Bourne's Gothic Beauty (Consider Me Bitten & Smitten!)

Note: I've been wanting to blog properly on Matthew Bourne's Sleeping Beauty: A Gothic Romance for months now, rather than just mention it on Facebook or in passing here, but have felt so overwhelmed by all I wanted to share and say I've never finished my various drafts. Yesterday, however, I finally got to see the show in person and if I don't - at the very least - tell you how truly wonderful this is, I'll never forgive myself! So here goes...

A very special event (for me) just happened this past weekend: I just took my son to his first ballet! And it couldn't have been better (OK, maybe just slightly - but I'll get to that in a bit). When I heard word of Matthew Bourne's Sleeping Beauty: A Gothic Romance and read a little on his approach to both story and staging, I knew, if I got the chance, I would do my best to go see it and take my family. It turned out to be a great idea. The production and performance all lived up to all the rave reviews I'd read and was worth every cent. There were even multiple homages to the original Sleeping Beauty ballet if you knew what to look for (which couldn't have made this balletomane happier).

The following trailer was created for the specially filmed cinema presentations in Australia this year (sadly, it appears New Directions couldn't make it Downunder on their tour during 2013). Have a peek at the gorgeous! (By the way, if this came to cinemas here, I'd TOTALLY buy tickets to see that too):

✒ ✒  ✒ (click the "Read more" link below this line for lots more magical pics & my review) ✒ ✒ ✒  ✒ 

"White Shoe" - A Ferragamo Fairy Tale

A lovely short film was made specially for a uniquely "fairy tale entwined" exhibit, built on the many stories, tales, legends - both fairy tale and real - of shoes. This particular film is based on the life, talent and work of one of Italy's most famous shoemakers, Salvatore Ferragamo (saying "cobblers" doesn't seem quite right!).

The exhibit is titled The Prodigious Shoemaker: Tales and Legends of Shoes and Shoemakers so the specific fairy tale quality of the film fits exceptionally well.

The film was designed to be viewed by visitors as they wander through the presentation in which art pieces and works in various media, blend together. They put history and fantasy side by side, with the express intent of showing one couldn't live without the other (as aspect I LOVE!). The stories range from tales - both true and fantastic - around Chinese foot binding, to Cinderella, to The Red Shoes and much, much more.

The official website for the exhibit is in Italian and to do too much to translate it in a hurry from the auto-translate seems to lose a little of the magic of the description, so I'm leaving most of the odd language intact for you to be enchanted by, just as I was on first reading it:

To show the tales, it would seem a contradiction in terms to show what was/is real physically and what is fantasy. Instead, the Salvatore Ferragamo Museum in Florence will show from April 19, 2013 to 31 March 2014 that you can also watch the legends and not just listen to them. It will be through the world of the fairy tale, filling the spacious rooms of the Palazzo Ferroni with "The Prodigious Shoemaker," which will open in Florence on April 18. It's a magical time for fairy tales. At the movies Tim Burton brings his "Alice in Wonderland" and other filmmakers have updated certain icons of childhood, from Little Red Riding Hood to the Beauty and the Beast, to two recent versions of Snow White. And this month are leaving "the great and powerful Oz" and "Jack and the Beanstalk" while in the near future are provided "Hansel and Gretel" and a "Maleficent" starring Angelina Jolie, taken from "The Sleeping Beauty". In short, what was a wealth of children today it is also great, so need to dream.

"The Prodigious Shoemaker - Tales and Legends of shoes and shoemakers," curated by Stefania Ricci, Sergio and Luca Recovered Scarlini hath been given the task to fly the minds of visitors through the history of the shoe, a theme that has always fascinated writers of fairy tales. Wearing shoes was a sign of wealth and power but the shoe is also a job, that of shoemaker and cobbler, antique flavor of passion and sacrifice and so hungry. It 's the story of Salvatore Ferragamo, who has taught so much. 

Many authors and artists from different disciplines who have joined the show, creating works by helping interventions. Experts in children's fiction, as Faeti Antonio and Michele Rak, film scholars like Alexander Bernardi, writers and poets such as Hamid Ziarati, Michele Mari, Elisa Biagini for this project have written new tales supported by illustrators like Francesca and Michela Petoletti Ghermandi.The great composer Luis Bacalov wrote a new musical score as an overture to the show, while young photographers Simona Ghizzoni and Lorenzo Cicconi Massi, along with expert Henry Coppitz, have the photographer Salvatore Ferragamo shoes make them fabulous. And then the work of Annette Lemieux Messenger was approached by the myth of Mercury, that of Carol Rama to the hard version of Cinderella, that of Daniel Spoerri at Tom Thumb. An entire section of the exhibition is dedicated to the sculptures and drawings by Mimmo Paladino: For this occasion the artist field has collaborated on an original animation with the writer ecomico Alexander Berger, author of a visionary tale. And many others.

I hope to be able to write more about the exhibit soon, because the details of various pieces in particular are amazing, but for now, I'll just include this excerpt of the official introductory blurb from The Salvatore Ferragamo Museum, that's hosting and housing the exhibition:

...fairy tales are invading our imagination. As if now, more than ever, there was the need to address through the paths mysterious fantasy and dream solutions, the answers to that set of moral questions, doubts  and hardships that afflict our times. It is in times of crisis that presents a more urgent need to fantasize with imagination and overcome obstacles and fears. It is a universal need as this  is primal instinct. That's why fairy tales are considered inexhaustible reservoir of our archetypes,  of our primitive experiences.

Without further ado, for your viewing pleasure, White Shoe:

The Prodigious Shoemaker: Tales and Legends of Shoes and Shoemakers (in which White Shoe is shown in various backdrops as part of the multi-media presentation), is currently showing in Florence, Italy at The Salvatore Ferragamo Museum until March 31st, 2014.

Alice In Wonderland 2 Gets 2016 Release Date

Alice In Wonderland 2 is definitely going ahead and both Johnny Depp (as the Mad Hatter) and Mia Wasikowska (as Alice) are on board. As rumors suggested, Tim Burton will NOT be helming it. That task will now be on The Muppets director's plate, James Bobin.

The release date, announced Friday, is now set for May 27, 2016 (Memorial Day weekend in the US) and will likely be just as CG-tastic as the last one was, but hopefully that's a good thing. No word on if the title will get a tag line of Through the Looking Glass or similar yet but I'd be surprised if they didn't add something to indicate the storyline won't be completely continuous from the first movie. Unless it is. Which would mean a whole new and different Alice adventure, which, (IMHO) is shaky ground with the first movie's reception - and continuing reviews - being quite varied, despite it's apparent "runaway success" (monetarily speaking).

I guess we shall see, though we probably won't hear any more about it until the second half of next year now. So many ways this could go, and I'm probably not as curious as I could be, although Bobin being a co-creator of Flight of the Conchords has me admittedly hoping for unexpectedly good things...

Source: Collider & The Hollywood Reporter

TOMORROW NIGHT ONLY: Select US Theaters - The Royal Opera House Ballet Series: "Alice's Adventures in Wonderland"

I just caught wind of this and am still trying to catch up to exactly what it is. Basically, it's an acclaimed and extravagant production of Alice in Wonderland by The Royal Ballet company (Margot Fonteyn's old company) and it will be playing on "the Big Screen" - ie. as a movie - in select theaters throughout the US as a one-time only special event November 19, 2013 (which is tomorrow night!).

 

Here's a preview (you can see why they'd want to make the most of this production!):

So I can get the news out faster, in case you have some free time tomorrow night, I'm pasting in the press release from the official site:

Date: Tuesday, November 19 

Time: 7:00 PM local time 

Run Time: 3 hours 10 minutes (approximate) (includes two – 20 minute intermissions) 

            

Ticketing: Tickets are available by clicking on the orange “Buy Tickets” button. If online ticketing is not available for your location, you can purchase your tickets by visiting the box office at your local participating cinema. 

Special Fathom Features:  Behind the scenes look at the Royal Opera House and Royal Ballet and exclusive cast interviews. 

                         

Random aside: how much do I adore this balletic flamingo?? (Answer: lots)

NCM Fathom Events, Arts Alliance Media and the Royal Opera House invite you to experience a classic tale of magic and wonder when Alice’s Adventure in Wonderland comes to the big screen in a special one night event onTuesday, November 19 at 7:00pm (local time) in select 
cinemas nationwide. 

                                

Christopher Wheeldon’s Alice’s Adventures in Wonderland arrived on the stage in 2011 with a burst of colour, theatrical magic and inventive choreography. It was The Royal Ballet’s first full-length work since 1995 and was instantly acclaimed as a classic. Joby Talbot’s score combines sweeping melodies, which gesture to ballet scores of the 19th century, with contemporary effects. Bob Crowley’s wildly imaginative sets and costumes draw on puppetry, projections and masks to bring Wonderland to life. 

Alice encounters a cast of extraordinary characters down the rabbit hole: from the highly-strung Queen of Hearts, who performs a hilarious rendition of the famous Rose Adagio from The Sleeping Beauty; to dancing playing cards; a sinuous caterpillar and a tap-dancing Mad Hatter. There is a love narrative for Alice and the Knave of Hearts, and they dance a tender pas de deux at the close of Act II. But the ballet does not avoid the darker undercurrents of Lewis Carroll’s story – a nightmarish kitchen, an eerily disembodied Cheshire Cat and an unhinged tea party are all created in vivid detail.

How can you find out if it's in your theater? Actually the list if pretty good. If you live within driving distance of a decent sized US city, especially if you have an IMAX theater, there's a good chance you could see it (although it's not clear that it's playing in IMAX format - I'd be very surprised if it was!). It's even playing in my local theater and we often miss out being not exactly central LA. You can find a list by state HERE.

There will be two intermissions (just like in the very old days of watching movies!) and audiences are encouraged to tweet comments (on Twitter) before, during the breaks and after the show using the hashtag #ROHalice.

Here's the 3 Act Synopsis:

I wish I'd heard about this before as my Tuesday night is already chock-a-block ... 

*balletomane sob* 

... but the fact that it's playing as a movie likely means a DVD will be available... 

Oh, and there it is! :)

Extended "Princess Kaguya" Trailer (Best Animated Short of the Year..?)

It's not eligible, of course, despite being around 6 minutes long, but it still may be the most beautifully told animated short story you will see this year. The trailer is truly beautiful and the inspiration of ancient Japanese illustration is clear in every scene.

The lovely thing is, even though it's not as 'slick' (read, completely fluid) as the hand drawn animation we've gotten used to, nor has the flashy effects that are now standard of CG production, people everywhere are LOVING this! Almost every report, article, blog post I've read since we first saw footage remarks on how beautiful it is and how refreshing - "like a story scroll brought to life".

Possibly the most telling thing is that you don't need any translation or narration for the visuals, despite it being created in a foreign language (at least, for most of the readers here). The art here speaks loud and clear of its story and that's very much resonating with everyone who has seen this.

The film, (The Tale of Princess Kaguya-hime no Monogatari) adapts the Japanese story The Tale of the Bamboo Cutter, in which an aged and childless bamboo cutter slices open a glowing bamboo stalk to find a tiny child inside. He and his wife raise the girl, Kaguya, who grows into a delicately beautiful woman. The cutter also finds himself rich as his work, impossibly, yields gold from bamboo. The strange truth of her existence is revealed, as hopeful suitors arrive to ask for Kaguya’s hand in marriage. (Slashfilm)

With this very extended trailer we get to see much more of the gorgeous animation (the baby stuff is so nicely handled!) and the subtle human touches (like where her hair falls out of her bun as she's putting it together feeling 'of the moment' rather than a practiced gesture) that help make the story feel very relatable and human.

Sit back and enjoy - no Japanese required and there are no subtitles in the way either:

Ah... :) So lovely, yes?

While a bittersweet ending, typical of the story, is likely under Takahata it will still feel like a fairy tale and will be beautiful. I'll be very interested to hear the Japanese response once it's released since this story is truly precious to them (and Ghibli is taking somewhat of a risk in making it as a result).

There are no release dates set outside Japan as of yet, but the Japanese theatrical release is next Saturday, November 23rd.

Sanderson's "Dancing Princesses" Find A Forever Home at the Norman Rockwell Museum (+ an "Art of" Book In the Works)

Have you ever wanted to see Ruth Sanderson's original oil paintings? Particularly the The Twelve Dancing Princesses? Well, very soon, you can. All you will need to do is find a way to visit the Normal Rockwell Museum, which is now the new, permanent home of the originals.

From MassLive:

Sanderson, known for illustrating many classic fairy tales as well as her own books, will have 64 pieces of art on display during the exhibition, "Dancing Princesses: The Fairy Tale Art of Ruth Sanderson," from Dec. 7 through March 9, 2014. 

“They were thrilled to be able to have that book in their archive,” said Sanderson, of "The Twelve Dancing Princesses" art work that was donated to the museum by Palmer-based Sanderson MacLeod, a company owned by Sanderson's brother. 

“Then they asked me if I’d like to expand the show to have art work from other books. They took art work (on loan) from four of my other fairy tales, and they hope to tour the exhibit around the country.” 

Sanderson’s art from “Cinderella,” “The Snow Princess,” “The Enchanted Wood,” and “The Golden Mare, the Firebird and the Magic Ring” will also be included, along with costumes that she had made specifically to include in her illustrations for “The Twelve Dancing Princesses.” Art from one of Sanderson’s currently in-progress books will also be on display. 

Sanderson’s latest book, called “Golden Dreams: the Art of Ruth Sanderson” is a 224-page, full color art book on Sanderson’s career. 

Sanderson said she hopes fans of picture books enjoy the experience of seeing the art work in person. 

“The detail, texture and luminosity in oil paintings can never be exactly reproduced in printed books, so seeing the actual paintings is a more complete and personal experience of the art work,” Sanderson said. “It is my hope that families will enjoy the magical fairy tale worlds I have created.”

You can read the whole, much longer article on the exhibition, how Ms. Sanderson's works found their home at the Museum and more about her new book HERE.

And here's a bonus from Ms. Sanderson's website:

I am pleased to announce that you can now order a copy of my new 224-page art book, GOLDEN DREAMS, The Art of Ruth Sanderson in the SHOPS area of my website. We will begin shipping in early December. The book will feature hundreds of pictures from almost 40 years of illustration and fantasy art. And with every art book purchased in November, you will receive a FREE 8.5″ x 11″ print of The Snow Princess & The Polar Bear!

What a great opportunity. If you can, give yourself a special holiday present and go see the exhibit in person. I have a feeling it's an experience you will never forget.

Grandma, What a Big History You Have!

Oh I sincerely wish they'd had done a "mockumentary reveal" of Red's "genealogy" care of TLC's "Who Do You Think You Are?" That's how I would have chosen to announce Little Red Riding Hood's travels along the Silk Road and her connection to the Middle East.

But I'm getting ahead of myself.

This is the big fairy tale news of the season for folklorists and scholars (in particular): one anthropologist, Dr. Jamie Tehrani, has traced Red Riding Hood's lineage via unique means (especially with regard to fairy tales) and believes he's found her origin. He published his findings three days ago, on November 13, 2013 in PLOS ONE.

✒ ✒  ✒ (click the "Read more" link below this line to discover LRRH's ancient ancestor) ✒ ✒ ✒  ✒ 

Festival de Gavarnie's Monstrously Enchanting Production of "La Belle et La Bête" in the Pyrénées Mountains

This is from the middle of this year, but this Beauty and the Beast production in the mountains of France looks like it would have been amazing to see in person! I had to share it straight away, even though it's no longer running. Everything about this production appears exquisitely done; from the flyer to the costumes and masks, to the setting and the lighting... I only wish I could see it so I could enjoy the writing and performance (beyond the little in the video below) as well.

✒ ✒  ✒ (click the "Read more" link below this line for LOTS more photos & production info) ✒ ✒ ✒  ✒ 

You're NOT A Princess! (Mercy College Fights Princess Culture to Get Girls To Further Education)

It's gone viral and it's easy to see why. With Princess Culture pervading American society, in particular, these days, would you dare to tell a girl "You are NOT a princess?"

The campaign works well, by grabbing your attention this way, as in, "How dare they tell me/my girl that you are not/should not aspire to be a princess?!" Then it tells girls "you are more", "rescue yourself", among other strong girl messages. the "prepare for life tagline included on all the posters makes it clear the emphasis is on empowering rather than destroying dreams (because, if you're smart, you can have those too.)

It's being called a feminist campaign, although a more accurate term might be pro-girls-education campaign. Mind you, Mercy College is an all-girls college prep-school so it makes sense for them to focus on a female-centric message rather than just a pro-education, but it should also be noted that it's a Catholic school, so this is a pretty progressive stance.

Although we wish this was the norma and didn't need to say it at all, we still think Mercy College should get kudos for this gutsy move.

Here's a nice summary/commentary from Adweek:

A tiny, all-female Catholic college-prep academy in Kentucky has created a curious ad campaign, via agency Doe-Anderson, that flies in the face of all my assumptions regarding Catholic education. The deeply feminist campaign tells young women, "You're not a princess" and "Life's not a fairytale," and advises them: "Don't wait for a prince." The tagline is: "Prepare for real life." 

Let me explain why this is so cool. Is this a new message? No, it's many decades old. Is it a common message? Sadly, also no. This type of talk is not only still new to a lot of people, it's particularly timely as the Disney-princess empire continues to expand by dainty leaps and fierce bounds. What's most remarkable is that a Catholic preparatory school is taking a view of women's education that doesn't end in a prince. Lord have mercy, but Mercy Academy has a progressive view on women's role in the world.

What was your first reaction? And what was your second?

Perhaps I should point out the fine print below which reads:

You're not a princess.

BUT YOU CAN STILL RULE THE WORLD.

Where's the "love" button?

Wooden Boy Teaches Us About Sex Ed (Yes, They Went There. It's Actually A Good Thing.)

Note: I have so many stories to get through today and it's already late, so please excuse me not going as much in depth into the stories as usual!

An new PSA about sexual health and awareness of non-symptomatic STDs, stars our favorite not-so-little-anymore wooden boy, Pinocchio. I particularly like the twist that he doesn't know he's lying.

From mediabistro:

...the spot is a reminder to girls everywhere that the dude you meet out at the club might have AIDS or Herpes or something but might not know it. Wrap that rascal, as the kids say. Rubber up! 

All the bawdy puns work to the campaign's advantage here because once you see this  - and your mind fills with all the worst "woody" jokes you've ever heard - it's going to be difficult to forget. That's a good thing. And that's the whole point.

The PSA is actually French, with the English version shown below, but don't worry. There's nothing here a kid hasn't seen before and it's technically safe for work but sexual situations are implied (obviously).

Take a look (and show your teen):

After so much time dancing around adults-only Pinocchio jokes whenever his character enters a storyline, it's great to see them being put to good use.

If you'd like to find out more about the approach to the PSA, as well as the wooden boy effects, you can see a good half-English/half French "making of" video HERE.

Be safe!