and creators, would you please give us Tiana? All we are asking is for a POC character that gets to go on a journey and not be forgotten.  

The fact that the POC issue is coming up so regularly these days says a lot to me: not just about the lack of representation by arguably the most influential company using fairy tales in the world, but also that people are tired of the same regurgitation of stories. Red Riding Hood has been told multiple times the world over in a myriad of ways, yet Western retellings of Red Riding Hood tend to default to the girl in the red hood in the wood with a wolf.

        
Carissa Shuman, of The Celebrity Cafe, however, came up with a solution that I want to applaud, (despite the fact that it's highly unlikely this suggestion will be implemented):
           

Should Horowitz and Kitsis decide to include more POC, they could possible draw from fairy tales of other cultures which are sometimes stand-alone stories, and sometimes variations of their European counterparts. Their focus has been predominantly on Disney princesses, which does include Mulan and Tiana. However, they have also included or alluded to other popular stories such as Hansel and Gretel. If they were to refer to some other stories, they may want to use Leola from Melodye Benson Rosales’ Leola and the Honeybears, which is an African-American version of Goldilocks, who although not a princess is a well-known fairy tale character. 

                    

Another option could be to incorporate “relatives” of Red or Ella by using a variation of their story. For example, Lon Po Po is a Chinese version of Little Red Riding Hood written by Ed Young. There are also several versions of Cinderella. The idea of rags to riches is a common theme, and the Chinese have told it in Yeh-Shen by Ai-Ling Louie. Robert D. San Souci told it in his story entitled Cendrillon, a Caribbean Cinderella, and Rafe Martin told it in The Rough-Face Girl which stars a disfigured Algonquin girl.

  

The whole things about OUAT being basically a Disney property and using Disney versions of fairy tales makes sense, from a production point of view (and an intellectual property point of view). That excuse doesn't apply for when they go outside the canon though. For them to use, for example, Red Riding Hood and Hansel and Gretel, which Disney do not have popular versions of, says that they're willing to step outside the Disney canon if they think it's worth they're while (read, ratings).
             


With regard to the fact that Horowitz and Kitsis are extremely unlikely to consider using cultural variations of stories, what I would like to see is: They decide, yes, they'll bring Tiana on board and yes, they'll bow to popular demand and offer Oscar Winner Lupita Nyong'o the role. She says "yes, on one condition". They say "anything!" and she demands that they bring some fairy tales from her cultural background to the show...

I can dream.