Theater: "The King Stag" (A New Production with Puppets from the Creators of "War Horse")

There's a new production of The King Stag being staged by the University Theater of West Michigan (WMU) and this one has been created under the mentoring of some world class puppeteers (rehearsal photos  - as well as those figuring out the puppet designs - are shown throughout the post).

This is an 18th century Italian Shakespearean-esque fairy tale of love and sorcery being retold with very playful sense of humor in a Commedia dell-Arte** play (albeit with some key differences due to the large scale, multiple-performer controlled puppets). It has "entrapped wizards, talking birds, enchanted busts and magical spells that cause the souls of the characters to switch bodies"*- all while the audience watches with comedic delight.

The classic comedy by Carlo Gozzi is having a revival, of sorts, in theatrical circles in the past few years (very possibly being helped along by the rise in popularity of deer people - and people enchanted as deer - tales from the Celtic to the Native American) and usually, the young man, enchanted in the form of a stag, among the other animal-like characters of the court, is played by humans.  This production is handling the story a little differently:

King Stag is a magically funny fable in which men transform into creatures and creatures transform into men. Through a sophisticated blend of live actors and puppets created and directed by guest artists from the Puppet Kitchen in NYC and Handspring (creators of War Horse) in South Africa,King Stag will challenge the boundaries of imagination and contemporary creativity. Lose yourself in a world of powerful magicians, heart-sick lovers, whimsical servants, and a giant bear—all in pursuit of true love.

The play is intended for people of all ages (barring the very young - the suggested age is 10 and above), and promises to be a lot of fun, especially with the likes of Handspring involved!

Here are one of the University's promotional videos, showing behind-the-scenes of the puppet-building and their performance challenges as a result.

Here's a blurb about the play by Carlo Gozzi from an earlier production. The University Theater production follows the same story, of course. They just tell it a bit differently.

Carlo Gozzi's magical tale brings to life King Deramo, the faithful Angela who loves him, his treacherous prime minister Tartaglia, several hare-brained members of his court, a magician, a parrot, magical stags, and a giant bear.It's a fairy tale for all ages, a story of love and betrayal, intrigue and mirth, magic spells and pageantry.It is a fantastical and at times satirical look at the destructive vices of ambition, jealousy, and lust, and the power of true love to transform and transcend them all.And like all good fairy tales, "The King Stag" is not only about enchantment. It's also enchanting.

If you love Commedia Dell-Arte, this is one play you will want to keep your eye out for. Every production I've seen mentioned dives deeply into the Italian street theater tradition and really, just looks like a lot of fun. You can see some performance photos by The Curtain Theater in California HERE. They have one stag puppet and make wonderful use of masks and stage their play as if it were being performed in an Italian street.

There's also a completely different and modern take on The King Stag, though still using Commedia Dell'Arte, by the Shanghai Academy HERE, and it should be mentioned that Julie Taymor also designed a production of The King Stag early in her theater career as well. You can see some photos from that HERE.

The performance premiered yesterday on April 3rd (Thursday) and will run through the 13th. You can find more details on times and about tickets HERE.

*Quote about the play elements from a different production HERE.

** Commedia Dell’Arte is a Rennaisance Italian Street Theater Form which is known for broad comic situations featuring stock characters (many of which are recognizable today), physical comedy, improvisation and clowning.

Re-imagining Snow White's Dwarfs

The "real" seven (hobbit-like) dwarfs by Jordy Lakiere

It almost goes without saying that Disney made a lot of changes when he retold the Grimm's Little Snow White as 'Snow White and the Seven Dwarfs". One of the biggest changes, however, was in how he characterized the dwarfs.

Ironically, it was the fact that there were dwarfs in the tale to start with that essentially clinched the idea as it being a great story to go with for his big undertaking of creating the first full length color animated feature film (though he was clearly very impressed by seeing a 1916 version of Snow White that stayed with him for many years).

 Disney ultimately chose the fairytale of Snow White for his first animated feature because he recognized that the dwarfs would make great cartoon characters and that the forest setting would be a natural opportunity to animate a variety of "appealing little birds and animals." He also had vivid memories of the 1916 live-action silent version of "Snow White," one of the first movies he ever saw. (Source)

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Wolf Women, Deer Girls & Other Animal Spirits Brought to... Hair

What if Goldilocks and the bears weren't as far apart as we first thought?

Being that Rapunzel is so the 'fairy tale girl of the moment' I thought it'd be interesting to look up some art people have made with hair. I found one stunning picture of an 'animal hair hat' that instantly brought to mind tales and legends of women in animal form: fox women (some of my favorite dangerous fairy tale creatures), deer girls, were women of all types, shapeshifters and other 'Beastly Brides'.
It also provoked other questions like the one I wrote above: we know about shapeshifting in tales, they're prolific and we have many wonderful resources available discussing shapeshifting tales, BUT what if the traditional fairy tales (and legends) with animals and people interacting were also viewed through a shapeshifting lens? (A reminder that the new Datlow & Windling anthology The Beastly Bride: Tales of the Animal People was released just a few months ago*. The Fairy Tale Cupboard has a lovely post HERE.)

I did a little investigating to find a) the 'hair hat' was created by well known Japanese artist (and Art Director) Nagi Noda and b) she'd actually created fifteen of them. Sadly, she died in 2008 from surgical complications (initial injuries were from a traffic accident the previous year) at the age of 35 but she left behind a very interesting body of work.
From the archives at CMYKaboom:

Let me tell you a little bit about Nagi Noda. Nagi is a Japanese designer, and dominating nominee for "Person I Would Most Care to be When I Grow Up." An art director who became known for her cutting-edge work in print design, Noda was soon drafted by the big boys, specifically, Nike and the famed Laforet. More recently, Noda has moved into video, where she has proceeded to sweep awards with her music videos and commercials.

Nagi Noda's work is simply stunning: based deeply in surrealism, she makes whimsical works that are as beautiful as they are mind-bending; whether it's costume bags or poodle aerobics or carnivorous flower bunnies. She is also so prolific with these new ideas it is liable to make ones head spin. (FTNH Please note: I had some difficulty with the links but am keeping them in the quote in case they work for you.)

While fashion shoots often get flack for 'artistically bared skin' this is one of those cases in which it makes sense (though it's rarely more than a bared shoulder or two in this case). I also like that some of the models' features match/blend subtly with their animals - beauty in all forms.

The official Nagi Noda website is HERE and you can see some more of her work HERE (and make sure to scroll down to the underground house and the animal shadows).

One more for fun (also a Nagi Noda creation):I like this one for its storytelling. Are we surpressing our inner natures too much? Or is it just as well we try to keep a grip on our wild sides? This is one of the conundrums fairy tales do a great job of exploring and a reason I adore shapeshifter tales.

*You can read the preface to The Beastly Bride anthology HERE.

Sources for images at CMYKaboom and HERE and HERE and HERE and HERE. Gorilla hands also found HERE (link also shows a couple of other wild hair sculptures)