Showing posts with label giants. Show all posts
Showing posts with label giants. Show all posts

Thursday, March 26, 2020

Review: Christian Bärmann’s “The Giant Ohl and Tiny Tim”

(Review written by Lily Stejskal)

Giants typically get a bad rap in fairy tales, so if that’s where you met all your giants, you might automatically assume they were all evil and hateful towards humans. Our folklore “giants”: Charles Perrault, Joseph Jacobs, and the Brothers Grimm, all seem to agree that giants are liminal—neither fully human nor fully beast. They universally portray the non-human parts of giants as evil or wrong, just because they’re different.

Translated and edited by Jack Zipes
I must admit I have never met a giant, but if they exist, I’m sure I’d be just as likely to meet a gentle giant, like Christian Bärmann’s Giant Ohl, as the vicious giants littering more famous fairy tales.

After reading The Giant Ohl and Tiny Tim, I’m honestly surprised that Ohl even had the courage to try living among humans. Humans like Jacobs’ “Molly Whuppie” and Perrault’s “Little Thumb” steal from the giants they encounter. Then, when the giants try to retrieve their stuff, they’re killed (just read “Jack and the Beanstalk”). Sometimes the humans even kill giants just for the heck of it, like in “Jack the Giant Killer”.

Even in one of the kinder tales about giants—Grimm’s “The Young Giant”—there’s the underlying message that humans and giants can’t mix. In this tale, a baby no bigger than a human thumb (much like Little Thumb), is nurtured by a giant. Male giants are apparently able to “suckle at their chest”, but this results in the boy growing so big that he eventually becomes a giant himself.

However, this giant clearly believes humans have no place among giants, because he gives the supersized boy back to his human parents. But the parents don’t want him back. This leads the boy to hurting and deceiving others. If either side had accepted him, perhaps he would have turned out alright. But in the Grimm’s world, it’s simply not possible for giants and humans to live together in harmony.


Gulliver Awed by Three Giant Beggars in the Land of Brobdingnag
by Paul Gavarni, 1862. Courtesy National Gallery of Art, Washington
With all that in mind, when our gentle Giant Ohl is told by a fortune teller that he’ll find happiness with humans, why does he believe them? The book doesn’t say. I can only give kudos to Ohl for being brave enough to seek out companionship among the creatures who have caused his kind such pain.

Ohl is lucky because the humans in this book don’t automatically label him as evil.  They’re afraid of him, and probably willing to kill him to protect themselves, but are also curious about him, which is why, intentionally or otherwise, they end up giving him a chance.
That’s progress as far as I’m concerned.

Ohl may not suckle any human children, but he certainly loves them and knows how to be kind to them. He carries them on his back as they take summer trips together. None of this would surprise a modern audience, but it may have surprised people at the time. Bärmann wrote in the years surrounding World War I, right after the Victorian era, when parenting was often done at a distance and playtime wasn’t a high priority in many households. In that way, perhaps The Giant Ohl was ahead of its time.

Any fairy tale scholars out there have ideas about why Bärmann had such love for giants? Information about him online has been tough to find. His Goodreads page says that he was a German painter who published most of his work in the early 1900s. At first, I thought it might stem from a general cultural shift between the time of Perrault (the 1600s) and Grimm’s (early 1800s), but that doesn’t fully explain it. Because Joseph Jacobs, of the infamous Jack stories, was a contemporary of Bärmann, and clearly had zero fondness for giants. (Fun fact: Jacobs was from Australia!)

I can see why Jack Zipes chose this story to revive as a part of his new “Forgotten Fairy Tales” series. If you’re a fan of Roald Dahl’s The BFG or Harry Potter’s friend Hagrid, you should check out The Giant Ohl. You can purchase it directly through the Wayne State University Press' website and I think you’ll find it delightful.
L'ogre et le petit poucet
by Honore Daumier, 19th century. Courtesy National Gallery of Art, Washington

About the reviewer:

Lily Stejskal has enjoyed reading, telling, writing, studying and re-imagining fairy tales, as well as other stories, all her life.  She started seriously interpreting and analyzing fairy tales at age fourteen. This served her well in college, where she studied English and Psychology.  Since then, Lily has been working on new fairy tale retellings and other types of fiction, for both children and adults.

Friday, January 26, 2018

"I Kill Giants" Gives Us Much More Than (Just) A Female Version Of Jack the Giant Slayer

“Barbara Thorson is your new hero. A quick-witted, sharp- tongued middle-schooler who isn’t afraid of anything. As the only girl in school carrying an ancient Norse warhammer in her purse and killing giants for a living, why wouldn’t she be? I Kill Giants is the sweeping, bittersweet story of a young girl struggling to conquer monsters both real and imagined as her world crumbles at the feet of giants bigger than any one child can handle.”
Anywhere you have a child, or young person, dealing with giants, the comparison to Jack (of giant slayer and beanstalk fame), is inevitable, and with this film, and it's graphic novel source, there is some sense to that. Despite the lack of enchanted, cloud-reaching plants to climb, this world of the bunny-ear-wearing 5th-grader heroine, Barbara Thorson, is filled with all the magic and peril of Jack's, and the metaphors work too, with or without the, er, flora. And with the trailer showing the lines between reality and fantasy being more than a little blurred, the echo of "Jack themes" is stronger than ever.

Take a look at the newly-released trailer. (Note: it's followed by a pre-released scene, with Barbara showing her new friend one of her "Giant traps".):



In Joe Kelly and J.M. Ken Niimura’s comic book, I Kill Giants, it’s unclear just how much of young Barbara’s giant-slaying adventures are real and how much are part of an elaborate fantasy world she’s created in her mind to escape from the emotional stresses of her actual life. The new trailer for the film adaptation does a good job of getting that point across. (iO9)
The graphic novel*, and the movie, take the nerdy outcast type and, unlike making her silent and withdrawn as is typical (especially for female characters), Barbara is outspoken, witty and takes no prisoners with her speech and humor, very much like the typical Jack of the various Jack tales (from beanstalks to giant slayings and much, much more). 

Although she's just as brash and energetic (and imaginative), it's clear that, unlike most versions of "Jack" we've seen, she is dealing with a lot of pain. Uniquely, this loner type is a character whom you can't simply pity, despite her situation and life-troubles; she requires the audience's respect as well. It's great to see and, from what we can tell, strikes a fairly rare balance in drawing a girl who is very different from, and still very like, any regular kid, and it's clear that this emotional balance has made loyal fans and readers out of many different people.

Here's a description of Barbara and the graphic novel premise by Joe Kelly, the writer & creator of the comics, and screenwriter for the movie adaptation, from an interview with CBR.com:
“The story follows Barbara Thorson, a troubled but resilient fifth grader who’s a bit of an outcast — Dungeons & Dragons, fantasy and general mopery are her hobbies. But it looks like she’s taking the fantasy thing a little too far. She’s always talking about giants, reading books on giants, setting traps for giants, getting ready to kill a giant. Almost the entire story is told from her point-of-view, so we see what she sees: pixies, critters, and a monster that lives upstairs in her house, so terrifying that Barbara only sleeps in the basement. So is she crazy, or does she know something that we don’t? Does she have an active imagination, or does she see another world? The story kicks off as this fantasy world begins to crack because of some outside forces–a bully, the school psychologist, and her first real friend.” (Joe Kelly, from an interview with CBR.com)

I Kill Giants deals with issues similar to those in A Monster Calls** (highly recommended by the way), of sickness and family concerns, as well as bullying, loneliness and friendship, anger, the very real pain children can have, and a different "coming-of-age", but it also has it's own mark to make, and, might be even more in touch with present societal concerns. In other words, Barbara may just be the heroine many people - girls in particular - are looking for right now.

Does Barbara bring to mind another modern fairy tale-type heroine as well? How about Fionna, (of Fionna and Cake) in the animated TV series Adventure Time? And it's not just the bunny ears. In the Adventure Time universe, Fionna is the hero of the time, and this version of the 'universe' in which she appears, is deliberately gender-swapped. Not only is she not Finn, (of Finn and Jake), she's not a boy. Boys are typically the loners who "go out and save the world" and have tales created around their adventures - their angst, their journey to maturation and their eventual triumphs. In the gender-swapped universe of Adventure Time, it's Fionna who fills this role, much to the delight of audiences*** and fans who loved seeing a weird-but-strong female character saving princes who needed saving, and in I Kill Giants, it's Barabara Thorson who takes it upon herself to save the town and school from impending destruction by giants. It should be noted that the town and school typically view her with either derision or concern and unlike most heroes, she's not given a pass for her quirks, let alone respect. In this respect, a female hero is often more alone than a male hero. At least boys, who are derided for their crazy ideas, are still ultimately respected for 'wanting to be a hero'. In a girl, this quality and the various manifestations of that, is just seen as "cray-cray".

It's great to see this addressed and these issue being given the respect they deserve. Using the lens of a fairy tale is playing a major part in this, and that's no coincidence. Nothing tells us the truth, quite like a fairy tale.

I Kill Giants, directed by Anders Walter and also starring Zoe Saldana and Imogen Poots, hits theaters March 23, 2018.

*The graphic novel has been nominated for a lot of different awards, including an Eisner, and received the International Manga Award in 2012.
**I Kill Giants was apparently pitched and began development around the same as A Monster Calls, but the latter, made with a bigger budget, ended up making it to the screen a year earlier.
*** The debut airing of the Fionna and Cake saw "a dramatic increase in all boy demographics" and "marked a 42% increase in viewers compared to a year earlier". (Source)

Monday, April 24, 2017

Huldufólk: Iceland Residency Exhibition celebrates hidden folk & folklore of the land

"Rain" by Justin Oaksford
There's been a renewed world-wide interest in Iceland's rich mystical heritage and land in the past few years, which is wonderful to see. We get excited about this because the fairy tales and folklore are, at first glance, very different from the wood based fairy tales and folklore most people are familiar with and associate with fairy tales, which brings a greater awareness to different types of tales world wide. Though at first look they might appear very different from the canonical fairy tales, it really doesn't take long to notice that these tales have grown out of the land, traditions and peoples, just like tales from other places have. And just like folk visiting the Black Forest in Germany feel close to and inspired by wonder tales, so too, it seems, that people visiting Iceland cannot help but feel that folkloric vibe, directly off the land itself.
"Near" by Bridget Underwood

"Troll Hill" by Andrew Olson

Light Grey Art Lab's Huldufólk Exhibition is all about unique Icelandic, land-based wonder, which, no surprise, includes folklore and fairy tales. Although not all pieces have clear depictions of folkloric creatures, and many pieces of the exhibition are straight landscapes, it doesn't take too much squinting to see giants, trolls and large land people crouching and brooding over the world in those paintings and sketches either. Do you see a sleeping giant head, with pointy beard, in the landscape below like we do?
"5" by Erin McGuire
The exhibition, which even with just a handful of specifically folklore and fairy tale focused subjects, inspired storytelling, grew out of a special, on location residency. A group of (lucky!) artists traveled to Iceland and toured, bringing their art supplies with them of course, to study the landscape and be inspired by the natural and mystical wonders in person. The exhibition is a collection of work created (or at least started) during the tour.
Huldufólk Exhibition celebrates the hidden folk, trolls, fairies and folklore found in Icelandic culture. The faces in the rocks, hidden pools, smoking earth, and ever-surprising landscape influences some of the characters and mythology inherent in Iceland storytelling. The Huldufólk Exhibition includes artwork by the artists that attended the Light Grey Iceland Residency in 2015. Each artist exhibits a unique collection of prints and originals inspired by their experiences in Iceland.
"To find your way in bad weather" by Kate O'Hara

"Thunder" by Justin Oaksford

"Iceland Proverb: The Hills" by Michelle Schwartzbauer

"Hrafntinna" by Corey Godbey
(who illustrates here how John Bauer's work grew out of the mythical landscapes of his beloved Scandinavian countries)

"To avoid ghosts and evil spirits" by Kate O'Hara

"Hear" by Bridget Underwood

Light Grey Art Lab brings together artists and designers from all sorts of disciplines to learn, educate and exhibit together, with the goal of fostering a 'global creative community'. Artists are welcomed to participate, submit from all over the world for various exhibitions, events and for special residencies, and it's no surprise to see folklore and fairy tale subjects pop up quite often - both as themes for an exhibit or as part of one. We've subscribed to make sure we don't miss out on anything wondrous in the future.

Friday, August 14, 2015

Disney's "Gigantic" News From D23 Today!

This is just breaking as I'm typing the post and people seem more excited about this news than anything else, including any news about Frozen 2, Moana (although that's a close second and I'll bring you up to date on that shortly), Zootopia, Winnie the Pooh or Once Upon A Time.


What is this, you're wondering? 

This is Disney's long-awaited Jack and the Beanstalk project Giants, now renamed Gigantic,  and news has been announced at the currently-running annual Disney fan expo, D23, in Anaheim California.

The story initially broken by Deadline, here's the gist (emphasis in bold and underlined is mine):
Disney said today at the D23 fan expo in Anaheim that its toon studio’s next project will be Gigantic, a Spain-set take on the Jack And The Beanstalk story.  Nathan Greno, who co-directed 2010’s Tangled, will helm the Disney Animation film with Dorothy McKim (Meet The Robinsons) producing. The film will hit theaters in 2018. 
“We want to make the definitive version of Jack And The Beanstalk,” Greno said onstage at D23. 
(Edit FTNH: Inserting official description below, rather than the paraphrased version) The director said: 
Set in Spain during the Age of Exploration, Disney’s “Gigantic” follows adventure-seeker Jack as he discovers a world of giants hidden within the clouds. He hatches a grand plan with Inma, a 60-foot-tall, 11-year-old girl, and agrees to help her find her way home. But he doesn’t account for her super-sized personality—and who knew giants were so down to earth? 
And it’s not just one Big Person at the top of the beanstalk but an entire world of giants from lots of different cultures, he said. The bad guys are the Storm Giants.
The premise isn't exactly new, though it will be interesting to see a grown-man Jack and giant child pair up. There's been more than one adaptation of the fairy tale that has multiple giants in the clouds. The 'set in Spain' part has sort of been done too, but still, this is the Disney version and soon people will have trouble remembering that. Let me rephrase that: this is the Disney FEATURE-LENGTH version. This will actually be the Disney company's FIFTH adaptation of the English fairy tale, including the animated versions in 19922, and the next in 1947, the Once Upon A Time version (in which Jack was Jaqueline and not-so good-of-heart) and the recent Disney movie version of Into the Woods, directed by Rob Marshall.
Did we mention that the music is being written by the duo who created Frozen's wildly successful soundtrack? They're far enough along in the process that they played (and sang) one of the songs at the D23 presentation - after Jack meets the giant girl Inma. Apparently it was "aw-dorable!" Being that the giant is 11 years old, we shouldn't be treated to any teenage angst songs like the infamous Frozen ballad, but there's a lot of warning about getting tugs on the heartstrings and the need to bring tissues so you never know.
And here's additional tidbits reported from various places.

CinemaBlend:
To add some cultural flare to film, it is actually set in Spain during the Age of Exploration, so expect Jack to be something of a Christopher Columbus of the skies. 
In addition to the officially released news, our own Eric Eisenberg is reporting from D23, and from what info he's gathered there, it sounds like Gigantic will include entire societies of different sorts of giants, including Storm Giants, who will act as the villains of the story, and will be twice as big as the girl Jack makes friends with. The character of Jack will be a grown man, as opposed to the youth that he is often portrayed as, which will be important to the interaction between Jack and Inma as the film will focus on the relationship between the adult, yet small human, and the young, yet huge, giant.
From InsideTheMagic:
As the announcement was made, a giant green beanstalk emerged on the D23 Expo 2015 show floor in the Walt Disney Animation Studios pavilion, surrounded by sound effects of a cow mooing and a giant grumbling. Artwork was (also) shown during the presentation. (Edit FTNH: I've inserted the main pics throughout this post.)
The definitive version, hey? I just can't imagine that, even if they do include the famous "Fee Fi Fo Fum" line. 

Dreamworks did an impressive homage to the fairy tale in their Puss In Boots film, but it wasn't the main image of the movie, so tends to be forgotten (worth a look if you haven't seen it - the whole film was far better in the use of fairy tales than I expected, for many reasons).

Oh and check out the cow in the clip below of the giant beanstalk 'prop' that appeared during the presentation, as well as a good look at the storybook Spanish village as well:

But no matter how this pans out, I'm excited to see this classically boys' fairy tale come into the Disney feature length canon and am curious to see what they do with the tale. More than that, though, I'm curious to see how people then re-discover and discuss Jack and the Beanstalk, which, if you read this blog, you'll know is one of my favorites. (Plus, my son's name  - yes my love of fairy tales had a BIG influence on his name choice - is going to have a whole Disney styling he can call his own! Sort of... Yes I am particularly biased in being excited about Jack and the Beanstalk things and there's no way it's going to be like Jack the Giant Slayer that, um, 'happened' a couple of years ago. At least some of those beanstalk posters were seriously awesome, [especially THIS one] even if the movie was... not.)

OK. I will admit this one thing: this movie is going to come complete with a ton of beanstalk products I am going to NEED (yes NEED I tell you!) and I am starting to save this very minute..! A giant beanstalk, along with a red hood, is one of the universal symbols for all things fairy tale. I don't care that it's been done to death, is well known etc etc. The sight of a giant beanstalk always sends me to a happy place. Expect more greenery in the Once Upon A Blog offices the moment merchandising and dollars collide.

So what do you think about all this? (Beanstalk product awesomeness or not?)

Monday, June 17, 2013

Herakut: "My What Big Tales You Have!"

"The little giants & the goddess of dreams" - 2nd mural in Lexington KY, USA
Herakut are taking their new fairy tale to the streets, then leaving it there, one chapter at a time...


 The Giant Storybook Project by German street artist-duo Herakut is one of my coolest discoveries of late. The artists are creating a new children's book (chock-full of fairy tale themes), wall by wall around the world.
Waking the Giant from The Giant Storybook Project - Montreal, Canada
The project began in September 2012 and is continuing throughout 2013 so we can watch as the story of Lily, Jay and two giants unfolds (if you're lucky and live in a town they will be painting in - literally!) in murals and on buildings (from warehouses to monasteries) around the globe. Check HERE for some very cool pics on the development of a few different paintings. There is also a fantastic and beautiful promo video below which shows some of the process too.


If you aren't familiar with Herakut here's a little background from Inspire Me:
1st mural "Lily & the silly monkeys" also in Lexington, KY USA
Herakut is comprised of Hera, a classically trained painter who “creates gestural, emotional figures in a freestyle manner using numerous tools including spray cans, brushes, and her hands.” and Akut, a completely self-taught yet skilled painter, creating hyper-realistic images of animals and flesh using only a spray can. 
Their pieces range from traditional canvases to urban decay art installations / murals and can be seen clear across Europe. Their pieces are loaded with symbolism and context and you’d be hard pressed to stand before their work and not feel a piece of you reach out in appreciation or possibly discomfort. (More on their work, book releases and projects at the Inspire Me link above.)
I've also created a Pinterest board dedicated to their artwork - which includes a number of The Giant Storybook Project pieces - and chose pieces that display their use of symbolism, metaphor, animal people and fairy tale themes in images and words, painted in unexpected urban places. You can see that board HERE.
Miami FL, USA - 8th mural of The Giant Storybook Project
You can follow The Giant Storybook Project (and Herakut) on Facebook HERE, on Pinterest HERE and on Tumblr HERE.

Here's their description from Facebook:
"I am different" painted on side of a monastery in Eresing, Germany

We are Giants and Children and Monkeys and Chameleons. Come along and see our story...
The Giant Storybook Project will follow the creation of a new children's book being created by the internationally-renowned street artist duo Herakut. Launched in September 2012 and continuing through 2013, the project follows the artists as they introduce the story's characters on murals that they are painting around the world. If you're in one of the cities where we're painting, come on by! If not, follow the progress through this (Facebook) page. Either way, get to know Lily, Jay (her brother), the giants, and the other interesting characters as they reveal more of themselves over the coming months!

Jay's Creative Spirit - The Giant Storybook Project installment in Leslieville, Toronto, Canada
And here's an excerpt from Chapter 1; the first draft, of Herakut's Giant Storybook:

They were also involved in the (crazy-popular music event) Coachella, teaming up with Poetic Kinetics Inc. this year in April with their giant (seriously giant!) snail Helix, to help promote their project and spread inspiration.

Helix in the sunset at Coachella 2013
Currently they have completed eleven storybook page murals (I believe Helix's paint does not count as a storybook page) and are working on fundraising projects (via some truly beautiful looking prints, among other things) before they continue traveling, painting, storytelling and inspiring...
"Will power always consume the ones that seek it?"
Possible children´s-book-version of our wall in Rochester, NY.
Here's a list of where the The Giant Storybook Project murals are so far:

    Lily & Jay meet up in Kathmandu, Nepal
  • Lexington KY, USA (murals 1 & 2)
  • Eresing, Germany (3)
  • Montreal, Canada (4)
  • Toronto, Ontario, Canada (5)
  • Rochester NY, USA (6)
  • San Francisco CA, USA (7)
  • Miami FL, USA (8)
  • Melbourne VIC, Australia (9)
  • Kathmandu, Nepal (10)
  • Lily at Coachella (on Helix) Indio CA, USA (no notes on where Helix can be seen sorry)
  • Bad Vilbel, Germany (11)
Print of Lily for fundraising*
Oh and YES! 

There will definitely be a book of The Giant Storybook Project (on the various pages I've linked to, you can see Herakut making mock-ups of how a mural could be adapted for print as a page or double-page spread for a book). It is yet to be named although, really, The Giant Storybook Project seems just fine. :)

The release date is, understandably, yet to be announced. 
"How you do something reveals your talent. Why you do something reveals your character." Lily uses her gift to make gifts. June 2, 2013 - The Giant Storybook Project latest installment: Bad Vilbel, Germany




*The print is (adorably) titled "You know there is something wrong with you if you don't even get along with your imaginary friends."

Tuesday, January 12, 2010

Psst!

Red Keds Design Collective (from Russia) - 33 Fairy Tales project
(Individual artist of this piece unknown)

Giant
Fairy Tale News
Special New Year's
'Bumper Edition'

coming shortly!


Stay tuned...
:)