Showing posts with label -Folktales-. Show all posts
Showing posts with label -Folktales-. Show all posts

Monday, October 3, 2016

"Rejected Princesses" Book Coming October 25th

Well-behaved women seldom make history.  
Rejected Princesses celebrates those who did.  
Part art project, part standup routine, part book report, this site imagines what if we made animated musicals about the women of history and myth who refused to behave. Rejected Princesses is not for kids. Unless your kid is awesome.
Jason Porath, a one-time special effects animator for Dreamworks Animation, has been working on this unique project for quite some time now. He's been assembling a collection of stories for strong women of history who, although deserving of recognition, will never (likely) receive the title of "princess". He also created illustrations for each character are created in a style reminiscent of popular animation, just to underline the fact that these are alternate role models (of sorts) that won't ever have a family animated movie made about them.

Asked in an interview how Porath got the idea for the project, this was his answer:
The origin of this came from a lunchtime conversation at my old workplace. There was an article going around about how the Frozen princesses weren’t good role models, and I asked, “well, we can SURELY do worse than them — who is the least likely candidate for an animated princess you can think of?” I asked it on my Facebook shortly thereafter, and got around 150 replies from my friends. I hastily sketched a couple as jokes — Elizabeth Bathory, an early version of Lolita, and weirdly enough, Charybdis — but kept in my head that I wanted to do more full-fledged pieces when I got the time. 

In quick order, as suggestions flooded in, it grew from being a list of hysterically poor fits (like Lolita and Beloved) to being fascinating women from history and mythology. I am a huge lover of the obscure, rare, and weird – I’m also a feminist, so the two interests collide with this series. Lastly, I’m a total information junkie, one of those people who gets lost in Wikipedia very easily. This is a rabbit hole I’ve tumbled down and have yet to see the bottom.
And now his wonderful collection of passed-over women of history will be in a book. You may wonder where the word "rejected" came in, though. Who's rejecting these women?!

From Porath's website:
Did they actually get rejected? Did you pitch these ideas? 
Nope, but I think we can assume that nobody’s going to want to do kids’ movies about a lot of these people. They’re either way too awesome, way too awful, or way too weird. For a much longer explanation of why “Rejected,” here is a more in-depth explanation.
We recommend reading the more in-depth explanation, linked above. It explains the context, how these princesses are different and the very difficult circumstances that make creating more diverse "princess" movies a huge challenge. Importantly, it also explains how Porath is not against animation studios or playing a blame game. Instead, he's taken the opportunity in being his own boss to spend time producing something both important to him, as well as something that would have very little chance of seeing a box office, due to the aforementioned studio realities.

You will find uncompromising language and less then family-friendly situations discussed among these stories but don't let that deter you. Porath has good reason and has even set up and area on his website to encourage lesson plans for children that take what he is presenting and make it more G-rated for education.


This project is entirely about not bowdlerizing powerful and difficult stories. I absolutely refuse to tone these stories down, or to write in a voice that is not my own.
But I could 
use your work for teaching, if you just didn’t cuss. 
I understand that, but I strongly feel the original, base version of these entries should remain uncensored. That said, in the future I would like to make a version that is more all-ages friendly for just such a purpose – however, I’m not able to give it much attention at present. If you have such an inclination, however, feel free to clean up any of my work, send it to me, and I’ll post it online for all to use.
You may have realized at this point that fairy tales aren't going to be the priority here, but that doesn't mean that they, and myths, legends and wonder tales, aren't related. In fact, every image shown in this post shows a  woman connected to a folktale, fairy tale, myth or legend of some kind - and this isn't the whole collection of women that are (we didn't have room!).

Beyond that, historically based magic and wonder tales make good fodder for new fairy tales. It's something to think about - and be empowered by.

To finish up, here is just one of the complete stories for the "rejected princess" shown below, giving you a fair idea of how the stories are written and presented, not to mention how fascinating they are, as well as portals to a very different - and educational - rabbit hole.

We applaud Jason Porath for encouraging us to fall down it.

Iara - Brazil's Lady of the Lake


Maybe you’re familiar with mermaids as lovesick sea dwellers who just can’t get enough of hunky air-breathers. Maybe you have even read the unsanitized versions of said stories that, say, feature the besotted protagonist essentially stabbing herself repeatedly so the handsome prince will like her. (spoiler: does not work, do not emulate)
Well, the story of the Brazilian mermaid Iara is nothing like that.Iara was the pride of her Amazon-dwelling tribe. The daughter of the group’s spiritual leader, Iara grew to be the best warrior of them all — courageous, kind, strong, and (as I’m finding every single story ever written about women feels inclined to mention) beautiful. In short: she was hot shit, and everyone liked her.Everyone, that is, save her two brothers, whom she overshadowed by virtue of being far more awesome. Upset by this, they decided to solve their problem with mankind’s traditional go-to solution: murder. The only catch was, they knew they couldn’t take her, even two-on-one. So they waited until she was asleep, reasoning that two alert soldiers would be stronger than one unconscious one.They were incorrect. As soon as they got near her, she jolted awake and killed them both in self defense. Hell, she might have still been half-asleep.Afterwards, her father, unaware that his sons had tried to kill her first, and apparently deaf to her cries of “they started it,” led the rest of the tribe on a hunt for her. Although she eluded them for quite some time, eventually they caught up to her and tossed her into a nearby river, where she drowned. Bummer.But even underwater (and dead), she was still making friends! The fish there thought she was pretty cool, so they transformed her into a half-fish, half-human person — the first of an entire branch of river-dwelling mermaids called Iara. When men chanced upon Iara, usually in the afternoon, they would be so overcome by her beauty (or singing voice) that even if they somehow managed to escape, they would literally go insane. What happens if they didn’t escape changes from telling to telling. In some versions, the Iara would drown, and even eat them. In others, they would join her little aquatic harem, and she’d treat them pretty well! Life could suck more.The legends are unclear about what happens if a woman chances upon Iara. Presumably, a curt head nod.

Friday, February 27, 2015

Catching Grimm Shadows - The Art of Andrea Dezsö (Now Showing in NY)

Left: Fairy tale silhouettes created for the Complete First Edition translation, Right: Andrea Dezsö self portrait
For lucky New Yorkers (and those visiting before the end of March) there is a very special solo exhibition you need to put on your "must see" list, that just opened (February 21st, 2015) at the Nancy Margolis Gallery. Much of the art was created specifically for Grimm's fairy tales and the artist is Andrea Dezsö.
   
If you're not familiar with the name Andrea Dezsö it's probably not because you haven't seen her work. You have; especially if you're a regular reader of this blog. One of her most recent projects was completing twenty different illustrations for Jack Zipes new translation of the Grimm's First Edition (twenty-one, including the cover) and these special pieces are a large part of the gallery showing.
   
(Oh to see these in person!)

Her silhouettes communicate a raw folk-like quality like the unvarnished tales they accompany.

And Ms. Dezsö is not new to getting to the heart of a subject, nor to folktales and fairy tales either. Her self-portrait (see the head of the post) illustrates just how important a theme this is to the artist, showing the essence, the true tale, inside something, or someone. It should come as no surprise that she's often called on for editorial work as a result.
   
Although am award winning illustrator and known for her distinctive silhouette work (something I find truly interesting - showing the outline to show the inside..), it becomes quickly apparent this artist isn't limited to any one medium at all. While she does work with paper, she also uses etched glass, mosaics (small and wall+ sized!), paint, ceramics, puppets, animation, mixed media sculptures, giant public murals ad site-specific art, stainless steel sculptures... pretty much anything she seems to be able to get her hands on. 



I don't know if the term was coined before she made it popular but Dezsö is also known for her "tunnel books" and "tunnel installations". A recent and extremely popular exhibition had people walking inside of giant cut outs, lit in different sections, as if one were walking through a story. 

Often she returns to books and to tales and folktales, the theme often returning to looking at the inside and of seeing through layers. More recently, and included in the Nancy Margolis Gallery exhibition, is a new form of tunnel one, one in which she translated her tunnel book technique to glass! 

(Seriously: any one want to sponsor me a ticket to see this? Please?)
        

Of creating the Grimm tale illustrations Dezsö says:

"I wished to find the heart of each tale and express it visually. My aim was to create a feeling of atmosphere that could convey a strong sense of place and I wanted the drawings to look like made-up folk art, instead of simply relying on details from the region or period."
   
"I chose tales to illustrate that gave me immediate, strong mental images as I read them. The images that popped into my mind first are generally what I illustrated. Using silhouettes leaves room for the reader’s imagination; not everything is concrete, it’s more a conjured world of dreams, in the same way that the Grimms' tales invite in the reader."

Here is an excerpt from the gallery's press release for the show:
February 21 through March 28, 2015.
Inventive, brilliant, undaunted by complexity or scale mixed media artist Andrea Dezsö, masters a multitude of materials to execute numerous projects ranging from intimate graphite drawings, book illustrations, magnificent mosaics, paper tunnel books, large ink drawing, sandblasted glass, subway murals, colored marker on paper, a long list reflecting Dezsö’s exceptional capacity to take on any challenge regardless of medium.
       
Growing up in communist Romania, Dezsö found art and literature allowed an escape from the rigid limitations the regime imposed on the lives of people. Absorbed, introspective, Dezsö took control of her life by creating her own worlds filled with wishful flights to charmed lands of dark beauty, and haunting iconography. Dezsö’s art, boundless, unrestrained blends a personal vision, contemporary sensibility with a touch of darkness born of Romanian/ Hungarian expression.
      
In the current exhibition Dezsö brings together many creative moments, some familiar, others more recent. Utilizing the flat glass technique learned during a two week 2014 residency at Pilchuck Glass Dezsö succeeded in transposing the layering concept used in her popular paper tunnel books into multi layers of glass panels to form a tunnel book, ”Girl and Devil in Underwater Cave”, and four, one-of-a-kind single flat glass panels sandblasted with lively pictorial scenes.

While visiting Hawaii in 2014 Dezsö made a series of marker drawings and one long drawing 112” x 36.75” made with marker, latex paint, ink, and collage. An exciting addition to the upcoming exhibition are the illustrations Dezsö was commissioned to do for the Princeton University Press publication of The Original Folk and Fairy Tales of the Brothers Grimm: The Complete First Edition by Jacob & Wilhelm Grimm, Translated and edited by Jack Zipes.

It sounds amazing and hearing from people who have seen her work in person - it's rave reviews all round, something to be experienced that doesn't completely translate to a flat image on a computer screen. Hopefully one day I'll be lucky enough to get to see these in person.

These bowls - they're just wonderful!

I strongly recommend you peruse Ms. Dezsö's website. You'll see folktale references and fairy tale references throughout, including some originals of her own making. All are touching, some are raw, some are stunningly beautiful... and I envy the people who take the subway where those gorgeous stainless steel railings are installed and where her mosaics and other public art brighten up the tunnels! You can also keep up to date on the many exhibits and activities of this busy artist through her page on Facebook HERE.

For a quick overview I've started putting together a Pinterest page where you can see a variety of her work at a glance. I predict you will not be able to "just glance" though, but will go for a further journey to closer... she's good at helping us do that.


Fairy tale bonus of the day:
You may also recognize Ms. Dezsö's art from the book cover Lies, Knives, and Girls in Red Dresses by Ron Koertge that was published last year. Here's a promotional video that includes some of Ms. Dezsö's work from the darker side (don't watch right before bed!):
Writing in free verse honed to a wicked edge, the incomparable Ron Koertge brings dark and contemporary humor to twenty iconic fairy tales.

Sunday, February 9, 2014

The Sochi 2014 Winter Olympics Opening Folktales (Must See!)


I have less than 10 minutes to write this post so please forgive the intense brevity!
First a quote on the gorgeous patchwork quilt design created for the 2014 Sochi Winter Olympics:
In the concept design, every patch was infused with the history and personality of traditional crafts from each of Russia’s 89 regions: in a single tapestry we combined Uftyuzhskaya painting and Vologda lace, Gzhel and Zhostovo painting, Kubachi patterns and the flowers of Pavlo Posad shawls, Mezenskaya painting and Khokhloma, Yakutsk patterns, fabrics of Ivanovo and other distinctive Russian patterns. That is how we arrived at a modern, distinctive and unmistakeably Russian Look of the Games.”
(See HERE for more on the Sochi quilt designs, including examples of the folk art it drew on.)

Sochi Olympic Opening = folktales coming to life!

If you haven't seen it - go find and watch! Many allusions to folktales, traditions, beliefs displayed in art, dance, film and theater.

My favorites: the Tolstoy tribute and Tchaikovsky's 'Spinning Lake' (the former = dance-theater par excellence, & the latter = wondrous + incredible physical physical feat!).

Adored the amount of regular people involved in behind-the-scenes and in performing (over 2 000 regular every day people), as well as world renowned artists, proving that with hard work, good design and planned timing ordinary people can make real magic too.

The opening ceremony was breathtaking, often incredibly beautiful, classical yet contemporary, very innovative, overall wondrous and technically marvelous.

Seriously, the tech side was perfect, (minus one, unfortunately very visible glitch), the technology used was cutting edge but felt classical and beautiful, and the best of all the arts - music, design, theater, dance, puppetry, film, animation, ballet, opera & more - were represented with uniquely Russian flair and the physical feats some of the performers had to pull off (LIVE!) were astonishing, yet looked effortless.

Folktales were represented throughout in story moments, in film, in images and motifs, in song, in pattern and movement.

The design of the banners for the Olympics reminds us that wonder stories are a strong part of Russia's heritage and still part of Russia's cultural expression.

The word that keeps appearing in the media across the world the day after the Opening aired is "fairytale", and they don't mean the 'glitter and happy endings' types. They mean the timeless, beautiful, rooted and often raw stories that remind us of who we are and guide our path to the future.

Out of time! Posting some pics from the opening, despite the fact that they do not do the performance (even the imperfect & heavily edited TV broadcast) justice! Seeing it all move is... magic.

Wish I had time to put this together better for you but hopefully it will be a good reminder for those who saw it and a prompt for those who haven't yet.

Enjoy!