Showing posts with label TV series. Show all posts
Showing posts with label TV series. Show all posts

Thursday, July 27, 2017

OUAT Season 7 trailer & a Variety of Sneak Peeks from SDCC

San Diego Comic Con is now over and lots of news for upcoming TV series and movies was, as always, released to the delight of fans. OUAT was no exception and SDCC saw the official release of the trailer for this newly-re-vamped version of OUAT, as well as giving folks a sneak peek (first few minutes it looks like) of the first episode.


Official season 7 trailer:

 Sneak peek from the beginning of the first episode of season 7, titled 'Hyperion Heights':
If you'd like to know more there are videos on YouTube of the various OUAT panels in which both the creators and the cast for season 7 were interviewed and presenting, so you can find out more details that way if you're keen.

In the meantime, what's important for fairy tale folk to know is this: you may have noticed (or been made aware by the difficult-to-avoid news of it online), that Season 7 has a new and different Cinderella, but you may not know what that really means. Creators Horowitz and Kitsis are quick to point out this doesn't overwrite the original Cinderella of OUAT. (They say she's happily living in Storybrooke holding her very successful Mommy & Me classes). 
A grown-up Henry (season 7 new main character) meets a different Cinderella
What they're underlining is that Henry has discovered that there are different versions of the same tale in 'many different universes' (read, cultures), so a POC Cinderella isn't a rewrite, but an expansion, (though she does seem stuck with the European trappings of the white Cinderella). But it's still a good addition - POC have been underrepresented in the classic canon of tales. (OUAT's black Rapunzel was a wonderful standout and we wish we'd seen more of her.) Essentially we have a 'multiverse of fairy tales' now. 

We like this premise - of learning of variations on the well known tales. How much of the associated cultural diversity (apart from POC casting) makes it into the show is yet to be seen of course, but it's a move in the right direction at least. There will also be an effort to increase the diversity of LGBT characters this season; something which they began with some well known tale characters but it seems the emphasis will be closer to the show's core this time. (You can read more about the plans HERE.)
Some of the new regulars in OUAT's season 7 (Drizella, Alice, Tiana & Lady Tremaine)
Fans are reacting in polar opposites for the most part. While about half are just very sad most of the pillars of OUAT will no longer be seen regularly (most of the actors have contracts for limited appearances - usually one episode), some are also not happy that the emphasis is on 'a new Cinderella'. The other half have not only embraced the POC inclusion but are hoping to see that 'variations on the tales in different universes' expansion, explore diversity, so are optimistic.

It's certainly different from what we were expecting for the 'revisioning' of OUAT, but it's a welcome one, with a lot of possibilities. Although the tone will clearly be different, there will also be many callbacks to the first era of OUAT and it looks like the mythology of the show will stay intact too, so that should please fans who plan to continue watching. Either way, we can expect more fairy tale character mix-ups and revisionings in the usual OUAT style so likely we will be posting on the series for a while to come.
Season 7 begins this Fall, October 6, 2017...

By the way: the new title poster revealed at SDCC (and shown at the head of the post) holds some Easter eggs (hidden images) which some smart folks noticed and have shared. Most aren't spoilery but in case you don't want to know the sort of stories that are coming, we recommend you stop reading.

Now.

You sure you want to see?

OK - here they are:
pumpkin
magic flower
glass slipper
white rabbit
cat
frog

Friday, May 19, 2017

'The Dark Crystal' Is Coming to Netflix. As A NEW Series

And it will have puppets and everything! We will admit, we are excited about this. We adore the film but it's pretty slow in places, and there's a lot of potential - and history - the film didn't explore that we'd love to see expanded on. In fact, this series will be a prequel, taking place in that world decades before it reached the crisis in which Gelflings Jen and Kira (and Fizzgig! And the Landstriders!), took #alltherisks and rescued everyone.

From the Henson Company Press Release:
HOLLYWOOD, CA (May 18, 2017) - A beloved classic from the 80s marks its return as Netflix, the world’s leading internet entertainment network, will bring The Jim Henson Company’s The Dark Crystal: Age of Resistance  exclusively to members around the world. The 10-episode fantasy adventure series is a prequel to the groundbreaking 1982 fan favorite The Dark Crystal, and takes place many years before the events of the film. The series will be shot in the U.K., and will star an ensemble of fantastical, state-of-the-art creatures created by Jim Henson’s Creature Shop™ and Brian Froud, the original feature’s conceptual designer. 
The Dark Crystal: Age of Resistance returns to the world of Thra with an all new adventure. When three Gelfling discover the horrifying secret behind the Skeksis’ power, they set out on an epic journey to ignite the fires of rebellion and save their world. 
Feature film director Louis Leterrier (Now You See MeThe Incredible Hulk) will executive produce the series and direct. The Dark Crystal: Age of Resistance will be a Netflix original series produced by The Jim Henson Company and executive produced by Letterier, Lisa Henson and Halle Stanford. Longtime Henson collaborator Rita Peruggi will serve as producer and Henson’s Blanca Lista will serve as a co-executive producer. Leading the writing are co-executive producers Jeffrey Addiss and Will Matthews (Life in a Year), and Javier Grillo-Marxuach (LostThe 100). 
The Dark Crystal: Age of Resistance will combine the art of puppetry perfected by The Jim Henson Company, with Louis’ vision, powerful storytelling and a mix of cutting-edge digital imagery and visual effects,” said Cindy Holland, Vice President of Original Content at Netflix. “I can’t wait for families around the world to see how we bring these unique characters to life.” 
 
“Louis Leterrier is passionate about the world of The Dark Crystal and has an incredible creative vision for the series. He brings this passion to every facet of the production as he leads the talented team of artists and writers that are bringing this entire universe to life,” said Lisa Henson, CEO of The Jim Henson Company. "Netflix has a deep respect for my father's original work and the many people it inspired. They are the perfect partners to create this next epic chapter in The Dark Crystal story for new fans and the loyal fans who have waited so long for more adventures from this world."
Brand new 'state-of-the-art' creatures! *swoon* (Perhaps we're super excited because our newsroom is filled with all kinds of creatures - from fairy tale ones, and Henson creations to yo-kai, but these pop-culture touchstones are major tools for us when we teach art and fairy tales at schools and other kid-centric places, and have guaranteed kids love and remember what we're working with them on in following years - so YES PLEASE! Plus, yeah, they're usually pretty flippin' cute - see below for a selection of 'teaching tools'.)
Aside: anyone notice that 'Age of Resistance' subtitle in there? We have a feeling that is pretty purposeful, and we're looking forward to seeing how that develops. In fact, we're going to tag this with our #RRR hashtag, just because we have a feeling...

Here's the promotional teaser trailer, which doesn't really show anything new, but will get folks excited about the concept anyway - unless it doesn't. We're sure some folks aren't going to be thrilled about the idea. At least it won't be a retread of classic footage but more of an exploration of the world which fascinated so many of us as children.
And we're really excited to see all the folklore world-building that will come out of this! Folklore takes center stage in the film, with knowledge and exploration of those tales being the key to knowing what to do.

PS Anyone noticing we're kinda going back to the that 80's/early 90's era of musicals and fantasy films and series? Anyone also noticing we're rehashing similar issues to those of that time period, societally speaking? Yeah.

Saturday, May 13, 2017

ABCs 'Once Upon A Time' Renewed But Without Most of Its Star-Regulars (+ a Limited Retrospective)


Once again, Once Upon A Time is going for an official "reset," heading into its just renewed seventh season. Unlike (yet) another curse, everyone ending up in opposite land, everyone losing their memory again or some other variation on how it all began, the big difference this time around will be that only three of the main series stars will remain.

Those are Regina, Rumpelstiltskin and Captain Hook.

Those who are won't be returning are:


            (details/statements of their exits at the links)

Here is the creator's official statement on each of the (secondary) actors, their characters and their exiting the show (Jennifer Morrison's exit was dealt with separately):
Words can’t do justice to what Ginny, Josh, Emilie, Rebecca and Jared brought to ONCE UPON A TIME… but we’ll try… never have we had the privilege of working with a more talented group of collaborators. Each brought unique talent, incredible intelligence, and their own individual bit of magic as they gave life to these iconic characters. 
Ginny reinvented Snow White for a modern audience – there was no way she would be stuck cleaning up after dwarfs, she created an iconic empowered heroine for the 21st century. 
Josh mined the depths of Prince Charming – a character who in myth was just a “type” but in his superlative interpretation became a complex man fighting for love and family. 
Emilie took the character of Belle to a deep and soulful place, bringing great intelligence and warmth to the character, making her fiercely independent, strong willed but also an eternal optimist who saw only the best in all those she encountered. 
Rebecca took us on a broomstick roller coaster ride as she re-invented the Wicked Witch of the West by finding the pain beneath the green. She made the character soar to incredible heights while always keeping her grounded and relatable. 
And Jared literally grew up before the eyes of millions, from a child actor with enormous innate talent to a young man whose abilities continue to astound as he created a character who truly, as we say on the show, has the heart of the truest believer.

We can’t thank them enough for the hard work, dedication, and passion they delivered day in and day out. Without them there would be no ONCE UPON A TIME. 
As ONCE continues, this group will always be the beating heart of the show. And even though we won’t be with them every week, in a show about magic and hope, we fervently believe it won’t be the last we see of them.
Jennifer Morrison has agreed for a single episode appearance to help transition out her character, who has been the lead of the show since the beginning.

A new character/actor expected to draw new viewers and keep old ones, is The Walking Dead‘s Andrew J. West, who will be appearing in the two hour season finale this Sunday.
Joining West is Jane the Virgin’s Alison Fernandez, who has been cast as “a precocious 10-year-old with a constant twinkle of mischief in her eye…[who] comes from a broken home, [with] struggles that have only made her stronger — something which will come in handy when darkness threatens everything she holds dear.” (TVLine)
As to what is meant by a "reset", or more specifically "springboard the narrative in a new direction", it has seemed very undecided right up till today's announcement (at the time of writing the post), with the President letting it slip that creators Kitsis and Horowitz were 'still finalizing their pitch'. Whatever the case, it's not even clear if the fairy tale aspect will remain intact, or if it will be in the same universe and belong to the same 'show mythology' as the rest of OUAT.
Kitsis & Horowitz: "We are going to complete some stories this year. There’s one chapter to this book that Henry has, so maybe it’s time for us to get to the end of that chapter. But that doesn’t mean there isn’t a second book and a second chapter, just like in everyone’s life.” (TVSeriesFinale) 
(ABCs Entertainment President) Dungey declined to comment whether that “next piece” would be a different incarnation of Once, a spinoff or a something else. But it’s clear that the series, which has reinvented itself a number of times, may be heading for its biggest reinvention yet as the show’s main storyline comes to an end this season. “There will be a little bit of closure in this particular narrative regardless of what happens with Season 7.” (Deadline)
With Kitsis and Horowitz, who previously created Lost, and are known for their looping and repetitive storylines (with variations), Once Upon A Time has already had more than its fair share of reboots, and the storylines for all the main characters have run a much longer course than they probably would have (should have?) on any other show, so the big fear is that a) season seven won't be anything like OUAT at all or b) that it will be the agonizing death of OUAT, as opposed to going out strongly with this last musical, wedding and two part final battle.

The bright spot for fairy tale folk is that is will still have the title Once Upon A Time - a phrase that is difficult NOT to associate with fairy tales, so some aspect of that is very likely to remain part of the new format and direction.

Although we have been critical of Once Upon A Time over its course, we do want to acknowledge just what a fantastic and creative job they've done in persisting on rewriting familiar stories and fairy tale narratives, and archetypes, in different lights. Not only that, the tally of characters introduced is HUGE (one day we will have to list them) and the series regulars, whose stories continue through multiple arcs and variations, number quite a large ensemble - not an easy feat to combine while keeping the 'mythology' intact. These characters have not only explored their traditional stories (usually Disney-based) but had them twisted, re-visioned from different points of view, often in combination with other fairy tale characters, which sheds a different light on them again, and sometimes they've explored other fairy tale plots as part of their own journey as well. Some of these have worked better than others, as is the case with any show with a huge variety of characters and storylines, but it's also been extremely creative and woken up a lot of people to the possibilities of fairy tales, including how their own lives can be reflected in them. As much as it's been difficult - as serious fairy tale students and enthusiasts - to watch from time to time, things will be very different without a series that regularly brings adults fairy tale characters regularly to the screen.

Here we should note the Once Upon A Time In Wonderland spin-off as well. Though not as successful as expected, we believe people will look back and realize there are many gems to be mined from that adventure as well. There has also been a foray into 'The Land of Untold Stories' as a main arc - again, something that felt a little awkward at the time, but looking back will prove an interesting study.



         
The show looked at storytelling, often literally, with an 'author' and a magic pen changing the tales and people's lives in the process, and the mysterious book of fairy tales first given by Snow White to Henry is an anchor and pivot point for many plots of the series. It went to the 'real' world (of New York) and back again, visited the Underworld, and other dimensions in addition to Wonderland, such as Oz, Agrabah, Neverland - even the ins and outs of Fairyland (which are different to the Enchanted Forest) - and many others, connecting them all in bizarre and creative ways. So often the show was meta, both in terms of the tales and characters used, as well as its 'parent' (Disney), but also with regard to writing and retelling tales. The production images created with liberal use of fantasy settings, elaborate costumes, use of magic items in the storylines, archetypes and CG have inspired thousands of people to create their own narratives and 'image stories' and will forever remain a part of fairy tales to come. That aspect is possibly one of the most successful outcomes of the show - it encourages and inspires people to create their own stories. One day there will be a lot to sit down, look at, and, yes, study.

Just take a look at the variety of characters and worlds OUAT has explored, just by way of the variety of promotional posters we've included here (there are many more as well). These only highlight the largest arcs and it's still an impressive array.

   
                

           


          
The oddest thing is that it's been another year since Kitsis and Horowitz let it slip that they were "running out of fairy tales heroes and villains to work with", (their words) which explains the dive into mythology and legends, as well as classic literature these past couple of years. We do find it odd that they seem to think there's no fairy tales left to work with though! There are literally thousands to choose from and out of those many (many!) that enjoy popularity in society beyond Disney - that is, they're familiar stories the show could tap into. (Hey OUAT folks - we know a bunch of people who can help with that!) 

What that means for a reboot and a 'change in narrative direction', is... not something that inspires confidence in continuing, or in a spin-off, but we do know that OUAT has charmed enough folks, even if they're not tuning in faithfully with each new episode, to be more than a little curious to see what happens next. Season six promises to wrap up the storylines playing out since the beginning and to bring 'satisfying closure' for fans in the two hour finale for which the musical/wedding episode last week was the prelude. Will hanging in there to bring the show back for another season pay off though? We'll just have to wait and see.

They do tend to say that "all reboots come with a price".
As per the show's main theme, however, we choose HOPE.
Don't forget: the two-hour season finale - which the creators have promised will wrap all the main storylines of the whole series to-date, is TOMORROW:
Sunday, May 14th 8pm ABC
(7pm Central), 2017