Showing posts with label Maid Without Hands. Show all posts
Showing posts with label Maid Without Hands. Show all posts

Monday, October 3, 2016

"Rejected Princesses" Book Coming October 25th

Well-behaved women seldom make history.  
Rejected Princesses celebrates those who did.  
Part art project, part standup routine, part book report, this site imagines what if we made animated musicals about the women of history and myth who refused to behave. Rejected Princesses is not for kids. Unless your kid is awesome.
Jason Porath, a one-time special effects animator for Dreamworks Animation, has been working on this unique project for quite some time now. He's been assembling a collection of stories for strong women of history who, although deserving of recognition, will never (likely) receive the title of "princess". He also created illustrations for each character are created in a style reminiscent of popular animation, just to underline the fact that these are alternate role models (of sorts) that won't ever have a family animated movie made about them.

Asked in an interview how Porath got the idea for the project, this was his answer:
The origin of this came from a lunchtime conversation at my old workplace. There was an article going around about how the Frozen princesses weren’t good role models, and I asked, “well, we can SURELY do worse than them — who is the least likely candidate for an animated princess you can think of?” I asked it on my Facebook shortly thereafter, and got around 150 replies from my friends. I hastily sketched a couple as jokes — Elizabeth Bathory, an early version of Lolita, and weirdly enough, Charybdis — but kept in my head that I wanted to do more full-fledged pieces when I got the time. 

In quick order, as suggestions flooded in, it grew from being a list of hysterically poor fits (like Lolita and Beloved) to being fascinating women from history and mythology. I am a huge lover of the obscure, rare, and weird – I’m also a feminist, so the two interests collide with this series. Lastly, I’m a total information junkie, one of those people who gets lost in Wikipedia very easily. This is a rabbit hole I’ve tumbled down and have yet to see the bottom.
And now his wonderful collection of passed-over women of history will be in a book. You may wonder where the word "rejected" came in, though. Who's rejecting these women?!

From Porath's website:
Did they actually get rejected? Did you pitch these ideas? 
Nope, but I think we can assume that nobody’s going to want to do kids’ movies about a lot of these people. They’re either way too awesome, way too awful, or way too weird. For a much longer explanation of why “Rejected,” here is a more in-depth explanation.
We recommend reading the more in-depth explanation, linked above. It explains the context, how these princesses are different and the very difficult circumstances that make creating more diverse "princess" movies a huge challenge. Importantly, it also explains how Porath is not against animation studios or playing a blame game. Instead, he's taken the opportunity in being his own boss to spend time producing something both important to him, as well as something that would have very little chance of seeing a box office, due to the aforementioned studio realities.

You will find uncompromising language and less then family-friendly situations discussed among these stories but don't let that deter you. Porath has good reason and has even set up and area on his website to encourage lesson plans for children that take what he is presenting and make it more G-rated for education.


This project is entirely about not bowdlerizing powerful and difficult stories. I absolutely refuse to tone these stories down, or to write in a voice that is not my own.
But I could 
use your work for teaching, if you just didn’t cuss. 
I understand that, but I strongly feel the original, base version of these entries should remain uncensored. That said, in the future I would like to make a version that is more all-ages friendly for just such a purpose – however, I’m not able to give it much attention at present. If you have such an inclination, however, feel free to clean up any of my work, send it to me, and I’ll post it online for all to use.
You may have realized at this point that fairy tales aren't going to be the priority here, but that doesn't mean that they, and myths, legends and wonder tales, aren't related. In fact, every image shown in this post shows a  woman connected to a folktale, fairy tale, myth or legend of some kind - and this isn't the whole collection of women that are (we didn't have room!).

Beyond that, historically based magic and wonder tales make good fodder for new fairy tales. It's something to think about - and be empowered by.

To finish up, here is just one of the complete stories for the "rejected princess" shown below, giving you a fair idea of how the stories are written and presented, not to mention how fascinating they are, as well as portals to a very different - and educational - rabbit hole.

We applaud Jason Porath for encouraging us to fall down it.

Iara - Brazil's Lady of the Lake


Maybe you’re familiar with mermaids as lovesick sea dwellers who just can’t get enough of hunky air-breathers. Maybe you have even read the unsanitized versions of said stories that, say, feature the besotted protagonist essentially stabbing herself repeatedly so the handsome prince will like her. (spoiler: does not work, do not emulate)
Well, the story of the Brazilian mermaid Iara is nothing like that.Iara was the pride of her Amazon-dwelling tribe. The daughter of the group’s spiritual leader, Iara grew to be the best warrior of them all — courageous, kind, strong, and (as I’m finding every single story ever written about women feels inclined to mention) beautiful. In short: she was hot shit, and everyone liked her.Everyone, that is, save her two brothers, whom she overshadowed by virtue of being far more awesome. Upset by this, they decided to solve their problem with mankind’s traditional go-to solution: murder. The only catch was, they knew they couldn’t take her, even two-on-one. So they waited until she was asleep, reasoning that two alert soldiers would be stronger than one unconscious one.They were incorrect. As soon as they got near her, she jolted awake and killed them both in self defense. Hell, she might have still been half-asleep.Afterwards, her father, unaware that his sons had tried to kill her first, and apparently deaf to her cries of “they started it,” led the rest of the tribe on a hunt for her. Although she eluded them for quite some time, eventually they caught up to her and tossed her into a nearby river, where she drowned. Bummer.But even underwater (and dead), she was still making friends! The fish there thought she was pretty cool, so they transformed her into a half-fish, half-human person — the first of an entire branch of river-dwelling mermaids called Iara. When men chanced upon Iara, usually in the afternoon, they would be so overcome by her beauty (or singing voice) that even if they somehow managed to escape, they would literally go insane. What happens if they didn’t escape changes from telling to telling. In some versions, the Iara would drown, and even eat them. In others, they would join her little aquatic harem, and she’d treat them pretty well! Life could suck more.The legends are unclear about what happens if a woman chances upon Iara. Presumably, a curt head nod.

Saturday, September 17, 2016

Theater: "The Handless Maiden" by Art House Productions


"Follow me down to the old stone mill, where the river has forgotten how to run..."

'THE HANDLESS MAIDEN'
A dark, immersive fairy tale


Looks like immersive theater is the new trend!

This new theatrical version of Grimm's The Handless Maiden takes the audience throughout a theater which is, we assume, filled with the sets you can see in this post. The stage is set in Jersey City, NJ and it is recommended that this production is not for children under 13. The environment may be too creepy for sensitive or young children, violence is implied (per the title and tale source) and there is one non-graphic sexual situation.

Here's the press release:
The spooky stage is set for Art House Productions' immersive, Brothers Grimm-inspired play.  
"The Handless Maiden" is the non-profit's main stage production. The 50 minute play takes a feminist twist on the the German fairy tale. In the original production, a young maiden flees into the woods after an evil force descends on her village.  
Playgoers will follow the seven-person cast throughout the theater while the production is underway. 
Art House posted a mini-interview about the show's inspiration and experience on their Facebook page, which I have re-posted below:
Art House had a conversation with one of our show's creators, Shayfer James, to talk about the upcoming production of THE HANDLESS MAIDEN: 
- What is the inspiration behind this play?
Director Mason Beggs and I have wanted to create something together from the ground up since meeting last year. We are both fascinated with Grimm's fairy tales and Mason suggested we start there. Our desire was to retell an old story in our shared creative language through original music and movement without using any dialogue. One of the most exciting things for me is that the piece was literally created from root to leaf in only two months. I'm a big advocate for capturing art spontaneously and from the gut. With a creative team like the one involved in this, that process has been fun, seamless, and incredibly rewarding. I must mention also that the lighting design by Lance Michel and set design by Andrea McKenna are absolutely stunning.
 
- Why "The Handless Maiden"?
The fairy tale on which the piece is based, "The Maiden Without Hands" is rather obscure, which offered us a lot of freedom to re-imagine the story. It is important to us that the main female character has a strong arc that isn't dependent on "damsel in distress" nonsense. This story in particular gave us the opportunity to make that happen. Not to get too serious here, but for me "happily ever after" is a phrase that has done more damage than good through the ages, especially in regard to gender roles. It's also one of the darker tales. It really digs into horror a bit, which I love.
 
- What can one expect from this "immersive" experience? What does that mean?
You can expect to be absorbed into a beautifully twisted world and become part of the story as it unfolds. It's a world of magic and horror, and beauty.

Shows are scheduled for Thursdays, Fridays, and Saturdays, today (September 15th) through Sept. 24, at 8 p.m. An afternoon showing will be on Sunday, Sept. 18 at 4 p.m.
Tickets can be purchased in advance for $18 on Art House's website or at the door for $20.  

Friday, February 13, 2015

Handless Maiden Fairy Tale Weekend Workshop (Sydney, Australia)

Swahili version of the Handless Maiden by Megan KearneyThe One-Handed Girl from the Lilac Fairy Book (text HERE)
(She's currently illustrating a comic/sequential retelling of Beauty & the Beast)

From Belinda Calderone of the Monash Fairy Tale Salon and the AFTS, news of a Fairy Tale Workshop on the theme of The Handless Maiden:

Highly recommended collection of retold fairy tales
(Goodreads link for more info)
The Grimms’ “Das Mädchen ohne Hände” (The Maiden Without Hands) is certainly one of the most disturbing and fascinating fairy tales.There are over a hundred variants, often known as “The Handless Maiden,” “Silver Hands” or “The Armless Maiden.” 
A whole weekend workshop focussing on this tale? Yes, please! 
This beautiful workshop is run by Heather Keens, an experienced individual and family therapist, and Joan Harcourt, an experienced body psychotherapist and group leader. Together they will help attendees explore this rich fairy tale from a Jungian psychological perspective. 
As Keens and Harcourt remind us, “The Handless Maiden is a story about individuation, about developing one’s inner strength, resilience and creativity. It is a story about losing your hands, living with silver hands and finding your hands.” 
The part I love the most is that these inspiring women take this tale of loss and healing, and make it personal to the attendees: “there will be an opportunity to explore your own journey to the conscious feminine and the inner positive masculine in a safe and contained setting. We work through discussion, metaphor and symbol, movement, dream work and art in this process.” 
Sounds incredible! 
This workshop will be of interest to health professionals, counsellors, expressive therapists, storytellers, writers or anyone engaged in their own psychological journey.
The workshop will take place from February 20 through to the 22nd, 2015.

Further details on the workshop times, location and fees can be found in the PDF flier, available to view HERE.

Thursday, January 14, 2010

Fairy Tale News New Year's Bumper Edition: Blog posts and/or articles discussing/using fairy tales

Rapunzel by Steering for North
  • Which fairy tale will spawn a new princess next? Article from the LA Weekly which discusses four fairy tales not yet touched by Disney and how they would be 'Disneyfied' (i.e. what the Disney version might end up like) if they were chosen for a new 'princess film'. Article could have used a spell check (or just a read through) for mistakes but otherwise is interesting and quite amusing. Fairy tales discussed are: The Rose Elf (Andersen), Godfather Death (Grimm), The Red Shoes (Andersen). The Maiden Without Hands (Grimm).
Godfather Death by Lefler & Urban
  • Hidden Personality - Bluebeard. One of many excellent student guest posts at the Diamonds & Toads blog (the post was an assignment). I particularly love this one on Bluebeard. Well researched with interesting thinking, clear writing and a great read. Perfect companion to the Bluebeard photoshoot I've also pointed you toward today under General Headlines.