






I recommend checking out the rest of her Flickr photostream (there are quite a few pages) as well as the gallery on her website. The images there are wonderfully artistic and almost seem to hold stories in stasis.







I recommend checking out the rest of her Flickr photostream (there are quite a few pages) as well as the gallery on her website. The images there are wonderfully artistic and almost seem to hold stories in stasis.



The advertising agency is BBH Asia Pacific & the illustrator is Tye Sok Kuan (clicking on his name will take you to his blog to see a lot more of his work).
Cinderella wanders the corridors of a hospital with her IV drip. Her blue ball dress is all wrinkled. Visibly worn down by illness, she is pale and weak. She passes, one by one, Tom Thumb, moving along slowly with his walker, a sick elderly dwarf, an aging Peter Pan in his wheelchair, and Sleeping Beauty, still asleep. Suddenly, the continuous buzz of a heart monitor is heard, warning that a patient’s heart has stopped beating. Cinderella watches as medical staff rush toward Little Red Riding Hood’s room. Then a child is heard saying: “When we can’t read, the world of our imagination disappears. Give The Gift of Reading®.”
Another featurette for Disney's "The Princess and the Frog" came out yesterday.








You can read the rest of the informative article HERE.Now certainly it’s possible to “stretch” the film to make it widescreen and in fact there’s controls on TVs and DVD players to do just that. But even if done correctly, and often the resulting look is far from that, it does change the appearance of the film from what the creators as well as the director intended. So Disney decided to go the more intelligent and thoughtful route to not update the aspect ratio and instead do something much more time consuming and original. So the film continues to have its original sizing but the visuals “extend” out from both sides to create the widescreen aspect ratio. This “space” beyond the original borders now has original/custom artwork created by Disney artist Toby Bluth filling in the otherwise dark edges of the screen (for those interested there's information about Bluth on the disc). And so provide the home audience with a new view of the classic without mutilating it in the name of it becoming "modern". And since this imagery can be turned on/off at will, it’s the best kind of technology there is because it lets you choose to see it or not, rather than being forced on you.
I have yet to find any sneak-peek (leaks) of before-and-after artwork comparisons but if I find any I'll be sure to post them. In the meantime, I am going to price Blu-ray players while you watch the official trailer. Enjoy!

After a severe lighting strike destroyed the largest limb of a 500 year old Cedar tree, the owner was looking for an interesting way to fill the sizeable gap that remained. Our solution was to create a stunning and unique structure that could be used as a fantasy Treehouse for children, but which could also keep the adults thoroughly entertained.
Standing at the end of a long driveway on a grand Scottish estate in Fife, this imposing Treehouse stands at over 45 feet tall, with the large natural Cedar shingle roof blending in not only with it's surroundings, but also with the copper clad fairytale turrets.
Sunlight streams through the stained glass windows and doors - the top floor being a secluded space reached by a ladder making it an ideal place for an exciting sleepover.
Across a suspended bridge sits a large treedeck under the shelter of an attractive Copper beech.

From the History tab on their blog:Many famous people have built Treehouses; John Lennon had one overlooking Strawberry Fields Orphanage and Winston Churchill constructed a Treehouse twenty feet up a Lime Tree at his home.There are many more interesting tree house facts to read on the blog, showing just how fabulous an idea people, through many ages, have considered tree houses to be.
‘Treehouses seem to fascinate everyone, children think they’re a makebelieve land, men view them as adventurous and women as romantic.""Treasured Dreams" has just expanded, opening a Southern office in Birmingham and also into another niche market: making 'Escape Lodges' for hotels. While not as lofty, are treasured retreats now highly sought after by couples for a romantic getaway.
NOTE: Gordon Brown and his Treehouses are also on Twitter. You can read his updates and follow him here.
The Grand Ole Bestiary is a collection of faux-antique, anthropomorphic, mythological curios that were recovered from an ancient archival vault found buried deep inside the core of a metaphysical holy mountain.A brief description of the character/s is included (if such details were 'unearthed' along with the photographs discovered).
These are actual, bona-fide, photographs exposed with light on a digital enlarger and developed on archival quality, Kodak archival photographic paper.



You can see many more 'Manimal' characters here.This is a pretty fascinating exploration for anyone interested in fairy tales being interpreted in a visual medium. While academic in tone, it's still very readable and looks at everything from advertising and fashion to artistic renderings.In recent years contemporary artists have been appropriating and re-inventing traditional fairy tales. Subverting and interrogating received meanings, artists are challenging the traditional parameters of tales which convey ideas of gender role and racial identity. The fairy tale is being translated from literary text into visual culture. The artists recoding the tales address shifts in cultural attitude, engaging predominantly with issues of identity and discrimination. In this paper I examine the visual development of “Little Red Riding Hood,” investigating the manner in which the literary tale has been adopted by contemporary artists, how the visual responds to the textual, and cultural attitudes embedded in reiterations of the tale.
As the traditional fourth of July fireworks and festivities get into full swing I thought this Smokey Bear PSA was very timely as well as perfect for the blog.Walt Disney's motion picture, "Bambi" was produced in 1944 and Disney let the forest fire prevention campaign use his creation on a poster. The "Bambi" poster was a success and proved that using an animal as a fire prevention symbol would work. A fawn could not be used in subsequent campaigns because "Bambi" was on loan from Walt Disney studios for only one year; the Forest Service would need to find an animal that would belong to the Cooperative Forest Fire Prevention Campaign. It was finally decided that the Nation's number one firefighter should be a bear.
There's a new book out by renowned fairy tale and folklore scholar Maria Tatar.Highly illuminating for parents, vital for students and book lovers alike, Enchanted Hunters transforms our understanding of why children should read. Ever wondered why little children love listening to stories, why older ones get lost in certain books? In this enthralling work, Maria Tatar challenges many of our assumptions about childhood reading. Much as our culture pays lip service to the importance of literature, we rarely examine the creative and cognitive benefits of reading from infancy through adolescence. By exploring how beauty and horror operated in C.S. Lewis’s Chronicles of Narnia, Philip Pullman’s His Dark Materials, J.K. Rowling’s Harry Potter novels, and many other narratives, Tatar provides a delightful work for parents, teachers, and general readers, not just examining how and what children read but also showing through vivid examples how literature transports and transforms children with its intoxicating, captivating, and occasionally terrifying energy. In the tradition of Bruno Bettelheim’s landmark The Uses of Enchantment, Tatar’s book is not only a compelling journey into the world of childhood but a trip back for adult readers as well.
Maria Tatar recently (in the last few years) released her "The Annotated Classic Fairy Tales" (shown above) & "The Annotated Brothers Grimm" (shown below) which touch on some of the same issues, though in a very different way. Both volumes are beautifully presented with classic story texts, a gorgeous variety of fairy tale art and lots of fascinating annotations throughout. There's a lovely review of the "Annotated Classic Fairy Tales", from the Harvard University Gazette, here, which I completely agree with.
I've never regretted adding Ms. Tatar's books to my library. Although her academic prowess and respect in Harvard circles and beyond is formidable, her books are very lively, fascinating and accessible reads - not to mention a wonderful resource/reference to have handy.